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Sökning: db:Swepub > Konstfack > Konferensbidrag > Arnkil Harald

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1.
  • Arnkil, Harald, et al. (författare)
  • PERCIFAL: Visual analysis of space, light and colour
  • 2011
  • Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011. ; , s. 229-232
  • Konferensbidrag (refereegranskat)abstract
    • This paper addresses the need for better and more accurate methods of recording and analyzing the visual experience of architectural space. PERCIFAL (Perceptive Spatial Analysis of Colour and Light) is an ongoing project that aims at developing a method of analysis that can capture coherent spatial experiences of colour and light. The starting point for PERCIFAL is a method of visual evaluation of space and light, developed by Professor Anders Liljefors at the former department of architectural lighting at KTH Architecture. PERCIFAL is based on direct visual observations and the recording of these observations by verbal-semantic descriptions using a questionnaire. It has been developed primarily as an educational tool, but we see in it potential for a design tool for professionals as well as for an analytical method for research. The first test results, conducted in Sweden, Norway and Finland, show that the method has significant pedagogical merits and that it allows interesting comparisons between physical measurements and visual experiences of space, light and colour. 
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2.
  • Klarén, Ulf, 1944-, et al. (författare)
  • Always Something Else : Levels of experiencing colour and light
  • 2012
  • Ingår i: In color we live. - : Color Association of Taiwan. - 9789868679634 ; , s. 68-71
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • This paper springs from a project about concept formation in the field of colour and light, andpresents a graphic model describing possible constituent relations between colour and lightexperiences. A deeper understanding of colour and light experiences calls for a coherent andwell-defined structure that can be used to describe connections and distinctions betweenexperiences of different kinds. This also can contribute to understanding of how colour andlight concepts are related to each other. We experience the world holistically. Our experiencesof colour, light and space have many aspects. Their relations to different levels of experiencealways have to be considered.
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3.
  • Klarén, Ulf, 1944-, et al. (författare)
  • Colour and Light in Design : - Levels of experiencing colour and light
  • 2013
  • Ingår i: Proceedings from the 2nd International Conference for Design Education Researchers, 14-17 May 2013, Oslo, Norway. - 9788293298007 ; , s. 743-752
  • Konferensbidrag (refereegranskat)abstract
    • : In our designed culture, every environment, object and picture is analyzed from the viewpoint of colour and light. Colour and light play an important role in social life and culture. This paper springs from an epistemological project about concept formation in the field of colour and light. Based on own observations and scientific and scholarly references it presents a graphic model describing possible constituent relations between colour and light experiences. Design is the art of using knowledge – implicit or explicit – about how humans perceive, experience, and relate to the world around. In design all senses are involved, but when dealing with colour and light we can confine ourselves to vision; designers must understand the conditions of visual perception. Human experience of colour and light has many sources; the given cultural context (conventional meanings of colour and light), the direct experience of the world around (colour and light expressions) and the basic perceptual functions (formal aspects of colour and light). There is need for distinct concepts and concise approaches to understand coherence of aesthetic and functional expressions. Design education calls for coherent and well defined structures that can be used to describe connections and distinctions between experiences of different kinds.
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4.
  • Matusiak, Barbara, et al. (författare)
  • PERCIFAL method in use : Visual evaluation of three spaces
  • 2011
  • Ingår i: AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Colour Association, Zurich, Switzerland, 7–10 June 2011: Conference Proceedings, CD. - Zurich : pro/colore, 2011. ; , s. 568-571
  • Konferensbidrag (refereegranskat)
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  • Resultat 1-4 av 4
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Klarén, Ulf, 1944- (3)
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