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- Gullö, Jan-Olof, 1961-
(författare)
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Musikproduktion med föränderliga verktyg - en pedagogisk utmaning
- 2010
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The Millennials, today’s pupils and students, is the first generation to grow up with tools for interactive communication and media production. Many students choose to study music production in higher education establishments. Therefore music production is an emerging subject and important research topic. The aim of this thesis is to develop knowledge of music production and to identify key skills necessary for music producers and music production teachers. Three sub-studies were performed to investigate what characterizes music production, both in an educational context and as a professional activity. In the first study, a Desktop Music Production project in a municipal music school was investigated. Observations and interviews were used as data collection methods. The results show that teachers need to be multi skilled to teach musicproduction. In addition to standard teaching skills they need to have extensive knowledge of music technology and relevant contemporary knowledge about trends in youth culture and popular music. In the second study students' views on important learning outcomes in music production were investigated. Questionnaires and group interviews were used to collect data. The results show that music production is a topic that includes various types of content. Issues regarding music, technology, music industry, personal development and employability were of central importance to the students. In the third study eleven professionals were interviewed, all music production teachers or active music producers. The main result was that the skills required for both music producers and music production teachers are varied and extensive. Psychology and leadership, music, technology, ethics, law and copyright, entrepreneurship and cultural timing are particularly relevant to music production. Based on these results, a model for education in music production is presented. Music production also differs from traditional music education. In addition to traditional musical and pedagogic skills it requires technical competence from the teachers. Men dominate music production teaching, and the vast majority of professional music producers are also men. Technological developments are affecting young people's musical skills, and therefore it’s a challenge for music teachers to meet pupils and students who already have advanced knowledge of music production and are eager to learn more.
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- Gullö, Jan-Olof, 1961-
(författare)
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To achieve ecological validity in higher education courses in journalism : reflections over two student projects
- 2011
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Ingår i: INTED 2011. - Valencia, Spain : International Association for Technology, Education and Development. - 9788461474233 ; , s. 6518-6523
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Konferensbidrag (refereegranskat)abstract
- The purpose of this paper is to present and discuss selected results from a didactical higher education project where journalist students produced short news items for television and results from a test where the intention was to examine journalism students' linguistic abilities. From a cultural psychological perspective (Bruner 1996) students learn differently depending on the culture where the learning takes place. With a cultural psychological perspective it is essential to view the world, in both everyday life and research, from different perspectives. In addition theories on expectation and intellectual development (Rosenthal & Jacobson, 2003) as well as theories on skills and expertise development (Csíkszentmihályi, 1999; Dreyfus & Dreyfus, 2000; Hageskog, 2006; Kemp, 2005) were used to broaden the perspective and to reflect on the results. In the television project some 90 students from three different journalism courses in a 3-year multimedia journalist undergraduate program participated. During a two-week project in television production the students worked editorial groups and produced short news items. Students from the first semester were reporters and researchers; students from the fourth semester were editors and cameramen and editors in chief; students from the sixth semester participated as interviewees. The overall view, shared by both students and teachers, was that the project was successful. The cooperation between students from different semesters worked generally well and was appreciated by the students. The more experienced students instructed the inexperienced students in various ways. The students described this as a particularly valuable experience. Many students reported that they had learned in a different and better way compared with more traditional teaching.In the language test all 40 students from the first semester in a 3-year multimedia journalist undergraduate program participated. The test was structured in several sections and one typical task was to fill in a missing word or correct something wrong in a sentence. All students did not pass the test and some students had to redo the test many times to pass. To check to validity of the language test some staff members, lecturers and administrative personal, were asked to answer some of the questions. This was a difficult task for them and none of the participants managed to answer all the questions correctly. Surprisingly some of the students managed better the staff members in the test. The conclusion was that the language test actually measured the ability to understand a certain codes or instructions for how to answer specific types of questions. The test was less successful in measuring participant’s linguistic abilities. The over all reflection is that in projects like the television project the students learn much from working together with their peers, maybe even more than they learn from teachers or hand books and other literature. The actual project was structured similar to how journalists work professionally and consequently the project was considered as ecological valid. This in contrast with tests like the language test. The conclusion is that one way for higher education to keep up with today’s students – the Millennials – and future changes in the youth culture, international trends in education and not at least the student’s ability to reach employability – the Bologna Process – is to strive for high ecological validity.
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