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- Hegardt, Johan, et al.
(författare)
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Inledning
- 2016
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Ingår i: Historiens hemvist III. - Göteborg : Makadam Förlag. - 9789170612022 ; , s. 15-30
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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- Jezierski, Wojtek, 1979
(författare)
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Livonian Hospitality. The ‘Livonian Rhymed Chronicle’ and the Formation of Identities on the Thirteenth-Century Baltic Frontier
- 2020
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Ingår i: Frühmittelalterliche Studien. - : Walter de Gruyter GmbH. - 0071-9706 .- 1613-0812. ; 54:1, s. 395-427
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Tidskriftsartikel (refereegranskat)abstract
- The conquest and colonization of the northeastern Baltic Rim in the thirteenth century durably shaped religious and ethnic identities of and relations between the native population and the arriving crusaders. This article explores the codes and displays of hospitality in the anonymous ‘Livonian Rhymed Chronicle’, which are seen here as ways of conceptualizing the relationship and conflicts between the Teutonic Knights and the pagan or apostate people in Livonia. It asks what consequences the framing of the host-guest relations might have had for the self-comprehension of the chronicle’s author and his audience. The analysis of the chronicle is pursued along three lines: the first focuses on the questions of chivalry, courtesy, and conversion; the second explores different renditions of a miracle story of inhospitality from the 1220s ; the third focuses on the conceptual metaphors of hospitality as a way in which the Teutonic Knights’ accommodated their adversaries’ viewpoints. In its conclusions, the article argues how a broad focus on the institutions, concepts, and discourses of hospitality can help account for both confrontational and amicable attitudes between the colonizers and the colonized both on the Baltic frontier and among other European frontier societies.
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- Jezierski, Wojtek, 1979
(författare)
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Politics of Emotions and Empathy Walls in Thirteenth-Century Livonia
- 2020
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Ingår i: Anu Mänd, Marek Tamm (eds.), Making Livonia: Actors and Networks in the Medieval and Early Modern Baltic Sea Region. - London : Routledge. - 9780367481285 ; , s. 113-142, s. 113-142
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Bokkapitel (refereegranskat)abstract
- This chapter studies the representations and (self-)attributions of emotions to and of different social groups in two pieces of historiography penned in thirteenth-century Livonia, the Chronicle of Henry of Livonia and the Livonian Rhymed Chronicle. The processes of conversion and colonisation of Livonia in the thirteenth century durably shaped the relations between the native population and the arriving missionaries, settlers and crusaders, and formed the religious and ethnic identities of both groups. In order to access the emotional landscapes of thirteenth-century Livonia this study uses the only two locally penned historiographical accounts: The Chronicle of Henry of Livonia and the anonymous Livonian Rhymed Chronicle. The overuse of vro generates so much noise in this emotion’s data that it is difficult to isolate a meaningful signal. However, we can conveniently look at its less frequent but similarly attributed cognate, vreuden.
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- Smedberg Bondesson, Anna, 1968-, et al.
(författare)
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Luften så klar : Nordeuropeiska konstnärer och författare i Rom 1780-1950
- 2020
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- ”Även å den ödsligaste och osundaste sidan av Campagna di Roma, den åt Ostia till, […] är luften så klar, att den i de skarpaste drag visar de fjärmaste föremål. De förtrollande konturerna och perspektiven det veka smältande fjärran det harmoniskt rödaktiga i luften, som utbreder sig över alla föremål vid solens upp- och nedgång…” (Per Daniel Amadeus Atterbom minns sin resa till Italien 1817–19)Konstnärer, författare och andra kulturpersonligheter i norra Europa har längtat till Italien åtminstone från Goethe och framåt. Denna essäsamling ger ett brett perspektiv på den nordeuropeiska Italienbilden från sent 1700-tal till mitten av 1900-talet. Vi får följa såväl Goethe som H.C. Andersen och Georg Brandes på deras italienska resor, uppleva poeten John Keats sista dagar, se arbeten av målarna Gustaf Söderberg, Gustaf Wilhelm Palm, Carl August Ehrensvärd och Louis Masreliez, delta i salonger med aktrisen Emilie Högqvist, studera Colosseum genom arkitekten Gustaf af Sillén, höra romerska visor av Evert Taube och leva oss in i Percy Bysshe Shelleys dramatik, ta del av Selma Lagerlöfs förundran och August Strindbergs frustration.Sammantaget visar Luften så klar att den nordeuropeiska traditionen av Italienskildringar inte är så ensidigt romantiserande som historien vill göra gällande, utan i själva verket rymmer en stor komplexitet.Författarna är konst-, teater- och litteraturvetare verksamma i Sverige och Danmark.
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- Blennow, Anna, 1974-, et al.
(författare)
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Introduction
- 2019
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Ingår i: Rome and the guidebook tradition. - Berlin / Boston : Walter de Gruyter. - 9783110610444 - 9783110615630 - 9783110615784 ; , s. 1-32
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Bokkapitel (refereegranskat)
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- Karlholm, Dan, 1963-
(författare)
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After Contemporary Art : Actualization and Anachrony
- 2016
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Ingår i: Nordic Journal of Aesthetics. - Aarhus. - 2000-1452 .- 2000-9607. ; :51, s. 35-54
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Tidskriftsartikel (refereegranskat)abstract
- Departing from a critical assessment of the most widespread and initiated definitions of Contemporary Art from the last decade and a half, sustaining a world-wide discourse on contemporary art and contemporaneity, by Arthur Danto, Hans Belting, Peter Osborne and Terry Smith respectively, I will concentrate this talk on two aspects of an immodest proposal captured by the keywords actualization and anachrony. While current discussions on contemporary art are arguably reproducing modernist assumptions on the primacy of novelty and innovation, bolstered by a veiled avant-garde logic, the proposal to regard contemporary art as actualized art upsets not only ideas on what art after postmodernism might mean, but the whole edifice of historicist historiography. An anachronic perspective, a bi- or polychronic situatedness of the work of art, could be used to liberate art from being defined according to its unique descent, and to embrace, instead, a chronologic open to art’s continuous “life” through its successive aesthetic accessions and actualizations in time.
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