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- Altés Arlandis, Alberto, 1978-, et al.
(författare)
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Hybrid collaborative art practices in contemporary public space
- 2010
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Ingår i: Sala d'Art Jove 2009. - Barcelona : Generalitat de Catalunya Departament d’acció Social i Ciutadania. - 9788461428700 ; , s. 230-237
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Do you see a capacity for transforming the city, its spaces or the use we make of them in artistic practice? Which public spaces do you use most day to day? Is there hope for the Santa Esperança public laundry? Do you think that Somanyprojects’ action has served to reactivate this space and awaken it in the town’s collective imaginary? Do you know of any other public space particular to women? What does the perspective of an artist offer us that an architect’s doesn’t consider when intervening in a space? What does a collaborative art practice consist of? Can an intervention of this type lead to some type of agencement on the part of the community? Would it be viable to consider more alternative uses of water such as public baths? How do you assess artistic practice as a work methodology for participatory urbanism projects? Would you be in favour of other activities being undertaken in public laundries besides washing clothing and the promotion of tourism? Are we very far off on the part of politicians from designing the cities where we want to live based on the needs of the citizens themselves? Do you have any questions for us? Do you have any questions for yourself?
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- Altés Arlandis, Alberto, 1978-, et al.
(författare)
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Performing public space : pràctiques artistico-collaboratives híbrides a l’espai públic contemporani
- 2010
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Ingår i: Sala d'Art Jove 2009. - Barcelona : Generalitat de Catalunya Departament d’acció Social i Ciutadania. - 9788461428700 ; , s. 129-143
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Veus en la pràctica artística la capacitat per transformar la ciutat, els seus espais o bé l’ús que en fem? Quins són els espais públics que més utilitzes en el teu dia a dia? Hi ha esperança per al safareig de Santa Esperança? Creus que l’acció de Somanyprojects ha servit per fer reactivar aquest espai i despertar-lo en l’imaginari col·lectiu del poble? Coneixeu algun altre espai públic que sigui propi de les dones? Què ens ofereix la mirada d’un artista que no contempli la d’un arquitecte a l’hora d’intervenir en un espai? En què consisteix una pràctica artistico-col·laborativa? Una intervenció d’aquest tipus pot conduir a alguna forma d’agenciament per part de la comunitat? Seria viable contemplar usos més alternatius de l’aigua com ara uns banys públics? Com valores la pràctica artística com a metodologia de treball per a projectes d’urbanisme participatiu? Us semblaria bé que s’hi realitzessin als safareigs altres activitats a part de rentar roba i de difusió turística? Estem molt lluny per part dels polítics de pensar les ciutats on volem viure a partir de les necessitats del propi ciutadà? Tens alguna pregunta a fer-nos? Alguna a fer-te a tu mateix?Performing Public Space es una veu múltiple, una artista de Missouri, un catedràtic d’universitat, un arquitecte, un regidor d’urbanisme, un regidor de cultura, la directora d’un museu, uns comissaris, un educador i investigador de l’art, unes cinc dones que encara renten en un safareig, una família, un parell de doctorands i tots aquells que no hi han estat inclosos. També es una sèrie d’agraïments.Es una redefinició i construcció d’espai públic a partir d’una mirada multidisciplinària sobre l’espai comú , l’art i la vida quotidiana. Potser es una pràctica artística col·laborativa hibrida que posa de manifest accions, iniciatives, propostes i reconeixements al voltant d’un espai molt específic i peculiar com ara els safareigs d’aigua termal.
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- Altés Arlandis, Alberto, 1978-, et al.
(författare)
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Rethinking public space : other public spaces: community, hybrid collaborative art practices and urban reactivation
- 2010
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Rethinking Public Space is a research project by Marta Serra Permanyer and Alberto Altés Arlandis that tries to approach the diverse processes of production and transformation of contemporary public spaces as well the relationships that are often established between art, everyday life and the space of the city. The project, that takes a closer look at a series of interventions in the village of Caldes de Montbui (Barcelona) trying to reflect around the idea of hybrid collaborative art practice, has been possible thanks to a research grant obtained from the Sala’d’Art Jove de la Secretaria de Joventut de la Generalitat de Catalunya.The idea was submitted as a proposal to a call for projects during the year 2008 and was selected in the research category. The project has been carefully and attentively tutored by Montse Romaní, who has been able to provide her experience and help in a very generous way while supervising the project.
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- Altés Arlandis, Alberto, 1978-
(författare)
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Rethinking public space : hybrid collaborative art practices and spatial piracy in the urban realm
- 2011
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Ingår i: Re-Public. Re-Imagining Democracy. - Greece : http://www.re-public.gr/en. - 1791-857X. ; February 2011
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- It seems as if the city, its space, its future, its production, were almost exclusively the result of a series of processes and flows taking place at unreachable distance, in un-known locations, mostly determined by the interests and wills of un-localized powers, actors and flows. As if the city could no longer be produced and shaped after the desires of its inhabitants, articulating one or another form of collective will. As if the city was no longer the soul and reason of urban politics but just the mere object of a kind of witty and hygienic managing that understands built space as a market and a product, placing economy at the very center of society.Urban agendas no longer include distributive and social considerations but focus now on economic growth, competitiveness and entrepreneurship. Creative flexibility, efficiency and strategic partnership exclude dissent, conflict and radical criticism nearly foreclosing the political from the face of the city. Cityspace anesthetized. Public space today is planned, designed, defined, segregated, policed, and set up in order to be easily controlled, ‘secured’, and ‘marketized’, in ways that lead to homogenous, uninteresting, smooth and clean surfaces that differ very much from the inherent characteristics of the very idea of public.
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- Bränström Öhman, Annelie, 1960-
(författare)
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Blondinen och hennes skuggbild
- 2011
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Ingår i: Västerbottens-Kuriren. - Umeå : Västerbottens-Kurirens AB. - 1104-0246. ; :13 december, s. 22-22
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Tidskriftsartikel (populärvet., debatt m.m.)
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- Bränström Öhman, Annelie, 1960-
(författare)
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November, åt vilket håll ska vi gå?
- 2011
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Ingår i: Västerbottens-Kuriren. - Umeå : Västerbottens-Kurirens AB. - 1104-0246. ; :8 november, s. 26-26
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Tidskriftsartikel (populärvet., debatt m.m.)
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