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Sökning: WFRF:(Josephson Peter) > Övrigt vetenskapligt/konstnärligt

  • Resultat 1-10 av 32
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1.
  • Camerer, Colin, et al. (författare)
  • Correspondence : Are Cognitive Functions Localizable?
  • 2013
  • Ingår i: Journal of Economic Perspectives. - : American Economic Association. - 0895-3309 .- 1944-7965. ; 27:2, s. 247-250
  • Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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2.
  • Drakman, Annelie, et al. (författare)
  • Inledning
  • 2021
  • Ingår i: Vetenskapens förtrollning och avförtrollning. - Göteborg : Daidalos. - 9789171736413
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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4.
  • Eriksson, Jens, 1982- (författare)
  • The End of Piracy : Rethinking the History of German Print Piracy in the Early Nineteenth Century
  • 2016
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This dissertation is an historical study of the German book trade in the early decades of the nineteenth century. In this period, German states passed authorial rights reforms that prompted energetic discussions about the definition of authorship and unauthorized reprinting. What was to count as a new publication? What was authorship? How did it differ from book piracy? By addressing these questions, this dissertation advances two principal arguments. The first deals with the idealist reconceptualization of authorship that took place around 1800. I argue that the spread of idealist authorship helped book merchants market recycled publications as new works and defend their publications against the charge of piracy. My second argument concerns the size of the German reprinting industry. Against the widespread view that print piracy came to an end in the early nineteenth century, I argue that disputes over the definition of unauthorized reprinting made the size of the German reprinting industry a contentious matter.The study consists of three empirical chapters. The first examines reactions to the confederal ban on unauthorized reprinting from 1837, as well as the construction of authorship that philosophers such as Immanuel Kant and Johann Gottlob Fichte helped establish around 1800. The second chapter explores the history of the Stuttgart publisher Carl Erhard’s Conversations-Lexikon, a publication that was at the heart of the debates studied here. The third chapter focuses on the Leipzig book fair catalog and efforts to quantify the number of new German books published each year. Attempts to quantify new publications raised pressing questions about the difference between new works and reprints. In the ensuing discussions, disputes over the definition reprinting evolved into disagreements over the prevalence of piracy on the book market. In this regard, the controversies raised over the definition of unauthorized reprinting offer lessons about much more than a particular moment in the history of piracy. Taken together, the three chapters grapple with the power of words to not only describe things and practices, but also to shape our perception of entities such as the market.
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5.
  • Haffenden, Chris (författare)
  • Every Man His Own Monument : Self-Monumentalizing in Romantic Britain
  • 2018
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • From framing private homes as museums, to sitting for life masks and appointing biographers, new forms of self-monumentalizing emerged in the early nineteenth century. In this study I investigate the emergence and configuration of such practices in Romantic Britain. Positioning these practices at the intersection of emergent national pantheons, a modern conception of history, and a newly-formed celebrity culture, I argue that this period witnessed the birth of distinctively modern ways for the individual to make immortality. Faced with a visceral fear of being forgotten, public figures began borrowing from celebrity culture to make their own monuments.Concentrated upon early nineteenth-century London, I characterize these practices as attempts at self-made immortality.  I do so by analyzing the legacy projects of three well-known but seldom connected individuals: the Auto-Icon by the philosopher Jeremy Bentham (1748–1832), the Soane Museum by the architect Sir John Soane (1753–1837), and the life-writing efforts of the painter Benjamin Robert Haydon (1786–1846). Employing both sociological and materialist frameworks to analyze the making of immortality, I contend that these projects were characteristic of a novel regime for the production of lasting renown. Whereas earlier scholarship on Romantic recognition has tended to focus either on mass-media celebrity or the longer history of canon-formation, I highlight the interactions of celebrity and monument embodied in entrepreneurial efforts to secure future recognition.In Every Man His Own Monument, I demonstrate how a constellation of media forms and recording practices we now take for granted—the statuary figure, the house museum, and the published Life—assumed a central place within a new memorial regime. Bringing the historical roots of self-monumentalizing individuals to light, this study contributes to discussions both within the History of Celebrity and Cultural Memory Studies, and to broader debates regarding our Instagram-saturated present.
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6.
  • Halverson, Kristin (författare)
  • Tools of the Trade : Medical Devices and Practice in Sweden and Denmark, 1855-1897
  • 2022
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • Nineteenth-century medicine is characterised by rapid technological change, new methods of diagnostics and treatments of disease, far-reaching developments in medical science, and professionalisation. This has led to great interest in the period and a large body of scholarly and popular research. However, much of this scholarship studies British, German and French contexts. There is a pressing need to study how knowledge and practice were transferred between regions and how medical technologies were adapted locally.In this study, I examine changes in medical practice in Sweden and Denmark by centring medical devices, as they were described and discussed in Swedish and Danish medical journals between 1855 and 1897. This is done by exploring the relationships between device, practice, and knowledge in four technological areas and how their use was explained in these journals. The four technological areas are lensed and mirrored instruments for examining the nose, throat, and eyes; orthopaedic treatment; antisepsis according to Joseph Lister; and asepsis. All four areas are well-researched internationally but entail a number of local particularities. These are significant in understanding local circumstances involved in their practical adoption.The analysis of these areas illustrates that, despite the international exchange of medical knowledge, knowledge was not always translated into practice seamlessly, in particular when involving the use of devices. Because of this, many of the articles exploring these technologies were instructional and attuned to local conditions. Practice unfolded in different ways, accounting for local circumstances. This thesis highlights the importance of examining the proliferation of nineteenth-century medical technologies on the local level and in practice, in order to better understand the practical predicaments involved in their use.
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8.
  • Historiska typer
  • 2020. - 1
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • Historikerns källmaterial befolkas ofta av standardiserade typer. Somliga typer har en mycket begränsad livslängd medan andra är mer beständiga. I boken lyfter ett antal forskare och skribenter fram varsin typ ur det nära eller fjärran förflutna.
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9.
  • Jansson, Anton, et al. (författare)
  • Universitetets gränser
  • 2019
  • Ingår i: Lychnos: årsbok för idé- och lärdomshistoria. - Göteborg : Arche Press. - 0076-1648. ; 2019, s. 334-336
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)
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