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1.
  • Bydler, Charlotte, et al. (creator_code:aut_t)
  • Functions of realist art in Sweden circa 1970 : Lena Svedberg & Olle Kåks
  • 2016
  • record:In_t: Baltic Worlds. - 2000-2955 .- 2001-7308. ; IX:4, s. 70-82
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • The concepts of social realism and new realism are developed in relation to the artworks of Lena Svedberg and Olle Kåks. A comparison between the artists’ uses of the concepts of social realism and function is presented. How the realist approach during the years around 1970 played out in the force field of society and the psyche, the collective realm and the individual, is exemplified by our two very different case studies. Svedberg’s political narratives compose mon-tages in which fictional, metaphorical figures are inserted side by side with political leaders drawn from newspaper clips. Kåks’s allegory-like oil painting shows a stone worker working in the face of his imminent disappearance. They both reveal myths as opposed to historically manifested commodity relations.
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2.
  • Ekologisk konstvetenskap
  • 2024. - 1
  • swepub:Mat_collectioneditorial_t (swepub:level_refereed_t)abstract
    • Vilken betydelse kan konsten ha mot bakgrund av pågående klimatförändringar? Hur gestaltas människans omvandlingar av jorden, havet och atmosfären i konst och visuell kultur?Här introduceras forskningsfältet ekologisk konstvetenskap i Sverige. Läsaren får möta konstvetenskapens fossila sammanhang, miljö- och havshumaniora, gestaltade istider och gränsöverskridande artivism. Författarna utforskar vidare trädgårdars påverkan på biologisk mångfald, landskap som tecken på exploatering av naturresurser samt nya sätt att metodiskt närma sig ekokritik och ekologiskt tänkande inom konst- och bildvetenskap.Syftet med boken är att ringa in, exemplifiera och utveckla en ekologisk, hållbar konstvetenskap, som på kreativa och konstruktiva sätt ytterst kan bidra till att värna jordens ekosystem.
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6.
  • Karlholm, Dan (creator_code:aut_t)
  • Action Drawing : Notes on the (dis)Revelatory Nature of Drawing
  • 2009
  • record:In_t: Konsthistorisk Tidskrift. - : Informa UK Limited. - 0023-3609 .- 1651-2294. ; 78:2, s. 92-103
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • The article discusses some basic elements of drawing, along with some equally basic behavior with respect to drawing. Considering one of the most repeated assumptions or stereotypes of the Western drawing discourse, namely that drawings are characterized, and cherished, by their potential for revelation, i.e. to disclose something beside them, something other than and prior to them, which may account for their appearance, I sketch an argument away from that assumption. To regard a drawing as revealing is to charge it or have it re-enact itself, although any attempt to ontologize drawing through a distinction between a previous act and a posthumous fact is too simplistic. By considering the ways in which drawing has been compared to painting and photography, how it relates to shadows and projection, I bring up a number of issues of relevance in coming to terms with drawing: lines and dots, signs and marks, figure and ground, space and erasure. Examples range from van Gogh and Rembrandt to Oldenburg, Michaux and Rauschenberg. Action drawing applies, most Importantly to Our interpretative activities faced with the drawing as a fact, although no clean temporal or conceptual cut exists between act and fact; the act is still there in the result.
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7.
  • Karlholm, Dan, 1963- (creator_code:aut_t)
  • Aesthetics : Art and Non-Art
  • 2014
  • record:In_t: Art History. - Wiley : John Wiley & Sons. - 0141-6790 .- 1467-8365. ; 37:5, s. 1005-1009
  • swepub:Mat_review_t (swepub:level_scientificother_t)abstract
    • Review of Jacques Rancière, Aisthesis: Scenes from the Aesthetic Regime of the Arts, London & New York: Verso, 2013
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8.
  • Karlholm, Dan, 1963- (creator_code:aut_t)
  • After Contemporary Art : Actualization and Anachrony
  • 2016
  • record:In_t: Nordic Journal of Aesthetics. - Aarhus. - 2000-1452 .- 2000-9607. ; :51, s. 35-54
  • swepub:Mat_article_t (swepub:level_refereed_t)abstract
    • Departing from a critical assessment of the most widespread and initiated definitions of Contemporary Art from the last decade and a half, sustaining a world-wide discourse on contemporary art and contemporaneity, by Arthur Danto, Hans Belting, Peter Osborne and Terry Smith respectively, I will concentrate this talk on two aspects of an immodest proposal captured by the keywords actualization and anachrony. While current discussions on contemporary art are arguably reproducing modernist assumptions on the primacy of novelty and innovation, bolstered by a veiled avant-garde logic, the proposal to regard contemporary art as actualized art upsets not only ideas on what art after postmodernism might mean, but the whole edifice of historicist historiography. An anachronic perspective, a bi- or polychronic situatedness of the work of art, could be used to liberate art from being defined according to its unique descent, and to embrace, instead, a chronologic open to art’s continuous “life” through its successive aesthetic accessions and actualizations in time.
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  • Karlholm, Dan, et al. (creator_code:aut_t)
  • Art History in the Nordic Countries
  • 2012
  • record:In_t: Art History and Visual Studies in Europe. - Leiden : Brill Academic Publishers. - 9789004218772 ; , s. 421-438
  • swepub:Mat_chapter_t (swepub:level_refereed_t)
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Karlholm, Dan, 1963- (49)
Bydler, Charlotte (3)
Dobers, Peter, 1966 (2)
Sjöholm, Cecilia, 19 ... (2)
Elmersjö, Magdalena, ... (2)
Svärd, Veronica (2)
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