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Sökning: db:Swepub > Södertörns högskola > Stockholms universitet

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1.
  • Aare, Cecilia, 1959- (författare)
  • Reportaget som berättelse : En narratologisk undersökning av reportagegenren
  • 2021
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This study ­is the first dissertation where the genre of reportage (in the U.S. classified as literary journalism) is systematically mapped with the help of narratology. Using tools primarily from structural discourse narratology, the thesis examines, describes and maps written reportages as narratives. Rhetorical and cognitive narratology complement the approach. The investigation rests on two assumptions. Firstly, a reporter’s professional purpose is to report about people and states of affairs outside the reporter herself. This results in a contextual commitment, which leaves traces in the narrative in the form of a textual commitment. The latter is in turn divided into narrative empathy and narrative compassion/sympathy. The thesis highlights the creation of narrative structures and stylistic features in reportages and the overall conclusion is that conceptions about a reporter’s professional purpose in fact do influence the narrativity of the text. Secondly, in contrast to news journalism, reportage is a personal genre that can be considered a directed reality: the content is taken from reality but the form is personal and a consequence of the writing reporter’s choices. The thesis presents a narratological model where the text develops in the interplay between three instances: a director, a narrator (in a first-person reportage a narrating reporter) and experiencing characters (in a first-person reportage including an experiencing reporter). The director should be regarded as a structuring property of the text itself. Part 1 provides a historical background to the reportage genre and the social side of the reporter role. In part 2, narrative characteristics of the genre are explored and defined together with the common roots of reportage and novels within realism and naturalism. Part 3 demonstrates how a contextual commitment can be transformed into a textual commitment. Throughout the dissertation, the director model is used to investigate differences and similarities between subcategories within the genre, sometimes between single texts, sometimes between reportage in general and fictional narrative. In part 4, a typology of reportage is presented. The genre is divided into five types of narration, based on the representational relation between how the physical reporter has collected information and in what ways an experiencing reporter is or is not apparent in the text. The thesis ends with a historicization of consonance and dissonance within the reportage genre. Consonance emphasizes the characters’ “here-and-now” and can be found within a broad, classical tradition of eyewitness reporting. Dissonance emphasizes the narrator’s retrospective perspective and can be found within the modernistic type of American New Journalism and in more experimentally written reportages from the most recent decades. The thesis demonstrates how both these ways of narrating may enable the reader’s narrative empathy with someone else than the experiencing reporter.The analyses and conclusions are mainly based on Swedish reportages from 1819 to 2014. This material is complemented with international reportages from 1903 to 2007,  from Norway, Poland, Germany, Great Britain, Italy, Bohemia, Croatia, Belarus and the U.S. Accordingly, the dissertation demonstrates that traditions of reportage are primarily international and that the observations about narrative patterns within the genre are also relevant outside of Sweden. 
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2.
  • Abbasian, Saeid, 1961-, et al. (författare)
  • Festival Venue that makes sense : A study of Skansen arena in Stockholm
  • 2021
  • Ingår i: Cogent Social Sciences. - : Cogent OA. - 2331-1886. ; 7:1, s. 1-15
  • Tidskriftsartikel (refereegranskat)abstract
    • The purpose of this study is to investigate how the open-air museum ofSkansen in Stockholm as venue for celebration of Persian Fire Festival is assessed by thefestival’s visitors. The study is based on a delimited part of a larger online survey with280 completed questionnaires including both close-ended and open-ended questions,and a qualitative thematic analysis method has been used in this paper. The resultsshow a high level of appreciation of the Skansen venue that gives the visitors positiveemotions, meanings, place attachment, place identity and a sense of place. Contributingfactors have been the high status of the venue that has given the visitors pride anddignity; security and safety of the venue; size of the venue; and the natural beauty of thevenue. The most important disadvantage factor has been the lack of accessibilitycombined with lack of sufficient public transport. The results have implications for theSwedish society, for the policy makers in Stockholm city and for both the host and theorganiser of the festival and gives rise to new debates on immigrants’ socio-culturalintegration into Swedish society. This paper gives a contribution to existing literature onfestival venue and its impact on the visitor’s overall assessment of the festival.
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3.
  • Abbasian, Saeid, et al. (författare)
  • The determinant of external financing at the start-up stage : Empirical evidences from Swedish data
  • 2014
  • Ingår i: World Review of Entrepreneurship, Management and Sustainable Development. - Switzerland : InderScience Publishers. - 1746-0573 .- 1746-0581. ; 10:1, s. 124-141
  • Tidskriftsartikel (refereegranskat)abstract
    • Small firms in general have limited access to funding, which is a major problem for entrepreneurs. In particular, this problem is evident for women and ethnic minority groups. The purpose of the study is to examine empirically the impact of gender, ethnicity and other relevant variables on the access to external financing of new small firms. A sample of 2,764 female– and male–owned small businesses, based on a unique and large database gathered through interviews, was investigated employing binary logistic regression models. The results suggest that both gender and ethnicity are significant explanatory variables influencing the access to external capital at the start–up stage. Entrepreneurs' age, experience of starting businesses and education, as well as additional jobs beside their own business, are other variables that influence the way in which entrepreneurs finance their business. Moreover, firm characteristics in terms of personal start–up capital, firm size and legal form have an impact on financing behaviour at start–up. Since the knowledge about this issue is limited, the results of this study add to our understanding of the variables affecting the behaviour of small business endeavours in seeking funding at start–up
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4.
  • Adami, Rebecca, et al. (författare)
  • Testimony and Narrative as a Political Relation : the Question of Ethical Judgment in Education
  • 2015
  • Ingår i: Journal of Philosophy of Education. - : Oxford University Press (OUP). - 0309-8249 .- 1467-9752. ; 49:1, s. 1-13
  • Tidskriftsartikel (refereegranskat)abstract
    • In this article, we explore the role of film in educational settings and argue that testimony and narrative are dependent upon each other for developing ethical judgments. We use the film 12 Angry Men to enhance our thesis that the emotional response that sometimes is intended in using film as testimonies in classrooms requires a specific listening; a listening that puts pupils at risk when they relate testimonies to their own life narratives. The article raises the importance of listening in training narrative ethos in relation to violence witnessed in film. The article contributes by enhancing an understanding of a relational dimension to testimony and narrative, which, in an Arendtian sense, is also put forward as a political relation.
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5.
  • af Petersens, Lovisa, 1967- (författare)
  • Formering för offentlighet : Kvinnokonferenser och Svenska Kvinnornas Nationalförbund kring sekelskiftet 1900
  • 2006
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • The thesis considers three women conferences arranged by the National Council of Women of Sweden (NCWS) in Stockholm at the turn of the 20th century. NCWS was a branch of the International Council of Women and at its height it was an umbrella-organisation for about forty Swedish women organisations. The focus is on the role of the conferences as arenas for women who wanted to prove their ability and competence in society. The content, the form and the function of the conferences are analysed. The question whether the conferences arranged by the NCWS reflected the ideas, dilemmas and strategies of the bourgeois women’s movement is addressed. A larger historical development is illuminated – the formation of the bourgeois women movements for the public sphere in the process of modernity. The thesis explores different theories and shows how the concepts of class, gender, public sphere, modernity and trans-nationalism were dealt with at the conferences. The women conferences have been treated as manifestations; as a quintessence of the ideas and ambitions of the movement. The thesis asserts that the ideology of the movements was formulated and expressed not only in spoken words, but also in festivities, symbols and sisterhood. The class identity was manifested in the form of which the conferences were conducted. On the one hand, the conference women showed loyalty to the conservative society and the rigid class position. On the other hand, the conference initiators wanted to improve women’s opportunities of becoming citizens and to move the boarders between the public and the private. Ideologies such as Internationalism and Scandinavism became important in creating a collective identity.
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10.
  • Ahrne, Göran, 1944-, et al. (författare)
  • Queues : tensions between institution and organization
  • 2019
  • Ingår i: Organization outside organizations. - Cambridge, UK : Cambridge University Press. - 9781108474986 - 9781108604994 - 9781108696326 ; , s. 177-188
  • Bokkapitel (refereegranskat)abstract
    • The formation of queues is an institution: it is created and managed largely by the emergent norms of those in the queue. Research on queues has demonstrated that it is more and more common for organizations to intervene in the ordering of queues. In this chapter we investigate why and how queues are organized and the tensions that arise when a strong institution becomes the subject of partial organization. As an institution, the idea of how to form a queue has strong legitimacy resting on commonly accepted values of equality and fairness. The fact that a queue is organized with one or several organizational elements does not necessarily mean that the queue as an institution is replaced by organization; on the contrary, organizational decisions may support the queue as an institution. In other cases, however, organization is a challenge to the legitimacy of the queue; instead it is the organization that uses its power to further its own interest in selecting the preferred customers from a larger number of people standing in a line. When an organization decides the order in which people are admitted, little remains of the institution of the queue.
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