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- Grinell, Klas, 1969
(författare)
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Framing Islam at the World of Islam Festival, London, 1976
- 2018
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Ingår i: Journal of Muslims in Europe. - : Brill. - 2211-792X .- 2211-7954. ; 7:1, s. 73-93
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Tidskriftsartikel (refereegranskat)abstract
- This article focuses on a neglected historical example where contemporary museological framings of Islam in Europe were established—the World of Islam Festival in London, 1976. The material consulted consists of the publications and materials from the Festival Trust, media coverage and academic discussions of the Festival. These are analyzed from a frame theory perspective. The Festival is situated in a very specific historical period after the advent of Gulf oil money, but before the resurgence of Islam and the Iranian revolution. It was framed by the traditionalist perspective of Frithjof Schuon and Seyyed Hossein Nasr and in large part funded by the United Arab Emirates. It is argued that what might at first appear to be a festival celebrating the presence of Muslims in modern Britain acted to stabilize a dichotomy between Islam and modernity that is still dominant in museological framings of Islam in Europe.
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- Grinell, Klas, 1969
(författare)
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Ilm al Hududiyya: Un-inheriting Eurocentricity
- 2017
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Ingår i: Cultural borders of Europe: Narratives, concepts and practices in the present and the past / edited by Mats Andrén, Thomas Lindkvist, Ingmar Söhrman and Katharina Vajta.. - New York : Berghahn Books. - 9781785335907 ; , s. 54-70
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Bokkapitel (refereegranskat)
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- Grinell, Klas, 1969
(författare)
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Muhammad at the Museum: or Why the Prophet is not present
- 2019
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Ingår i: Religions. - : MDPI AG. - 2077-1444. ; 10:12
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Tidskriftsartikel (refereegranskat)abstract
- This article analyses museum responses to the contemporary tensions and violence in response to images of Muhammad, from The Satanic Verses to Charlie Hebdo. How does this socio-political frame effect the Metropolitan Museum of Art in NY, the V&A and British Museum in London, and the Louvre in Paris? Different genres of museums and histories of collections in part explain differences in approaches to representations of Muhammad. The theological groundings for a possible ban on prophetic depictions is charted, as well as the widespread Islamic practices of making visual representations of the Prophet. It is argued that museological framings of the religiosity of Muslims become skewed when the veneration of the Prophet is not represented.
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- Grinell, Klas, 1969
(författare)
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The Soteriology of Heritage: UNESCO, salvation and the museum
- 2018
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Ingår i: Museums and the sacred: Material for a discussion / Editor François Maires. Papers from the ICOFOM 41th symposium held in Tehran (Iran), 15-19 October 2018. - Paris : IFOCOM. - 9789290124474
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Konferensbidrag (refereegranskat)
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