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Träfflista för sökning "WFRF:(Schulz Holger) ;lar1:(lu);srt2:(2020-2024)"

Search: WFRF:(Schulz Holger) > Lund University > (2020-2024)

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1.
  • Groth, Sanne Krogh, et al. (author)
  • Sound Art : The First 100 Years of an Aggressively Expanding Artform
  • 2020
  • In: The Bloomsbury Handbook of Sound Art. - 9781501338793 - 9781501338816 ; , s. 1-20
  • Book chapter (peer-reviewed)abstract
    • "A brief history of sound art is, in a nutshell, a history of sonic forms of expression that throughout the twentieth century can be traced within music, the visual arts, and contemporary dance, as well as in performance art, conceptual art, and media art. Attempts to capture sound art as a detached and isolated art form or artistic phenomenon have been made, but this is definitely not the approach of this handbook. On the contrary, we conceptualize sound art as a persistent and expanding art form, that is entangled with a broad diversity of genres and cultural phenomena—through its sound practices. Sound art today both stimulates and builds, challenges and destructs, reinvents and subverts institutions. It is concrete and physical, material and corporeal—calling for reflection, speculation, and abstraction to surprisingly excessive degrees. Sound art is rooted in a longer history and culture, but incessantly seeks a critical politicizing, decolonializing, and rethinking of the same. A history of sound art can, of course, be shaped in various ways depending on the argument or approach one wishes to frame. In order to support our argument we stress a canon of works and approaches that consider technology, performativity, social and political awareness, and utopia and dystopia. These are, in our understanding the main reasons why today it still holds true to claim: Sound art is generative....With this handbook we hope ... to provide a contemporary journey in postapocalyptic times across the grid of sensibilities, thinking, making, and institutionalizing that can serve artists, curators, activists, developers, inventors, listeners, researchers, and aficionados as well. May sound art further expand!"
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2.
  • Valassi, Andrea, et al. (author)
  • Challenges in Monte Carlo Event Generator Software for High-Luminosity LHC
  • 2021
  • In: Computing and Software for Big Science. - : Springer Science and Business Media LLC. - 2510-2044 .- 2510-2036. ; 5:1
  • Journal article (peer-reviewed)abstract
    • We review the main software and computing challenges for the Monte Carlo physics event generators used by the LHC experiments, in view of the High-Luminosity LHC (HL-LHC) physics programme. This paper has been prepared by the HEP Software Foundation (HSF) Physics Event Generator Working Group as an input to the LHCC review of HL-LHC computing, which has started in May 2020.
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3.
  • Anchordoqui, Luis A., et al. (author)
  • The Forward Physics Facility : Sites, experiments, and physics potential
  • 2022
  • In: Physics reports. - : Elsevier. - 0370-1573 .- 1873-6270. ; 968, s. 1-50
  • Journal article (peer-reviewed)abstract
    • The Forward Physics Facility (FPF) is a proposal to create a cavern with the space and infrastructure to support a suite of far-forward experiments at the Large Hadron Collider during the High Luminosity era. Located along the beam collision axis and shielded from the interaction point by at least 100 m of concrete and rock, the FPF will house experiments that will detect particles outside the acceptance of the existing large LHC experiments and will observe rare and exotic processes in an extremely low-background environment. In this work, we summarize the current status of plans for the FPF, including recent progress in civil engineering in identifying promising sites for the FPF and the experiments currently envisioned to realize the FPF's physics potential. We then review the many Standard Model and new physics topics that will be advanced by the FPF, including searches for long-lived particles, probes of dark matter and dark sectors, high-statistics studies of TeV neutrinos of all three flavors, aspects of perturbative and non-perturbative QCD, and high-energy astroparticle physics.
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4.
  • Bierlich, Christian, et al. (author)
  • Robust independent validation of experiment and theory : RIVET version 3
  • 2020
  • In: SciPost Physics. - 2542-4653. ; 8:2
  • Journal article (peer-reviewed)abstract
    • First released in 2010, the RIVET library forms an important repository for analysis code, facilitating comparisons between measurements of the final state in particle collisions and theoretical calculations of those final states. We give an overview of RIVET’s current design and implementation, its uptake for analysis preservation and physics results, and summarise recent developments including propagation of MC systematic-uncertainty weights, heavy-ion and ep physics, and systems for detector emulation. In addition, we provide a short user guide that supplements and updates the RIVET user manual.
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5.
  • Fieg, Max, et al. (author)
  • Tuning pythia for forward physics experiments
  • 2024
  • In: Physical Review D. - 2470-0010. ; 109:1
  • Journal article (peer-reviewed)abstract
    • Event generators like pythia play an important role in physics studies at the Large Hadron Collider (LHC). While they make accurate predictions in the central region, i.e., at pseudorapidities η<5, a disagreement between pythia and measurements in the forward region η>7 has been observed. We introduce a dedicated forward physics tune for the pythia event generator to be used for forward physics studies at the LHC, which uses a more flexible modeling of beam remnant hadronization and is tuned to available particle spectra measured by LHCf. Furthermore, we provide an uncertainty estimate on the new tune in a data-driven way which can be used as a means of flux uncertainty for future forward physics studies. We demonstrate an application of our tune by showing the updated neutrino and dark photon spectra at the FASER experiment.
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  • Result 1-5 of 5

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