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1.
  • Akner-Koler, Cheryl (författare)
  • Complex Curvatures in Form Theory and String Theory
  • 2005
  • Ingår i: Leonardo : Journal of the International Society for the Arts, Sciences and Technology. - 0024-094X. ; 38:3, s. 226-231
  • Tidskriftsartikel (refereegranskat)abstract
    • The authors use new aesthetic criteria concerning structures and properties to explain parallel concepts within theoretical astroparticle physics and contemporary form/compositional research. These aesthetic criteria stem from complex curvature models developed both in string theory and in artistic perceptual research on transitional surfaces and concavities. The authors compare the complex curvatures of the mathematically derived Calabi-Yau manifold with one of Akner Koler's sculptures, which explores an organic interpretation of the looping curvature of a Möbius strip. A goal of the collaboration is to gain experience and insight into the twisting paradoxical forces in the 3D world and to explore the properties of transparency as applied to the Calabi-Yau manifold and a point cloud translation of Akner Koler's sculpture.
2.
  • Arnkil, Harald, et al. (författare)
  • PERCIFAL: Visual analysis of space, light and colour
  • 2011
  • Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011. ; s. 229-232
  • Konferensbidrag (refereegranskat)abstract
    • This paper addresses the need for better and more accurate methods of recording and analyzing the visual experience of architectural space. PERCIFAL (Perceptive Spatial Analysis of Colour and Light) is an ongoing project that aims at developing a method of analysis that can capture coherent spatial experiences of colour and light. The starting point for PERCIFAL is a method of visual evaluation of space and light, developed by Professor Anders Liljefors at the former department of architectural lighting at KTH Architecture. PERCIFAL is based on direct visual observations and the recording of these observations by verbal-semantic descriptions using a questionnaire. It has been developed primarily as an educational tool, but we see in it potential for a design tool for professionals as well as for an analytical method for research. The first test results, conducted in Sweden, Norway and Finland, show that the method has significant pedagogical merits and that it allows interesting comparisons between physical measurements and visual experiences of space, light and colour. 
3.
  • Diamantopoulou, Sophia, et al. (författare)
  • Making meaning in museum exhibitions
  • 2012
  • Ingår i: Designs for Learning. - 1654-7608. ; 5:1-2, s. 11-28
  • Tidskriftsartikel (refereegranskat)
4.
  • Diamantopoulou, Sophia, et al. (författare)
  • Making meaning in an exhibition
  • 2012
  • Ingår i: Proceedings of the DREAM conference The Transformative Museum. - 978-87-995472-0-3 ; s. 110-127
  • Konferensbidrag (refereegranskat)
5.
  • Fridell Anter, Karin, et al. (författare)
  • NEUTRAL GREY – AN ABSTRACTION?
  • 2009
  • Ingår i: Proceedings of the 11th Congress of the International Colour Association, AIC 2009. - Sydney : The Colour Society of Australia, Inc. September 2009, Sydney, Australia.. - 1877040 76 2 ; s. 1-4
  • Konferensbidrag (refereegranskat)abstract
    • This paper presents part of the research project Greyness and spatial experience. Its main objective is to discuss the concept of neutral grey and to investigate the preconditions for perceiving neutral grey colours in different situations. Neutral grey is defined as having similarity only to black and white, not to the chromatic elementary colours.Greyish colour samples have been observed with different backgrounds and in different light. One of these series is presented in detail in the paper, the conclusions from others are considered in the discussion, together with relevant literature. Greyish colours are seldom perceived as neutral, but rather tend to get a perceived hue, which depends on the observation situation. Inherent neutral grey colours are not found in nature. In production of materials and artefacts no tolerance level can assure a total lack of hue.In conclusion we suggest that neutral grey should be considered as an abstraction, its unique but in practice unobtainable quality lying in its absolute lack of hue and chromaticness. 
6.
  • Fridell Anter, Karin, 1950-, et al. (författare)
  • Successive approximation in full scale rooms.
  • 2011
  • Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011.
  • Konferensbidrag (refereegranskat)abstract
    • OPTIMA is a pilot study attempting to simultaneously involve all visual aspects of the room, with an analysis starting from the totality instead of dividing it into different parameters. Its primary aim is to develop and test methods for this, combining a scientific approach and experience based practices of art and design
7.
  • Frölunde, Lisbeth, et al. (författare)
  • Methodologies for tracking learning paths: : designing the on-line research study Making a Filmmaker
  • 2009
  • Ingår i: Mediekultur. - Aalborg : Sammenslutningen af Medieforskere i Danmark. - 0900-9671. ; 46, s. 73-85
  • Tidskriftsartikel (refereegranskat)abstract
    • The article concerns the design of a collaborative research project (2008-09) entitled Making a Filmmaker, which examines how young Scandinavian filmmakers create their own learning paths in formal and/or informal contexts. Our interest is in how learning experiences and contexts motivate the young filmmakers: what furthers their interest and/or hinders it, and what learning patterns emerge. The aim of this article is to present and discuss issues regarding the methodology and methods of the study, such as developing a relationship with interviewees when conducting interviews online (using MSN). We suggest two considerations about using online interviews: how the interviewees value the given subject of conversation and their familiarity with being online. The benefit of getting online communication with the young filmmakers is the ease it offers, because it is both practical and appropriates a meeting platform that is familiar to our participants.
  •  
8.
  • Gradén, Lizette, 1966- (författare)
  • Dressed in a Present from the Past : The Transfers and Transformations of a Swedish Bridal Crown in the United States
  • 2010
  • Ingår i: Culture Unbound : Journal of Current Cultural Research. - Linköping : Linköping University Electronic Press. - 2000-1525. ; 2, s. 695-717
  • Tidskriftsartikel (refereegranskat)abstract
    • Ever since the emigration from the Nordic countries the Old world and the New world have maintained an exchange of ideas, customs, and material culture. This cultural heritage consists of more than remnants of the past. Drawing on theories of material culture and performance this article highlights the role of gifts in mate-rializing relationships between individuals, families and organizations in the wake of migration. First, I build on a suggested coinage of the term heritage gifts as a way of materializing relationships. Thereafter, I map out the numerous roles which a Swedish bridal crown play in the United States: as museum object, object of display and loaned to families for wedding ceremonies in America. The trans-fers and transformations of the bridal crown enhances a drama of a migration her-itage. This dynamic drama brings together kin in Sweden and America and maps specific locations into a flexible space via the trajectory of crown-clad female bodies.
  •  
9.
  • Hellström, Björn, 1959- (författare)
  • Acoustic design Artifacts and Methods for Urban Soundscapes
  • 2009
  • Ingår i: Proceedings of a meeting held 5-9 July 2009, Krakow, Poland. : 16th International Congress on Sound and Vibration 2009 (ICSV16). - International Institute of Acoustics and Vibration (IIAV). - 9781615677368 ; s. 1-8
  • Konferensbidrag (refereegranskat)abstract
    • The research question is: "How to develop and apply acoustic artefacts and design method-ologies for improving soundscapes in urban outdoor spaces?" In the project, this research question is limited to one specific type of urban outdoor space – city-park – and to two types of acoustic design artefacts. These are: I. Dynamic promotion of qualitative site specific sounds (e.g., the overall site specific sonic atmosphere, sounds from activities, birds and fountains), which creates an improved soundscape. II. Sound-art installations, that creates de-limited auditory sub-spaces within the park/square.
10.
  • Hellström, Björn, 1959- (författare)
  • Acoustic Design Artifacts and Methods for Urban Soundscapes
  • 2012
  • Ingår i: Proceedings of Inter-noise 2012  "Quieting the world's cities". : Proceedings of a meeting held 19-22 August 2012, New York City, New York, USA.. - New York, USA : Institute of Noise Control Engineering. ; s. 1-12
  • Konferensbidrag (refereegranskat)abstract
    • Noise is steadily on the rise in urban settings, creating a potential health hazard as well as being a nuisance. In major European cities, noise levels are so high that the majority of urban parks can no longer truly serve as recreational environments, a problem the WHO and the EU are attempting to address. This study explores various strategies that promotethe sustainable development of urban soundscapes at locations meant for rest, recreation, and social interaction. How are people affected by the combined effects of traffic and nature sounds in urban parks? To this end, we adopted a new track – the use of interdisciplinarymethodology – bringing together architectural analysis and artistic experiments, along with psychoacoustic methodology to evaluate aesthetic, emotional, perceptual, and spatial effects. A large-scale case study was conducted at a city park to explore if and how subjects are affected by purposely distributed sounds. The working hypothesis was that it is possible to cancel out traffic noise by affecting aural perceptions using a process known as informational masking. Our long-term objective is to create a scientific foundation for action plans, both pre-emptive and trouble-shooting, targeting parks and other similar public spaces that provide a relaxing environment.
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