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1.
  • Akner-Koler, Cheryl (författare)
  • Expanding the boundaries of form theory
  • 2006
  • Ingår i: Wonderground - 2006 DRS International Conference. - Design Research Society. ; s. 79-92
  • Konferensbidrag (övrigt vetenskapligt)abstract
    • The design research community is beginning to recognize the organizing capacity of form as a scientific method of its own right. The aim of this study was to a) develop a pedagogically framed case study method that applied a participatory action research approach and b) create a 3-D form model bridging geometric- to organic structures. A 10-step-concept-translation-form method was developed which resulted in a “Evolution of form” model with two axes: The first horizontal axis presents a sequence of geometrically derived forms that gradually take on organic qualities of convexities and concavities. The second axis expands the model in a vertical dimension to include a bipolar spectrum at each stage. This vertical dimension opens up a dichotomy between congruent and incongruent properties in relation to original features of the geometric form.The discussion deals with the active formgiving process; the need for sculptural awareness and the inner sense of form; validity of the created method and model and finally the pros and cons of aesthetical abstractions that build on geometric references.
2.
  • Arnkil, Harald, et al. (författare)
  • PERCIFAL: Visual analysis of space, light and colour
  • 2011
  • Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011. ; s. 229-232
  • Konferensbidrag (refereegranskat)abstract
    • This paper addresses the need for better and more accurate methods of recording and analyzing the visual experience of architectural space. PERCIFAL (Perceptive Spatial Analysis of Colour and Light) is an ongoing project that aims at developing a method of analysis that can capture coherent spatial experiences of colour and light. The starting point for PERCIFAL is a method of visual evaluation of space and light, developed by Professor Anders Liljefors at the former department of architectural lighting at KTH Architecture. PERCIFAL is based on direct visual observations and the recording of these observations by verbal-semantic descriptions using a questionnaire. It has been developed primarily as an educational tool, but we see in it potential for a design tool for professionals as well as for an analytical method for research. The first test results, conducted in Sweden, Norway and Finland, show that the method has significant pedagogical merits and that it allows interesting comparisons between physical measurements and visual experiences of space, light and colour. 
3.
  • Billström, Niklas, et al. (författare)
  • ISHT - Interior Sound Design of High-Speed Trains
  • 2012
  • Konstnärligt arbete (övrigt vetenskapligt)abstract
    • Sound is central to the identity of a place, but is nonetheless a frequently neglected component in the design process. We believe that urban soundscape planning and product sound design has much to gain by collaborating with the artistic and humanistic fields of knowledge. Applying acoustics and perception psychology as well, the sound laboratory at Konstfack University College of Arts, Crafts and Design examined the domain of acoustic design in the research project ISHT – The Interior Sound Design of High-Speed Trains – in collaboration with, among others, train manufacturer Bombardier. Empirical data in this study is focused on train travel, but can easily be transposed to other contexts, such as public spaces. Methods for improving sonic experience in relation to criteria such as identity and specific needs were explored. Our thesis question was: How to create a comfortable and appealing environment by adding sounds (distributed via speakers)? The interdisciplinary research methods included field observations, listening tests, and quantitative data, as well as public exhibitions and collaborations with composers.
4.
  • Diamantopoulou, Sophia, et al. (författare)
  • Making meaning in an exhibition
  • 2012
  • Ingår i: Proceedings of the DREAM conference The Transformative Museum. - 978-87-995472-0-3 ; s. 110-127
  • Konferensbidrag (refereegranskat)
5.
  • Fridell Anter, Karin, et al. (författare)
  • NEUTRAL GREY – AN ABSTRACTION?
  • 2009
  • Ingår i: Proceedings of the 11th Congress of the International Colour Association, AIC 2009. - Sydney : The Colour Society of Australia, Inc. September 2009, Sydney, Australia.. - 1877040 76 2 ; s. 1-4
  • Konferensbidrag (refereegranskat)abstract
    • This paper presents part of the research project Greyness and spatial experience. Its main objective is to discuss the concept of neutral grey and to investigate the preconditions for perceiving neutral grey colours in different situations. Neutral grey is defined as having similarity only to black and white, not to the chromatic elementary colours.Greyish colour samples have been observed with different backgrounds and in different light. One of these series is presented in detail in the paper, the conclusions from others are considered in the discussion, together with relevant literature. Greyish colours are seldom perceived as neutral, but rather tend to get a perceived hue, which depends on the observation situation. Inherent neutral grey colours are not found in nature. In production of materials and artefacts no tolerance level can assure a total lack of hue.In conclusion we suggest that neutral grey should be considered as an abstraction, its unique but in practice unobtainable quality lying in its absolute lack of hue and chromaticness. 
6.
  • Fridell Anter, Karin, 1950-, et al. (författare)
  • Successive approximation in full scale rooms.
  • 2011
  • Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011.
  • Konferensbidrag (refereegranskat)abstract
    • OPTIMA is a pilot study attempting to simultaneously involve all visual aspects of the room, with an analysis starting from the totality instead of dividing it into different parameters. Its primary aim is to develop and test methods for this, combining a scientific approach and experience based practices of art and design
7.
  • Fridell Anter, Karin, et al. (författare)
  • SYN-TES
  • 2010
  • Ingår i: Colour and light in architecture : 11-12 November 2010 : proceedings. - Verona : Knemesi. - 978-88-96370-04-9 ; s. 235-240
  • Konferensbidrag (övrigt vetenskapligt)abstract
    • The research project SYN-TES aims at contributing to a theoretical development transforming the field of colour and light into a coherent field of research. This includes the identification of important problems and the development of theoretical and methodological tools for the trans-disiplinary understanding necessary to solving them. Special emphasis is put on the spatial interaction of colour and light in architecture.The work has the form of seminars/workshops where colour and light specialists from different academic disciplines (six Nordic universities) and companies (light sources, colorimetric standards, window glass) examine different aspects of the problem complex. Sub-projects deal with the epistemology and concepts of colour and light, with methods for analysing colour and light in existing architectural spaces and with the relationship between energy and light quality.
8.
  • Hellström, Björn, 1959- (författare)
  • Acoustic Design Artifacts and Methods for Urban Soundscapes
  • 2012
  • Ingår i: Proceedings of Inter-noise 2012  "Quieting the world's cities". : Proceedings of a meeting held 19-22 August 2012, New York City, New York, USA.. - New York, USA : Institute of Noise Control Engineering. ; s. 1-12
  • Konferensbidrag (refereegranskat)abstract
    • Noise is steadily on the rise in urban settings, creating a potential health hazard as well as being a nuisance. In major European cities, noise levels are so high that the majority of urban parks can no longer truly serve as recreational environments, a problem the WHO and the EU are attempting to address. This study explores various strategies that promotethe sustainable development of urban soundscapes at locations meant for rest, recreation, and social interaction. How are people affected by the combined effects of traffic and nature sounds in urban parks? To this end, we adopted a new track – the use of interdisciplinarymethodology – bringing together architectural analysis and artistic experiments, along with psychoacoustic methodology to evaluate aesthetic, emotional, perceptual, and spatial effects. A large-scale case study was conducted at a city park to explore if and how subjects are affected by purposely distributed sounds. The working hypothesis was that it is possible to cancel out traffic noise by affecting aural perceptions using a process known as informational masking. Our long-term objective is to create a scientific foundation for action plans, both pre-emptive and trouble-shooting, targeting parks and other similar public spaces that provide a relaxing environment.
9.
  • Hellström, Björn, 1959- (författare)
  • Acoustic design Artifacts and Methods for Urban Soundscapes
  • 2009
  • Ingår i: Proceedings of a meeting held 5-9 July 2009, Krakow, Poland. : 16th International Congress on Sound and Vibration 2009 (ICSV16). - International Institute of Acoustics and Vibration (IIAV). - 9781615677368 ; s. 1-8
  • Konferensbidrag (refereegranskat)abstract
    • The research question is: "How to develop and apply acoustic artefacts and design method-ologies for improving soundscapes in urban outdoor spaces?" In the project, this research question is limited to one specific type of urban outdoor space – city-park – and to two types of acoustic design artefacts. These are: I. Dynamic promotion of qualitative site specific sounds (e.g., the overall site specific sonic atmosphere, sounds from activities, birds and fountains), which creates an improved soundscape. II. Sound-art installations, that creates de-limited auditory sub-spaces within the park/square.
10.
  • Hellström, Björn, 1959-, et al. (författare)
  • Acoustic design artifacts and methods for urban soundscapes
  • 2008
  • Ingår i: 15th International Congress on Sound and Vibration. Daejon, Korea.
  • Konferensbidrag (refereegranskat)abstract
    • The research question is: “How to develop and apply acoustic artifacts and design methodologies for improving soundscapes in urban outdoor spaces?” In the project, this research question is limited to two specific types of urban outdoor spaces – city-park and city-square – and to two types of acoustic design artifacts. These are: I. Dynamic promotion of qualitative site specific sounds (e.g., the overall site specific sonic atmosphere, sounds from activities, birds and fountains), which creates an improved soundscape. II. Sound-art installations, that creates delimited auditory sub-spaces within the park/square. The purpose and method is: 1. To provide two case-studies of artistic soundscape improvement, one in a noise polluted city-park and one in a city-square. The case-studies will serve as models for future applications of the new acoustic design artifacts. 2. To create and validate an innovative acoustic design methodology based on state-of-the-art real-time acoustic simulation tools integrated into the design process. The methodology will be validated in psychoacoustic listening experiments and field studies. 3. To determine the potential of the two acoustic design artifacts (I Dynamic promotion of qualitative site specific sounds, and II Sound-art installations) for providing pleasant and restorative soundscapes, in order to strengthening the social interaction as well as the spatial and aesthetical qualities in noise polluted city parks/squares.
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  • Resultat 1-10 av 61
  • [1]234567Nästa
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