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| 2. |
- Zillén, Erik, et al.
(författare)
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Frödings "Säf, säf, susa" als Ballade, Musikvideo und Comic
- 2016
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Ingår i: "Rider ud saa vide" : Balladenspuren in der skandinavischen Kultur - Balladenspuren in der skandinavischen Kultur. - 9783793098331 - 9783793060352 ; 22, s. 147-170
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Bokkapitel (refereegranskat)abstract
- Abstract in German: Der Aufsatz untersucht das Gedicht »Säf, säf, susa« des schwedischen Fin-de-Siècle-Dichters Gustaf Fröding (1860–1911) aus einer Balladenperspektive. Eine textnahe Analyse zeigt, dass eine Reihe sowohl formaler als auch thematischer Besonderheiten in dem mehrfach vertonten Gedicht an das Genre der traditionellen Ballade angelehnt sind. Zugleich fördert die Analyse zutage, wie Fröding an etlichen Stellen die Balladenkonventionen im Gedicht mit den für die schwedische Lyrik der 1890er Jahre typischen Stilmerkmalen kombiniert. In einem weiteren Schritt untersucht der Aufsatz, inwiefern die Genrezüge, die »Säf, säf, susa« der Ballade entlehnt hat, in der intermedial orientierten Frödingrezeption der letzten Jahre Anwendung finden. Sowohl in dem Musikvideo »Säv, säv, susa« der Rockgruppe Mando Diao (2013) als auch in Malin Billers Comic »Säv, säv, susa« (2014) verstärken sich – so lässt sich konstatieren – gewisse Balladenzüge, während andere zugunsten anderer architextueller Interpretationsstrategien abgeschwächt werden.
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| 4. |
- Zillén, Erik
(författare)
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Gustaf Fröding som teaterkritiker
- 2017
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Ingår i: Veritas. - 0284-6462. ; 32, s. 15-30
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Tidskriftsartikel (populärvet., debatt m.m.)abstract
- Artikeln presenterar tre aspekter av Gustaf Frödings verksamhet som teaterkritiker under åren 1888-1894: för det första hans recensioner i Karlstads-Tidningen av dramatiska arbeten som getts ut i bokform, för det andra hans signerade teaterrecensioner i Karlstads-Tidningen, och för det tredje osignerade teaterrecensioner i Karlstads-Tidningen som kan ha skrivits av Fröding.
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| 5. |
- Zillén, Erik, et al.
(författare)
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Henrik Wranér 1853-1908
- 2017
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Ingår i: En lundensisk litteraturhistoria : Lunds universitet som litterärt kraftfält - Lunds universitet som litterärt kraftfält. - 1401-1301. - 9789170612503 ; , s. 126-127
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Bokkapitel (populärvet., debatt m.m.)abstract
- Presenterar Wranérs studietid i Lund och lundabilden i hans folklivsskildringar.
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| 6. |
- Zillén, Erik, et al.
(författare)
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Magnus Jacob Crusenstolpe 1795-1865
- 2017
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Ingår i: En lundensisk litteraturhistoria : Lunds universitet som litterärt kraftfält - Lunds universitet som litterärt kraftfält. - 1401-1301. - 9789170612503 ; , s. 73-73
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Bokkapitel (populärvet., debatt m.m.)abstract
- Presenterar Crusenstolpes erfarenheter av Lund och Lunds universitet med fokus på hans samtidsroman Tvenne äktenskap (1847).
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| 7. |
- Zillén, Erik, et al.
(författare)
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Nils Ludvig Olsson 1893-1974
- 2017
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Ingår i: En lundensisk litteraturhistoria : Lunds universitet som litterärt kraftfält - Lunds universitet som litterärt kraftfält. - 1401-1301. - 9789170612503 ; , s. 214-215
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Bokkapitel (populärvet., debatt m.m.)abstract
- Porträtterar Nils Ludvig som dialektpoet, lundaskildrare och folkbildare.
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| 9. |
- Zillén, Erik, et al.
(författare)
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Reconfigurations of Mythology in Sixteenth-Century Lutheran Collections of Aesopic Fables
- 2015
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Ingår i: Allusions and Reflections. Greek and Roman Mythology in Renaissance Europe. - 144387454X ; , s. 465-479
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Bokkapitel (refereegranskat)abstract
- In the ancient corpus of Aesopic fables gods and semi-gods from Greek and Roman mythology often appear. Most commonly Zeus is called upon by fable characters such as the donkey, the snake, and the turtle, all of them pleading for a better destiny. Frequent main characters, rather often promoting their own interests in the fable fictions, are also Hera, Herakles, Apollo, and Hermes. The high esteem in which Martin Luther held the Aesopic genre’s capacity for religious and moral edification directly encouraged the publication of three collections of Aesopic fables in German during the Reformation epoch: Etliche fabel Esopi verteutscht (1534) by Erasmus Alberus, Esopus/ Gantz New gemacht (1548) by Burkard Waldis, and Hundert Fabeln aus Esopo (1571) by Nathan Chytraeus. In compliance with their actively confessional ambition, one might assume that these vernacular volumes of Aesopic fables consequently eliminated all elements of Heathen mythology. This is, however, only partially true. In these overtly Lutheranized fable collections, classical mythology was marginalized and yet simultaneously preserved. The chapter investigates the different strategies – theological, ethical, figurative, narrative et cetera – according to which this paradoxical, yet hierarchical coexistence of Christianity and mythology was made both possible and plausible.
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| 10. |
- Zillén, Erik, et al.
(författare)
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Redistributed Bodiliness : The Reception of French Fable Comedies in Eighteenth-Century Scandinavia
- 2016
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Ingår i: Kosmopolitismus und Körperlichkeit im europäischen Theater des 18. Jahrhunderts. - 9783831644285 ; , s. 49-66
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Bokkapitel (refereegranskat)abstract
- The chapter traces the eighteenth-century reception in Scandinavia of Edme Boursault’s fable comedy Esope (1690). After some initial difficulties, Boursault’s play, innovatively combining the popular genres of fable and comedy, scored a success at the Comédie Française and was also staged abroad. The fable comedy in 1722 reached the playhouse in Copenhagen in a Danish translation, entitled Aesopus and based on the English adaptation. Aesopus was, however, performed only once. Moreover, the fables were subsequently broken loose from the comedy and published separately. The paper discusses the abortive Danish reaction to the fable comedy in terms of a redistribution of the double function of utile dulci. Since the fables in Boursault’s theatrical invention were assigned primarily the function of moral usefulness, they had – in order to regain their full pleasure value and their full corporeality – to be liberated from the dramatic whole. Thus interpreted, the Danish reception reflects the basic instability of the French genre fusion.
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