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- Bak, Krzysztof, et al.
(författare)
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Carl Snoilsky’s Svenska bilder and Cultural Memory in the 19th Century
- 2023
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Ingår i: Studia Litteraria Universitatis Iagellonicae Cracoviensis. - 1897-3035. ; 18:1, s. 1-19
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Tidskriftsartikel (refereegranskat)abstract
- This article presents the research project “Searching for a New National Identity: The Construction of Swedish Cultural Memory in Carl Snoilsky’s Poems Svenska bilder”, and functions as an introduction to the four subsequent articles in this issue of Studia Litteraria, which are the result of the project. The principal aim of the project was a comprehensive analysis of the construction of cultural memory in Carl Snoilsky’s cycle of poems Svenska bilder (Swedish Pictures) for many decades being part of the core canon of Swedish literature, but which remains largely forgotten today. In part one, the article outlines the complex process of the creation and publication of Svenska bilder. It also reviews the state of research on Snoilsky’s cycle, justifying the need for new theoretical perspectives. In part two, the article analyses ways in which national memory is portrayed in Svenska bilder at different intra- and extranarrative levels, arguing that cultural memory and its preservation are among the central themes of the cycle. In part three, the article illuminates the construction of cultural memory in Svenska bilder as an example of nineteenth-century European cultural memory. The article considers three features, typical of nineteenth-century collective memory culture, to be particularly important for Snoilsky’s poems: subjectivisation, historicisation, and nationalisation. In part four, the article discusses Svenska bilder as an attempt to democratise the model of Swedish national memory created by the Romantics. The article argues that the cultural memory in Svenska bilder in many ways reflects the liberal ideas of the second half of the nineteenth century advocated by Snoilsky. In part five, the article examines the place of Polishness in the construction of Swedish cultural memory in Svenska bilder. Although Snoilsky considered himself a friend of Poland and an advocate for the Polish independence movements, in his cycle he assigns Polishness the role of the negative Other that serves to consolidate a positively characterised Swedish national identity. The article concludes with a short presentation of the four articles that are the fruits of the presented project.
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| 3. |
- Bak, Krzysztof, 1958-, et al.
(författare)
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Carl Snoilsky’s Svenska bilder and Cultural Memory in the 19th Century
- 2023
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Ingår i: Studia Litteraria Universitatis Iagellonicae Cracoviensis. - 1897-3035 .- 2084-3933. ; 18:1, s. 1-19
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Tidskriftsartikel (refereegranskat)abstract
- This article presents the research project “Searching for a New National Identity: TheConstruction of Swedish Cultural Memory in Carl Snoilsky’s Poems Svenska bilder”, and functions as an introduction to the four subsequent articles in this issue of Studia Litteraria, whichare the result of the project. The principal aim of the project was a comprehensive analysis ofthe construction of cultural memory in Carl Snoilsky’s cycle of poems Svenska bilder (SwedishPictures) for many decades being part of the core canon of Swedish literature, but which remainslargely forgotten today. In part one, the article outlines the complex process of the creation andpublication of Svenska bilder. It also reviews the state of research on Snoilsky’s cycle, justifyingthe need for new theoretical perspectives. In part two, the article analyses ways in which nationalmemory is portrayed in Svenska bilder at different intra- and extranarrative levels, arguing thatcultural memory and its preservation are among the central themes of the cycle. In part three,the article illuminates the construction of cultural memory in Svenska bilder as an example ofnineteenth-century European cultural memory. The article considers three features, typical ofnineteenth-century collective memory culture, to be particularly important for Snoilsky’s poems:subjectivisation, historicisation, and nationalisation. In part four, the article discusses Svenskabilder as an attempt to democratise the model of Swedish national memory created by the Romantics. The article argues that the cultural memory in Svenska bilder in many ways reflects the liberal ideas of the second half of the nineteenth century advocated by Snoilsky. In part five,the article examines the place of Polishness in the construction of Swedish cultural memory inSvenska bilder. Although Snoilsky considered himself a friend of Poland and an advocate forthe Polish independence movements, in his cycle he assigns Polishness the role of the negativeOther that serves to consolidate a positively characterised Swedish national identity. The articleconcludes with a short presentation of the four articles that are the fruits of the presented project.
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- Conley, Daniel, et al.
(författare)
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Hypoxia is increasing in the coastal zone of the Baltic Sea
- 2011
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Ingår i: Environmental Science and Technology. - : American Chemical Society (ACS). - 0013-936X .- 1520-5851. ; 45:16, s. 6777-6783
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Tidskriftsartikel (refereegranskat)abstract
- Hypoxia is a well-described phenomenon in the offshore waters of the Baltic Sea with both the spatial extent and intensity of hypoxia known to have increased due to anthropogenic eutrophication, however, an unknown amount of hypoxia is present in the coastal zone. Here we report on the widespread unprecedented occurrence of hypoxia across the coastal zone of the Baltic Sea. We have identified 115 sites that have experienced hypoxia during the period 1955-2009 increasing the global total to ca. 500 sites, with the Baltic Sea coastal zone containing over 20% of all known sites worldwide. Most sites experienced episodic hypoxia, which is a precursor to development of seasonal hypoxia. The Baltic Sea coastal zone displays an alarming trend with hypoxia steadily increasing with time since the 1950s effecting nutrient biogeochemical processes, ecosystem services, and coastal habitat.
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| 5. |
- Conley, Daniel, et al.
(författare)
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Hypoxia-Related Processes in the Baltic Sea
- 2009
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Ingår i: Environmental Science and Technology. - : American Chemical Society (ACS). - 0013-936X .- 1520-5851. ; 43:10, s. 3412-3420
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Tidskriftsartikel (refereegranskat)abstract
- Hypoxia, a growing worldwide problem, has been intermittently present in the modern Baltic Sea since its formation ca. 8000 cal. yr BP. However, both the spatial extent and intensity of hypoxia have increased with anthropogenic eutrophication due to nutrient inputs. Physical processes, which control stratification and the renewal of oxygen in bottom waters, are important constraints on the formation and maintenance of hypoxia. Climate controlled inflows of saline water from the North Sea through the Danish Straits is a critical controlling factor governing the spatial extent and duration of hypoxia. Hypoxia regulates the biogeochemical cycles of both phosphorus (P) and nitrogen (N) in the water column and sediments. Significant amounts of P are currently released from sediments, an order of magnitude larger than anthropogenic inputs. The Baltic Sea is unique for coastal marine ecosystems experiencing N losses in hypoxic waters below the halocline. Although benthic communities in the Baltic Sea are naturally constrained by salinity gradients, hypoxia has resulted in habitat loss over vast areas and the elimination of benthic fauna, and has severely disrupted benthic food webs. Nutrient load reductions are needed to reduce the extent, severity, and effects of hypoxia.
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- Zillén, Erik, et al.
(författare)
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Anthropologie und Ästhetik des Irrtums in Per Olov Enquists Legionärerna
- 2020
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Ingår i: Literarische Irrtümer : Figurationen des Irrtums in der skandinavischen Literatur - Figurationen des Irrtums in der skandinavischen Literatur. - 9783968216386 ; 26, s. 219-238
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Bokkapitel (refereegranskat)abstract
- Der Artikel geht der Rolle des Irrtums in Per Olov Enquists DokumentarromanLegionärerna (1968, Die Ausgelieferten) nach, der die Auslieferungvon baltischen Militärflüchtlingen an die Sowjetunion durch den schwedischenStaat im Jahr 1946 behandelt. In einem ersten Schritt wird aufgezeigt,inwiefern die Kategorie des Irrtums zentrale thematische und narrativeFunktionen in Enquists Romanarchitektur erfüllt. Fortwährend erliegensowohl die baltischen Flüchtlinge als auch die schwedischenEntscheidungsträger folgenschweren Irrtümern, ebenso aber auch der Untersucher, das Alter Ego des Schriftstellers, der sich vorgenommen hat, die Wahrheit über dieses kontroverse Ereignis in Schwedens Nachkriegspolitikzu ermitteln. In einem zweiten Schritt wird argumentiert, dass der Irrtumals Beschreibungsmodell für menschliches Handeln Ausdruck einerintellektualistischen Anthropologie ist, die ihre exemplarische Ausformungbereits in der antiken Tragödie erhalten hat, und die Enquist – bewusstoder unbewusst – in seinen Roman hat einfließen lassen.
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| 10. |
- Zillén, Erik
(författare)
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Death of a Genre? : The Aesopic Fable and the Emergence of Modernity
- 2021
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Ingår i: Reinardus. Yearbook of the International Reynard Society. - : John Benjamins Publishing Company. - 0925-4757. ; 33:1, s. 151-167
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Tidskriftsartikel (refereegranskat)abstract
- Taking as its starting point the scholarly discussion about the possible death of the Aesopic fable towards the end of the eighteenth century, this article proposes a broadening of perspective, arguing for a thorough examination of the impact of modernity on some of the basic contexts and conditions of the genre. Four contextual factors are, subsequently, placed under scrutiny: the ethics of virtue, the rhetorical category of exemplum, the anthropomorphization of animals, and the poetological principle of prodesse et delectare. All of these factors may be considered as vigorous and interrelated components of premodern culture, and all four of them, moreover, constituted fundamental prerequisites for the conceptualization and functioning of the Aesopic genre. By analysing how the emerging paradigm of modernity diminished the position and importance of these contextual factors, the article seeks to demonstrate the existence of an undeniable dividing line in European fable history somewhere around 1800.
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