| 1. |
- Bondesson, Amy, et al.
(författare)
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Textile Dimensions
- 2008
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- In this project we create a link between body, textile material and space. Textiles and garments shall inspire to motion that generates variability. When a body moves through a space, touches other bodies and parts of its garment, it affects the visual expression in the room. More specifically the background changes and adapts partially to the pattern of the garments. The base for our investigation is to perform artistic work with the expression of set design in the centre, that shows the possibilities, matters and values of fashion and textile design beyond the traditional boundaries. The tapestry is weawed in cotton, steel and wool. Print in heat sensitive pigment (supplier Variotherm Zenit Konsthantverk AB). The dresses are knitted in cotton and silverthreads. Acknowledgements: The burn-out experiments were made at IFP Research in Borås. The knitted samples and the tablecloth were made together with Tommy Martinsson and Folke Sandvik at the knitting department at the Swedish School of Textiles, University College of Borås.
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| 2. |
- Dumitrescu, Delia
(creator_code:cre_t)
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designing with heat
- 2009
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Konstnärligt arbeteabstract
- Aiming to open a new design space that connects three areas of architectural, interaction and textile design, the knitted structures Furry lines and Groovy squares were designed. By combining conventional textile yarns together with conductive yarns, the result investigates the sensation of warmth through the design of knitted structures. The purpose is to offer a synesthetic experience that correlate the physical and visual perception of space and focuses on tactility as an asset to create interactive architectural environments. The structures were made using different knitting techniques, combining a silver-coated copper yarn and conventional textile yarns. The silver coated copper yarn is used both for heat generating and touch sensing properties. Connected to a microcontroller able to sense and react on small differences in electricity, the textile becomes a touch sensor itself. By offering feed-back to hand touch DESIGNING WITH HEAT DELIA DUMITRESCU ANNA PERSSON by becoming warmly pleasant to the skin, new types of patterns can be created using the combination between heat and human touch that exceed the visual dimension. Designing with heat exemplifies how visible and invisible expressions merge into one experience, expressed through the textile material. The textile structure is perceived both through the eyes of imagination and the skin as heated patterns. The prototypes show how heat could be part of the surface aesthetics alongside with colour and shape.
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| 3. |
- Dumitrescu, Delia, et al.
(författare)
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Smart Textiles as raw materials for design
- 2014
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Ingår i: Shapeshifting. - Auckland, New Zealand : Textile and Design Laboratory and Colab, Auckland University of Technology. - 9781927184271
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Konferensbidrag (refereegranskat)abstract
- Materials fabricate the designed artefact, but they can also play an important role in the design process; as a medium or method used to develop the design. Textiles can, with their soft and flexible properties, be easily transformed and altered in numerous ways; for example, by cutting, folding orprinting on the material. This transformative character makes textiles interesting sketching media for surface explorations when designing artefacts. The development of transformable materials; for example, fusible yarns and colour changing pigments, have expanded these inherent transformative qualities of textiles and have opened up the design field of smart textiles. Accordingly, this new material context has created a new area for textile designers to explore, where it is possible to enhance and play with the alterable character of their textiles, and control their transformation through physical manipulation and programming. However, these expanded transformative properties also open up a new task for textile designers; to design "smart textiles as raw materials for design". By this term we mean, textiles that are not finished in their design but that can be developed and enhanced when they take part in a product or space design process. In this article, we explore and start to define what smart textiles as raw materials for design can be, and look at how these materials can come into and add something to another design process. The foundation for this exploration is a number of textile examples from the “Smart Textiles sample collection” and our experiences when developing and designing with them. (The Smart Textiles sample collection is a range of textiles that is designed and produced by the Smart Textile Design Lab, to give students, designers and researchers direct access to different types of smart textiles). The possibilities and limitations of smart textiles as raw materials for design are explored by looking at the textile examples from two perspectives: firstly, by looking at the considerations that come with designing this type of textile design, and secondly by looking at what these transformative textiles can bring to another design process. Each example is analyzed and classified according to what transformable design variables for structure and surface change can be embedded in the textile design, and what design variables this subsequently creates for a design process that uses these materials i.e., describing what type of transformation different examples of smart textiles introduce to the design process/design space; whether the change is reversible or irreversible, and whether the change occurs through physical or through digital manipulation of the material. This article ends with a discussion of how smart textiles in the form of raw materials for design could influence how we design textiles and how we design with textiles. Can transformative materials enrich material explorations in a design process? Can further development and alteration of the material design be introduced or defined by the textile designer? Could smart textiles as raw materials for design open up a stronger connection between the design of textiles and the design of the product or spaces where they will be used?
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| 4. |
- Persson, Anna
(författare)
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Exploring textiles as materials for interaction design
- 2013
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- As computational technology and new materials enter the world of textiles, our view on textile materials is challenged. Textile interaction design suggests a new design space in which the fields of textile design and interaction design are merged. This work contributes to the introduction of textiles as material for interaction design and focuses on spatial and temporal design of the dynamic elements of textiles – the elements that enable interaction. The result is various interactive textile material examples which are meant to inspire new expressional uses of textile materials thought of as slow, interacting hardware able to inhabit our everyday environments through responsive light, tactile connections, and informative decorations etc. Design experiments conducted within this thesis are framed by a research programme, which is set up as an initial guideline to explore visual and tactile interactive properties of knitted textiles. Together with practical knowledge, the result is a theoretical framework that frames essential features of an interactive textile design where the defined design variables introduce a way to formulate what it is we design when we design for dynamic elements. By introducing notions such as the potential and precision of interaction, design variables relating to both physical and programming design are derived from the design of the dynamic elements of a material. A retrospective analysis of the experiments in relation to four acknowledged interaction design dimensions establish a link between the fields of interaction design and textile design. This work is based on the design experiments Electrical Burnouts, Costumes and Wall Hanging, Touching Loops, Designing with Heat, Functional Styling, Repetition and Stretching Loops, where the implemented structures are seen both as materials for further design and examples meant to provide inspiration in a more general sense.
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| 5. |
- Persson, Lina, 1978-
(författare)
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Appendix C. : Utsläppsaktiviteter och utsläpp för projekt inom Climate-Just Worldings
- 2021
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Annan publikation (refereegranskat)abstract
- Livscykelanalys (LCA) av Lina Perssons konstnärliga praktik utförd av Karin Lagercrantz. I denna LCA har sex projekt som Persson skapat inom ramen för Climate-Just Worldings (C-J W) mellan 2019-2020 utvärderats. Syftet med denna LCA är att mäta och beräkna vilket klimatavtryck Perssons forskningsprojekt C-J W har.
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| 6. |
- Persson, Lina, 1978-, et al.
(författare)
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Appendix C. Utsläppsaktiviteter och utsläpp för projekt inom Climate-Just Worldings.
- 2021
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Annan publikationabstract
- Livscykelanalys (LCA) av Lina Perssons konstnärliga praktik utförd av Karin Lagercrantz. I denna LCA har sex projekt som Persson skapat inom ramen för Climate-Just Worldings (C-J W) mellan 2019-2020 utvärderats. Syftet med denna LCA är att mäta och beräkna vilket klimatavtryck Perssons forskningsprojekt C-J W har.
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| 7. |
- Persson, Lina, 1978-, et al.
(författare)
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Klimatavtrycket för projektet Klimaträttvist Världande : Rapport av livscykelanalysen av forskningsprojektet Klimaträttvist Världande
- 2021
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Rapport (refereegranskat)abstract
- Rapport för livscykelanalys (LCA) av Lina Perssons konstnärliga praktik utförd av Karin Lagercrantz. I denna LCA har sex projekt som Persson skapat inom ramen för Climate-Just Worldings (C-J W) mellan 2019-2020 utvärderats. Syftet med denna LCA är att mäta och beräkna vilket klimatavtryck Perssons forskningsprojekt C-J W har. Valet av denna kvantitativa metod kommer av den fiktiva berättelsevärlden som driver C-J W-projektet. LCA:s funktion korrelerar med de grundläggande mekanismerna för berättelsevärldens tidsmaskin och cyborg-Gaia-karaktär. Resultaten från LCA kommer att återföras till berättelsevärlden som en del av den kontinuerliga samspelet mellan fiktionsutveckling och interventioner i vardagen. De kvantitativa metoderna i Perssons konstnärliga praktik syftar till att bryta med internaliserade och normaliserade föråldrade strukturer och orättvisa privilegier. När man är van vid privilegier känns jämlikhet som förtryck. Därför kan det vara nödvändigt att mäta vårt beteende för att synliggöra våra privilegier. Med denna kvantitativa analys vill vi föra fram en diskussion om klimaträttvisa i relation till konstnärliga praktiker och produktioner. Ett konkret syfte med denna LCA är att vägleda Persson i vad hon kan göra för att minska sina utsläpp i framtida projekt. Det kommer att stödja henne i att skapa klimatbudget och ligga till grund för en mall för beräkning av utsläpp i hennes framtida praktiker.
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| 8. |
- Persson, Lina, 1978-
(creator_code:cre_t)
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Klimatkalkylator för Lina Persson
- 2020
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Konstnärligt arbete (mjukvara/multimedium) (refereegranskat)abstract
- Custom made carbon calculator for the artistic practice of Lina Persson. The calculator is based on the life cycle assessment of six artistic projects carried out between 2019-2021, as part of the artistic research project Climate-Just Worldings.
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| 9. |
- Persson, Lina, 1978-
(creator_code:cre_t)
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Klimatkalkylatorn Elsa : verktyg för beräkning av klimatavtryck vid filmproduktion
- 2021
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Konstnärligt arbete (mjukvara/multimedium) (refereegranskat)abstract
- Kalkylator för beräkning av koldioxidavtryck av filmproduktion, av Karin Lagercrantz, under överseende av Anna Björklund, som del av Lina Perssons konstnärliga forskningsprojekt KLIMATRÄTTVIST VÄRLDANDE vid Stockholms konstnärliga högskola. Finansierat av Vetenskapsrådet och NAVET.Kalkylatorn programmerades efter noggrann livscykelanalys (LCA) av Lina Perssons forskningsaktiviteter samt studenters examensfilmer vid film och mediainstitutionen. Metodrapporten finns på dokumentets sista sida.Syftet var att öka förståelsen för klimatavtrycket av filmproduktionens olika delar och ge konkreta verktyg för att transformera filmproduktioner och dess konstnärliga processer till mer hållbara. Målet är att verktygen skall användas i SKH’s undervisning och av aktörer i filmbranschen och det konstnärliga fältet.
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| 10. |
- Satomi, Mika, et al.
(författare)
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Repetition
- 2011
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- “Repetition” is a Fashion Design and E-textile design project, which explore the use of thermo-chromic ink fabric and its interaction when designing a garment for performance art centering the body and movement as its design element.
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