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Sökning: db:Swepub > (2010-2011) > Humaniora

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  • Persson, Beatrice, 1963 (författare)
  • In-Between: Contemporary Art in Australia. Cross-culture, Contemporaneity, Globalization
  • 2011
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This study emerges from the question: what is contemporary art, and mainly what criteria constitute contemporary art in a globalized art world in general? Thus, the focus of this dissertation is on the postcolonial context of Australia and the fact that the contemporary art scene in Australia is divided into Australian and Aboriginal art respectively. This is a division originating from the colonization of Australia that began in the 1770’s, resulting in an Australian art descending from a Western art practice, where there is further focus on two categories within this art. The first category is a so-called “young” Australian art created by young artists who are returning to skills of, for instance, woodcarving and bronze casting, emphasizing the techniques of creation, and the finish of the surfaces in a do-it-yourself-aesthetic. The second category is called Asian-Australian art, featuring diaspora artists, a category pointing to the fact that Australia is situated in the Asia-Pacific region and has a large Asian population. Aboriginal art, on the other hand, is regarded to be an unbroken tradition dating back some 40,000 years, featuring art created by indigenous artists living on ancestral land in remote communities, often being called traditional Aboriginal art, and city-based Aboriginal art produced by indigenous artists who have grown up and are living in Australian cities and have been educated in Western art schools. These four categories are represented by four artists whose artworks are analysed and interpreted from a cultural semiotic point of view in order to be used in practical examinations of the viability of the two theoretical concepts cross-culture and contemporaneity, as well as an investigation of whether the contemporary global art scene is truly global or still tends to emanate from a Western perspective. In this context the concept of cross-culture is examined through the history of how primitive art and primitive artists, and non-Western art and artists in general, have been apprehended, indicating that the crossing of cultures, making transformations and influences possible in the arts, have taken place from a Western perspective, thus demonstrating power relations deriving from colonization. Contemporaneity should be understood as an inquiry into how various artistic expressions with different time conceptions appear when produced simultaneously in different, closely connected, yet mutually incomparable cultures. This is art that communicates across the divide between cultures and as such grasps the driving spirit of the contemporary.
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3.
  • Lundahl, Mikela, 1965, et al. (författare)
  • Den mörke brodern. Svensk negrifiering av svart poesi 1957
  • 2010
  • Ingår i: Tidskrift för litteraturvetenskap. - 1104-0556. ; :02, s. 39-53
  • Tidskriftsartikel (refereegranskat)abstract
    • This article sheds new light on the Swedish introduction of poetry written in French, Spanish and Portuguese by black authors and/or on ”black” topics. More specifically, the article discusses Artur Lundkvist’s anthology Den mörke brodern (‘The darker brother’), published in 1957. It analyzes the title, foreword, selection and translations included in the anthology and relates these to international models of the time and to a Swedish essay on poetry written by black authors published in 1960. Lundkvist’s approach is found to be more negrophile and exotizising than the international models and the Swedish essay.
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  • Contemporary Feminist Studies and its Relation to Art History and Visual Studies: Proceedings from a Conference in Gothenburg, March 28-29, 2007
  • 2010
  • Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
    • The aim of this conference was to discuss and to elucidate the effects of the last thirtyfive years of feminist studies within art history and visual studies. Since Linda Nochlin published the essay "Why Have There Been No Great Women Artists?" considerable research has been made and published. But is the gender perspective included in contemporary research and teaching? Or is it still marginalized? Except for the feminist perspective, gender and queer theories and ethnicity will be discussed in relation to contemporary research in art history and visual studies, and adjacent disciplines.
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  • Snæbjørnsdóttir, Bryndis, 1955, et al. (författare)
  • Vanishing Point: Where Species Meet
  • 2011
  • Ingår i: Animal Gaze 2011, 27th-28th of October 2011, the Metropolitan University London..
  • Konferensbidrag (refereegranskat)abstract
    • Abstract: Vanishing Point: Where Species Meet Vanishing Point: Where Species Meet is the title of Snæbjörnsdóttir/Wilson’s most recent artwork, which was part of the Gothenburg Biennial 2011. The title, which references Donna Haraway’s book When Species Meet, pinpoints significant ambiguities in meetings between human and animal. The focus of this artwork is the attempt by the artist to share a meal with members of another species, namely seagulls, on camera. The three-screen video work sets out the conditions for a meeting but does not fetishize or document the act of species coming together. The talk will explore the thinking behind this artwork and the processes of its making. It will question the ambition of recording an equal meeting between human and animal, at least on camera and in the context of contemporary art, whilst avoiding either being sensationalist or prompting readings of domestication. It proposes that despite the impossibility of a visual exposition of this meeting, a meeting has nevertheless occurred which as a consequence, provides the basis for considering the nature and the possibilities of such a connection.
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  • Ljunggren, Magnus, 1942 (författare)
  • Historien bakom ett gammalt foto
  • 2010
  • Ingår i: Meddelanden från Slaviska institutionen, Stockholms Universitet. - Stockholm : Slaviska institutionen. ; :38, s. 3-19
  • Bok (populärvet., debatt m.m.)
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