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- Fjelkestam, Kristina, 1967-
(författare)
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Den estetiska vändningen?
- 2005
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Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; 34:4, s. 22-28
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Tidskriftsartikel (refereegranskat)
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- Fjelkestam, Kristina, 1967-
(författare)
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Den sentimentala romanen och kampen för medborgarskap : Rousseaus Julie och Staëls Delphine
- 2009
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Ingår i: Sjuttonhundratal: Nordic Yearbook for Eighteenth-Century Studes. - : Sällskapet för 1700-talsstudier, Sverige och Finska sällskapet för 1700-talsstudier. - 1652-4772. ; 2009, s. 22-39
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Tidskriftsartikel (refereegranskat)abstract
- The tragic fates of a great number of women in sentimental novels of the eighteenth century can be viewed against the background of classic liberal theory. They provide examples of how individual freedom and restraint in the name of the common good can be reconciled. Faced with the impossible choice between a life guided by the principle of love and that of virtue, women often choose self-sacrifice as a means of preserving a sense of individuality in the face of the demands of public universality. The epistolary novels, Julie ou La nouvelle Héloïse (1761) of Jean Jacques Rousseau and the Delphine (1802) of Germaine de Staël, present two rather different treatments of this problem. Rousseau´s Julie is a woman whose unquenchable desire transforms her into a prototype of female unreliability not worthy of societal recognition. Staël´s Delphine, in turn, unmasks a ruthless and unpricipled society which prohibits her from becoming its full-fledged member.
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- Fjelkestam, Kristina, 1967-
(författare)
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Tale of Transgression : Charlie and the Representation of Female Homosexuality in Interwar Sweden
- 2005
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Ingår i: NORA. - 0803-8740 .- 1502-394X. ; 13:1, s. 9-19
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Tidskriftsartikel (refereegranskat)abstract
- The first Swedish novel with a female homosexual protagonist, Charlie, was published in 1932, and this essay focuses on an analysis of three topoi in it, namely “the unveiling of a secret”, “the triangle of desire”, and “the scene at the mirror”. These topoi correspond to prevalent cultural representations of female homosexuality in the interwar period, under the headings of the three Ms: Masculinity, Mothering, and Mirrors, respectively. The main points of reference in the analysis are taken from sexology, psychoanalysis, and Radclyffe Hall's novel The Well of Loneliness, but it is argued that the narrative of Charlie transcends the restraining categories and normative classifications it presents.
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