| 1. |
- Ambjörnsson, Fanny, et al.
(författare)
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Introduction: Feminist Cultural Studies
- 2013
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Ingår i: Culture Unbound. - : Linkoping University Electronic Press. - 2000-1525. ; 5, s. 127-131
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Becker, Karin, et al.
(författare)
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Passages
- 2004
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Annan publikation (populärvet., debatt m.m.)
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| 3. |
- Becker, Karin, et al.
(författare)
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Passages
- 2004
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Annan publikation (populärvet., debatt m.m.)
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| 4. |
- Fornäs, Johan, 1952-, et al.
(författare)
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Consuming Media : Communication, Shopping and Everyday Life
- 2007
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Inspired by Walter Benjamin-s classical Arcades Project, Consuming Media is a pioneering exploration of the interface between communication, shopping and everyday life. Based on a six-year -intersectional- ethnographic fieldwork by over a dozen scholars on a specific site, it analyses the links between media and consumption in contemporary urban culture and public space. The book is organized into ten chapters. The first two chapters introduce key ideas and theories. In the next four chapters, four large media circuits are scrutinized. The final four chapters discuss the results in terms of intermedial relations, time, space and power. The book thus offers a new foundation for understanding media use, consumption and the fate of urban public space in late modernity
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| 5. |
- Fornäs, Johan, et al.
(författare)
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Consuming Media : Communication, Shopping and Everyday Life
- 2007
-
Bok (övrigt vetenskapligt/konstnärligt)abstract
- Inspired by Walter Benjamin's classical Arcades Project, the authors explore the interface between communication, shopping and everyday life. Based on a six-year study by over a dozen scholars on a specific site, the book analyses the links between power, media and consumption in contemporary urban culture. Four main media circuits are examined - print media, media images, sound and motion, and hardware machines - to assess how media texts and technologies are selected, purchased and used. Exploring the relations between different media, cultural citizenship and power relations of public space, the book presents an ethnography of globalization and develops a new approach to understanding media consumption.
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| 6. |
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| 7. |
- Ganetz, Hillevi, 1956-
(författare)
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Fame Factory : Performing Gender and Sexuality in Talent Reality Television
- 2011
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Ingår i: Culture Unbound. - Linköping : Linköping University Electronic Press. - 2000-1525. ; 3
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Tidskriftsartikel (refereegranskat)abstract
- This article discusses how gender and sexuality are performed in a highly feminised cultural symbolic context. The object of study is a reality show where the contestants compete in mainstream popular music. Fame Factory is a Swedish talent-hunt television series with many similarities to Pop Idol. The audience may follow the struggle of the young artists off stage in the ‘Fame School’ in addition to seeing and voting on their feats on stage. In the Fame School they learn to sing, perform and dance, but also to perform masculinity, femininity and sexuality, even if this is not explicit. Through an analysis of some key episodes of this reality show, the article discusses how gender and sexuality are produced and reproduced within this music television context. It is shown how the performances rest on highly traditional conceptions of these categories, but there are also certain transgressions, especially concerning sexuality, which undermine hegemonic structures.
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| 8. |
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| 9. |
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| 10. |
- Ganetz, Hillevi, 1956-
(författare)
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Jewel in the Crown : The Nobel Banquet Broadcast as Co-Construction
- 2018
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Ingår i: Nordicom Review. - : Walter de Gruyter GmbH. - 1403-1108 .- 2001-5119. ; 39:2, s. 111-126
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Tidskriftsartikel (refereegranskat)abstract
- This study explores the aims of the Nobel Banquet broadcast, produced by the Swedish public service company SVT and the Nobel Foundation. The study suggests that the programme can be viewed as a co-construction of science and media, and that the Nobel Foundation has three primary purposes: 1) to teach the audience about science; 2) to honour the laureates; and 3) to maintain and increase the status of the Nobel prize. SVT, for their part, has two main purposes: 1) to teach their audience about science, and 2) to entertain. The aims of the Nobel Foundation and SVT may seem disparate, but they are interrelated. At the same time, the subtleties between the entities create a tension that develops through mutual negotiations. The study ends with a discussion of two unexpected findings: 1) the shared, yet essentially differently-grounded aims of both parties to inform about science, and 2) the fact that their scientific content has increased in both absolute and relative terms over the years, a finding that questions notions of a continuous mediatisation of social institutions.
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