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Corpus troporum. 7, Tropes du Sanctus : tropes de l'ordinaire de la messe : introduction et édition critique
- 1990
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- The present volume. Tropes du Sanctus, is a Corpus Troporum edition of liturgical tropes to the chants of the medieval Roman mass. This edition, the second in the series of Ordinary tropes, is based on 137 manuscripts dating from the tenth through the thirteenth centuries.The volume encompasses three major parts: an introduction, the edition and an inventory. In the introduction is presented the base chant and the medieval interpretations of the text. It also contains a study of the compositional forms of the tropes added to this chant, followed by a study of the different themes of the trope texts and a short summary of the various forms of versification.The central part of the volume consists of a critical edition of 174 texts added to the Sanctus chant. The Sanctus tropes are edited as unites, as are the Agnus Dei tropes in volume IV, and not like elements of Proper tropes.The edition is followed by a table which corresponds to the tables of the volumes of Proper tropes, presenting all combinations of the trope verses of each manuscript.The third major part of the volume is a detailed inventory of the repertories of Sanctus tropes in the manuscrips of the edition. It provides information on the localisation, rubrics and structure of each single trope, as well as the melody of the specific Sanctus chant connected to each trope.Finally, the volume contains several indices, a bibliography and 32 plates.
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- Iversen, Gunilla, 1941-
(författare)
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Biblical interpretation in tropes and sequences
- 2007. - 1
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Ingår i: The journal of Medieval Latin. - Turnhout : Brepols. - 0778-9750. ; 17, s. 210-225
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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- Iversen, Gunilla, 1941-
(författare)
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Corpus Troporum XII. Tropes du Gloria : Vol. 2. Aperçu des manuscrits
- 2014
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Bok (refereegranskat)abstract
- Volume 2 publishes 32 plates from the manuscripts used in the edition. It then provides an overview of the entire Gloria repertory, listing all the manuscripts by place of provenance (coinciding with the order of collation) and detailing information on the place of insertion of each verse in the tropes and prosulas, including liturgical rubrics and melodies. French musicologist Marie Noël Colette contributes to this volume with musical transcriptions and annotations of a selection of troped Gloria chants. Indices and bibliography conclude the volume.
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- Iversen, Gunilla, 1941-
(författare)
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Corpus Troporum XII. Tropes du Gloria : Volume 1. Introduction et édition des textes
- 2014
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Bok (refereegranskat)abstract
- The present volume is an edition of medieval liturgical tropes to the most extensive chants of the Roman Mass, Gloria in excelsis Deo. Following the editions of tropes to the Agnus Dei and Sanctus by the same editor in the series Corpus Troporum, this is the third part dedicated to Ordinary tropes. It is based on 137 manuscripts dating from the ninth through the thirteenth centuries.Volume 1 contains an introduction presenting the Gloria chant, its history and its interpretation by medieval commentators. Iversen presents the various compositional methods used by medieval compilers, who, combining ‘wandering’ verses, could vary the form of the troped chant in almost unlimited ways. The innovative aspect of this edition is to present for the reader as much material from this extensive poetic tradition while keeping faithful to the manuscript witnesses.Thus the main part of the first volume contains the critical edition of 152 tropes and prosulas amounting to thousands of verses, in various ways and at various points inserted into the Gloria chanted in the medieval Mass.
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- Iversen, Gunilla, 1941-
(författare)
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From Jubilus to learned Exegesis : new liturgical poetry in twelfth-century Nevers
- 2009
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Ingår i: Sapientia et eloquentia. - Turnhout : Brepols. - 9782503520575 ; , s. 203-258
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- In a number of interrelated case studies of earlier unexplored poetic and musical material dating from the ninth through the thirteenth centuries, the scholars explore and shed further light on changes in functions and forms in poetry, particularly in liturgical poetry, and in medieval interpretations of this poetry and music. Although the earlier part of the twelfth century remains the focus of the book, this should not be taken as a clearly delimited period. Many of the phenomena dealt with had roots in earlier times and did by no means end with the 'high Middle Ages'. In several articles, the poetical heritage of the Carolingian environment of the palace school of Charles the Bald is examined – a poetic before the poetics, the place and function of music in the liturgical context, to name but two subjects that are treated. With the twelfth century, the ideas developed during the preceding centuries finally took a more institutional shape; in the present book, we see this phenomenon represented in Peter Abelards hymnary for the Paraclete, ritual representations and liturgical drama, in commentaries to biblical poetry, such as the Glossa ordinaria to Lamentations. Finally, the interpretation and understanding of musical texts, exemplified by the view on Boethius’ De Musica and the new literary genre represented by commentaries to Sequences in the later middle ages give the volume a final touch and tie its end again to the beginning.
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- Iversen, Gunilla, 1941-
(författare)
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Introduction
- 2009
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Ingår i: Sapientia et eloquentia. - Turnhout : Brepols. - 9782503520575 ; , s. 1-7
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- In a number of interrelated case studies of earlier unexplored poetic and musical material dating from the ninth through the thirteenth centuries, the scholars explore and shed further light on changes in functions and forms in poetry, particularly in liturgical poetry, and in medieval interpretations of this poetry and music. The present volume thrusts the reader into the intellectual turmoil of the period in medieval Europe that is often characterized by Peter Abelard and his controversies with contemporary authorities. Although the earlier part of the twelfth century remains the focus of the book, this should not be taken as a clearly delimited period. Many of the phenomena dealt with had roots in earlier times and did by no means end with the 'high Middle Ages'. In several articles, the poetical heritage of the Carolingian environment of the palace school of Charles the Bald is examined – a poetic before the poetics, the place and function of music in the liturgical context, to name but two subjects that are treated. With the twelfth century, the ideas developed during the preceding centuries finally took a more institutional shape; in the present book, we see this phenomenon represented in Peter Abelards hymnary for the Paraclete, ritual representations and liturgical drama, in commentaries to biblical poetry, such as the Glossa ordinaria to Lamentations. Finally, the interpretation and understanding of musical texts, exemplified by the view on Boethius’ De Musica and the new literary genre represented by commentaries to Sequences in the later middle ages give the volume a final touch and tie its end again to the beginning.
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