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Träfflista för sökning "WFRF:(Nilsson Anna) ;mspu:(artistic)"

Sökning: WFRF:(Nilsson Anna) > Konstnärligt arbete

  • Resultat 1-7 av 7
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1.
  • Dumitrescu, Delia, et al. (författare)
  • Smart Textiles as raw materials for design
  • 2014
  • Ingår i: Shapeshifting. - Auckland, New Zealand : Textile and Design Laboratory and Colab, Auckland University of Technology. - 9781927184271
  • Konferensbidrag (refereegranskat)abstract
    • Materials fabricate the designed artefact, but they can also play an important role in the design process; as a medium or method used to develop the design. Textiles can, with their soft and flexible properties, be easily transformed and altered in numerous ways; for example, by cutting, folding orprinting on the material. This transformative character makes textiles interesting sketching media for surface explorations when designing artefacts. The development of transformable materials; for example, fusible yarns and colour changing pigments, have expanded these inherent transformative qualities of textiles and have opened up the design field of smart textiles. Accordingly, this new material context has created a new area for textile designers to explore, where it is possible to enhance and play with the alterable character of their textiles, and control their transformation through physical manipulation and programming. However, these expanded transformative properties also open up a new task for textile designers; to design "smart textiles as raw materials for design". By this term we mean, textiles that are not finished in their design but that can be developed and enhanced when they take part in a product or space design process. In this article, we explore and start to define what smart textiles as raw materials for design can be, and look at how these materials can come into and add something to another design process. The foundation for this exploration is a number of textile examples from the “Smart Textiles sample collection” and our experiences when developing and designing with them. (The Smart Textiles sample collection is a range of textiles that is designed and produced by the Smart Textile Design Lab, to give students, designers and researchers direct access to different types of smart textiles). The possibilities and limitations of smart textiles as raw materials for design are explored by looking at the textile examples from two perspectives: firstly, by looking at the considerations that come with designing this type of textile design, and secondly by looking at what these transformative textiles can bring to another design process. Each example is analyzed and classified according to what transformable design variables for structure and surface change can be embedded in the textile design, and what design variables this subsequently creates for a design process that uses these materials i.e., describing what type of transformation different examples of smart textiles introduce to the design process/design space; whether the change is reversible or irreversible, and whether the change occurs through physical or through digital manipulation of the material. This article ends with a discussion of how smart textiles in the form of raw materials for design could influence how we design textiles and how we design with textiles. Can transformative materials enrich material explorations in a design process? Can further development and alteration of the material design be introduced or defined by the textile designer? Could smart textiles as raw materials for design open up a stronger connection between the design of textiles and the design of the product or spaces where they will be used?
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2.
  • Litteraturen i arbete : Vänskrift till Peter Forsgren
  • 2022
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • Litteraturen i arbete består av birag som undersöker hur litteraturen, litteraturvetenskapen och andra humanistiska inriktningar kan arbeta i relation till sin omgivning. Texterna är skrivna på svenska, danska och engelska, och omfattar skilda genrer och ämnen: mellan pärmarna samsas litteraturvetenskapliga artiklar med dikt, essäer och dialoger, och många bidrag kretsar kring ämnen som modernitet, genus och klass, några av dem i kombination med ekokritiska eller postkoloniala frågeställningar.
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3.
  • Nilsson, Anna-Lill (författare)
  • Reflexionspunkter : fenomenografi som metod
  • 2010
  • Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
    • This is an artistic investigation in two parts about how mirrors affect the experience of time and place in different landscapes, where I apply a qualitative research method to analyse, structure and evaluate my work. In part two I continue and reflect the result from part one through new mirror investigations in combination with text.
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4.
  • Nilsson, Linnéa, et al. (författare)
  • Recurring patterns : Like textile
  • 2011
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • Two pieces of interactive furniture were exhibited in the exhibition "Like Textile" as a part of Milan design week, 12-17 of April 2011. The print on the surface of the furniture can change its expression over time, or in relation to someone touching or sitting on the surface. The prototypes were developed in a project called Recurring patterns, where we explore the process of designing dynamic patterns over time.
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5.
  • Nilsson, Linnéa, et al. (författare)
  • Recurring patterns : Stockholm furniture fair
  • 2011
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • Two pieces of interactive furniture were exhibited at the Stokholm furniture fair, 8-12 of February 2011. The print on the surface of the furniture can change its expression over time, or in relation to someone touching or sitting on the surface. The prototypes were developed in a project called Recurring patterns, where we explore the process of designing dynamic patterns over time.
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6.
  • Satomi, Mika, et al. (författare)
  • Recurring Patterns
  • 2011
  • Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
    • What if your furniture expresses appreciation when you sit on them? Or what if they call for attention if they have been empty for too long? Textiles always change expression over time due to use and exposure to sunlight, moist, etc. The textile on these pouffes changes expressions in a dynamic interplay with their use. A bright pattern is gradually revealed when someone sits on them but hid again when they stand idle by. In other words, their patterns are recurring in both space and time.
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  • Resultat 1-7 av 7

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