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“Distantly a part”: Wallace Stevens and the Poetics of Modernist Autonomy

Han, Gül Bilge, 1984- (author)
Stockholms universitet,Engelska institutionen,Department of English, Stockholm University
Ekelund, Bo G., Associate Professor (thesis advisor)
Stockholms universitet,Engelska institutionen
Eeckhout, Bart, Professor (thesis advisor)
University of Antwerp
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Jenkins, Lee Margaret, Senior Lecturer (opponent)
University College Cork
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 (creator_code:org_t)
ISBN 9789176492109
Department of English, Stockholm University, 2015
English.
  • Doctoral thesis (other academic/artistic)
Abstract Subject headings
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  • This dissertation explores the social and political dimensions of aesthetic autonomy as it is given formal expression in Wallace Stevens’s poetry of the 1930s and the early 1940s. Whereas modernist claims to autonomy are often said to rest upon an ideological assertion of art’s detachment from socio-historical concerns, I argue that, in Stevens’s work, autonomy is conceived in relational terms, which gives rise to new lines of interconnection between his poetry and its cultural situation. Written over a period when the political efficacy of literature became a staple of discussion among a myriad of writers and critics, Stevens’s poetry offers an understanding of autonomy not as an escape from, but as a productive condition for imagining alternative forms of engagement with the historical crisis with which it has to reckon. In taking into account the cultural context from which Stevens’s poetics of autonomy emerged, my study aims to highlight the significance of the concept to the poet’s exploration of the tension between aesthetic and social domains, to his imaginative formations of collective agency, and to the vexed relationship between poetic and philosophical modes of thinking. By transposing the theoretical discussion of autonomy into the register of historical scrutiny, I hope to pave the way for a rethinking of autonomy and its relevance to the period’s radical and modernist writing, literary debates, and cultural politics. For this purpose, I draw on recent theories, such as those offered by Jacques Rancière and Alain Badiou, on poetry, politics, and (in)aesthetics, which serve to complicate the working definitions of modernist autonomy as literature’s immunity from the world, and to indicate an alternative path for analyzing its critical and contextual implications.

Subject headings

HUMANIORA  -- Språk och litteratur (hsv//swe)
HUMANITIES  -- Languages and Literature (hsv//eng)
HUMANIORA  -- Språk och litteratur -- Litteraturstudier (hsv//swe)
HUMANITIES  -- Languages and Literature -- Specific Literatures (hsv//eng)
HUMANIORA  -- Språk och litteratur -- Litteraturvetenskap (hsv//swe)
HUMANITIES  -- Languages and Literature -- General Literary Studies (hsv//eng)

Keyword

Wallace Stevens
aesthetic autonomy
modernism
poetry
social engagement
politics of aesthetics
collectivity
inaesthetics
philosophy
English
engelska

Publication and Content Type

vet (subject category)
dok (subject category)

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