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1.
  • Aaboen, Lise, et al. (creator_code:aut_t)
  • Corporate governance and performance of small high-tech firms in Sweden
  • 2006
  • record:In_t: Technovation. - : Elsevier BV. - 0166-4972 .- 1879-2383. ; 26:8, s. 955-968
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • The approach uses data from a sample of 183 small high-tech firms, new, technology-based firms (small high-tech firms) in Sweden (54 variables under the headings of work experience, board and advice, financing, motivation-performance priorities, technological innovation and strategy). This study identifies some core areas of importance in corporate governance. Few managers in this study had a strong background and experience of finance and the preparation of business. Only 64 per cent of the managers have had previous work experience before starting the firm. The survey makes it clear that the small high-tech firms are likely to have a strong link with banking institutions. The consequence of these links is that most of the firm's capital supply is from banks, and that there are strong ownership links between banks and industry. The background of the founder does seem to have had an effect on the problem of financing and ownership issues. It is private sector organizations (banks) and families that are most frequently consulted by small high-tech firms (However, low means). It is also the private and public sector organizations, in connection with external board membership, regional development agencies and banks that are most frequently consulted. In the future, it is reasonable to search for factor patterns that can begin to explain and predict the direction of corporate governance in small new technology-based firms.
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2.
  • Aaboen, Lise, 1978, et al. (creator_code:aut_t)
  • Incubator performance : An efficiency frontier analysis
  • 2008
  • record:In_t: International Journal of Business Innovation and Research. - 1751-0252 .- 1751-0260. ; 2:4, s. 354-380
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • Assessments and evaluations of incubators has been a topic of discussion for as long as incubators have been in existence due to the fact that there has not been an agreement on how to determine good performance. This paper demonstrates the use of Data Envelopment Analysis (DEA) when studying performance of incubators. More specifically, it does so within the four dimensions of cooperation with universities, business networks, external funding and competence development on a sample of 16 Swedish incubators. We show that DEA enables us to measure non-numerical dimensions, and to simultaneously take into account the efforts made by both the incubator and the outcomes. Moreover, DEA provides benchmarks and, based on a model that divides the incubators into four different groups, illustrates the difference between the benchmark and the incubators' current situation.
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3.
  • Aaboen, Lise, 1978, et al. (creator_code:aut_t)
  • Towards incubator facilitation of technology transfer
  • 2008
  • record:In_t: International Journal of Management and Enterprise Development. - 1468-4330 .- 1741-8127. ; 5:3, s. 331-335
  • swepub:Mat_article_t (swepub:level_refereed_t)
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4.
  • Aare, Cecilia, 1959- (creator_code:aut_t)
  • A Narratological Approach to Literary Journalism : How an Interplay between Voice and Point of View May Create Empathy with the Other
  • 2016
  • record:In_t: Literary Journalism Studies. - Evanstone, United States. - 1944-897X .- 1944-8988. ; 8:1, s. 106-139
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • The aim of this essay is to present a model for analyzing the in- terplay between voice and point of view in literary journalism/reportage. The model can be used to nuance previous researchers’ discussions about “subjective” and “objective” journalism. It also problematizes the reporter’s special role as an eyewitness by highlighting how narrative techniques can create empathy with the Other and move the reader’s gaze away from the reporter, away from the one who is witnessing. Using tools from classical narratology, I focus on the form of the texts. The tools help me investigate the narrator’s as well as the characters’ subjectivity and interpret the narra- tive’s construction as an expression of a journalistic mission. I systematize variables such as the narrator’s visibility, the relation between an experienc- ing reporter and a narrating reporter, the interplay between the experienc- ing reporter and other characters in the text, and in what way a level with a director (an implied author) can facilitate a comparison between vari- ous kinds of literary journalism. I also examine whether it might be time to abandon the theory that a first-person reportage is more subjective in general than a third-person reportage. I explore whether it is instead the narrator’s visibility that determines the position of the text on a scale be- tween “subjective” and “objective” forms. (Note: I have provided a glossary of terms at the end of the essay.)
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5.
  • Aare, Cecilia, 1959- (creator_code:aut_t)
  • A Narratological Investigation Of Eyewitness Reporting : how a journalistic mission affects narrative structures of the text
  • 2018
  • record:In_t: Brazilian Journalism Research. - : Brazilian Association of Journalism Researchers. - 1808-4079 .- 1981-9854. ; 14:3, s. 676-699
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • Drawing upon the tenets of discourse narratology, this essay identifies and discusses the various narrative and rhetorical features typical of literary journalism/reportage that have evolved from the classical tradition of first-hand observation/eyewitness reporting. I give examples of narrative patterns that have influenced literary journalism throughout the 20th century and up until today, and argue that they differ from structures found in comparable ways of narrating in fiction as well as in autobiographies. I highlight four consequences of a rhetorical “position of witnessing”: a narrative perspective directed from the outside and inward, and an illusion of simultaneity of a reporter being present on the spot and seemingly witnessing and narrating at the same time. Furthermore, the essay explores how realism, in terms of mimetic (scenic) form and scrutinized details, works differently in literary journalism than in realistic fiction. In this article, I attempt to demonstrate how narratology can open new doors to our understanding how literary journalism works in its single structures and how these structures in turn affect the reader’s experience.
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6.
  • Aare, Cecilia, 1959- (creator_code:aut_t)
  • Barbro Alvings folkhemsblick exotiserar Norrland
  • 2023
  • record:In_t: Mediehistorisk tidsskrift. - : Norsk Mediehistorisk Forening. - 2464-4277. ; 20:1, s. 299-323
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • När den legendariska svenska reportern Barbro Alving, signaturen Bang, 1951 åker på reportageresa till det svenska Norrland gör hon sig till talesperson för myndigheternas framväxande välfärdsprojekt. Detta innebär att norrlänningar ska uppfostras till bättre hygien, bättre matvanor och bättre läsvanor. Den här artikeln gör generaliserande värderingar synliga när narratologisk och medieretorisk analys samt stilanalys belyser ett samspel mellan berättarperspektiv och berättarröst i Bangs åtta reportage från Norrland. Analysen visar hur valet av källor återspeglar ett klassamhälle där högre samhällsföreträdare, tillsammans med den berättande reportern, får stå för artikelseriens problemformuleringar samtidigt som framför allt fattiga kvinnors livssituation skildras med medkänsla men sällan någon djupare inlevelse. Med en närmast filantropisk blick görs norrlänningar till föremål för ”folkhemmets” välfärdsförbättrande insatser, samtidigt som de själva inte inkluderas i det ”vi” där reportern och hennes Stockholmsläsare ingår.
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7.
  • Aare, Cecilia, 1959- (creator_code:aut_t)
  • Narrativt engagemang och komplex berättarteknik i Gustaf Hellströms krigsreportage
  • 2021
  • record:In_t: Samlaren. - Uppsala : Svenska Litteratursällskapet. - 0348-6133 .- 2002-3871. ; 142, s. 5-33
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • Cecilia Aare, Department of Social Sciences, Södertörn UniversityNarrative Commitment and a Complex Narrative Technique in Gustaf Hellström’s War Reportage (Narrativt engagemang och komplex berättarteknik i Gustaf Hellströms krigsreportage)The 1910s was a dynamic period in Swedish journalism when reporters became professionals and the largest newspapers engaged their own foreign correspondents. A prominent correspondent of the time was Gustaf Hellström, also a famous writer. His reports from France during the First World War, collected in the book 1 1/2 mil härifrån står världens största slag, are known for their dedicated attitude. An assumption in this essay is that such an attitude corresponds to a narrative commitment, which could be divided into narrative empathy and narrative compassion. Using tools from discourse narratology and cognitive narratology, I investigate narrative techniques and strategies at work when a narrative commitment is constructed in the reportages from France. A conclusion is that parallel perspectives and a multitude of voices within the narrative construction connect the individual to the general and convey empathy with all victims of the war, civilians as well as soldiers on both sides. In a final section, I place Hellström’s series of reportages from France within a broader context where I highlight similarites with Stig Dagerman’s series of reportages Tysk höst from 1946 and Svetlana Alexievich’s documentary books from the 1980s and onwards.
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8.
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9.
  • Aare, Cecilia (creator_code:aut_t)
  • Reportern som ett verktyg för att belysa de andra : Narratologiska konsekvenser av den journalistiska ögonvittnespositionen
  • 2015
  • record:In_t: Tidskrift för litteraturvetenskap. - 1104-0556 .- 2001-094X. ; :1, s. 5-16
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • A reportage is the reporter's story about reality. Even though it details real events, it always presentsa personal interpretation of these events. In contrast to the news article, which primarilyinforms readers, a reportage involves a pronounced degree of personal narration. Normally it is based on the reporter's role as an eyewitness. This essay discusses how the position of the eyewitness establishes narratological structures inthe text, which seem to differ from the structures present in other kinds of non-fiction narrativestold in the first person. For instance, in reading an autobiography, a reader's empathy willbe drawn toward the main character. By contrast, a reportage will direct the reader's empathyaway from the reporter and towards the other. The narratological construction of a reportage may be studied as an interplay between threeinstances: the experiencing reporter, the narrating reporter and the director (the implied reporter).Thus, a three-part model may be utilised in order to help explain, for example, how ahomodiegetic narrator can be combined with external focalisation, and how a character otherthan the experiencing reporter can be internally focalised. It can also illuminate how the textmay employ a form of dissonance between the experiencing and the narrating reporter to serve ajournalistic purpose (displacing the perspective from person – the reporter – to subject-matter).
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10.
  • Aare, Cecilia, 1959- (creator_code:aut_t)
  • Skiftande berättarperspektiv och självkritisk reporter komplicerar bilden : Budskap och berättarteknik i tre svenska reportageböcker om gängkriminalitet
  • 2023
  • record:In_t: Journalistica. - : Royal Danish Library. - 1901-6220 .- 1904-7967. ; 17:1
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • Hur ser berättelsen om svensk gängkriminalitet ut i tre aktuella reportageböcker och med vilken berättarteknik är den konstruerad? Med en blandning av narratologisk och medieretorisk analysmetod undersöker den här artikeln hur innehåll och form samspelar i Mammorna av Alexandra Pascalidou, Familjen av Johanna Bäck- ström Lerneby och Tills alla dör av Diamant Salihu. En slutsats är att skiftande berättarperspektiv kan motverka ensidighet, samtidigt som narrativ medkänsla utan parallell narrativ inlevelse kan hindra läsarens möjlighet att föreställa sig de skildrade människornas situation. Dramatiserade händelseförlopp kan öka närvarokänslan, medan en reporter som ifrågasätter sin egen auktoritet uppmuntrar läsaren till att undvika förenklande slutsatser. Till sist bidrar person- beskrivningar och urval av fakta i de tre böckerna till skilda budskap. Studien visar att reportagegenren tack vare sin narrativa form har potential att skildra samhällsproblem på komplexa sätt. Detta gäller särskilt när gestaltningen kombineras med gedigen faktaresearch. 
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