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Sökning: db:Swepub > (2010-2011) > Konstnärligt arbete > Wilson Mark 1954

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1.
  • Snæbjørnsdóttir, Bryndis, 1955-, et al. (författare)
  • between you and me
  • 2011
  • Ingår i: Interactive Futures '11: Animal Influence, November 17-23, 2011 Gallery Gachet 88, East Cordova Street Vancouver, Canada.
  • Konstnärligt arbete (övrigt vetenskapligt)abstract
    • between you and me is a visual art project that on the face of it explores human relationships to the seal, an animal widely appropriated in Western culture for a variety of human representations and emotions. For the purpose of our enquiry, we have focused mainly on this animal within a specific geographical context, allowing us to draw attention to (some of) these perspectives in an attempt to distinguish and separate the animal from its representations. It is this struggle or non-correspondence that lies at the heart of between you and me. The relationships between its components and the challenges each component presents to the others constitute the substance of the work. Ultimately, whilst encompassing issues as broad as semiotics, compassion, empathy and subjection, it tests the fallibility of representations and our unreliable dependency upon them.
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2.
  • Snæbjørnsdóttir, Bryndis, 1955-, et al. (författare)
  • between you and me
  • 2011
  • Ingår i: Reconstructing the Animal, 18th March to 15th April Plimsoll Gallery, Tasmania, Australia..
  • Konstnärligt arbete (övrigt vetenskapligt)abstract
    • Curator: Dr Yvette Watt Artists: Adam Geczy and Jan Guy (Australia),Angela Singer (New Zealand), Harri Kallio (Finland/NewYork), Mark Wilson and Bryndís Snæbjörnsdóttir (Iceland/UK), Kate James (Australia) and Alicia King (Tasmania) The extinction of species, environmental destruction, global warming and the roles and fates of animals in this context has seen a shift in the consideration of animals and human-animal relationships. Reconstructing the Animal includes the work of a number of artists whose primary focus considers this ‘re-thinking’ of our relationships with animal life. The title of the exhibition alludes to the variety of ways in which these artists have ‘reconstructed’ animals. At times this ‘reconstruction’ takes place in a literal sense, such as the ‘recycled taxidermy’ works of New Zealand artist, Angela Singer, or the work of Finnish-born, New York based artist Harri Kallio, who presents images based on his reconstructions of long-extinct dodos. However, the exhibition is also a metaphorical reconstruction; we are asked as a viewer to reconsider or reflect upon our attitudes to animals
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3.
  • Snæbjørnsdóttir, Bryndis, 1955-, et al. (författare)
  • Cities of Cliffs and Ledges
  • 2011
  • Ingår i: Hunter Gatherer, 27th April to 31st of July 2011, PSL, Project Space Leeds. UK.
  • Konstnärligt arbete (övrigt vetenskapligt)abstract
    • PSL and Artemis invited six contemporary visual artists to respond to the Artemis collection and new work for presentation at PSL. Artemis is an amazing storage facility based in Holbeck, Leeds which contains thousands of objects relating to areas such as world cultures (Africa, North America, China, Egypt, Ancient Rome, Japan etc), natural history (including a large taxidermy collection), toys, science, social history, textiles and costume, paintings and pictures, ceramics, and twentieth-century furniture, among others. The project possibly invites responses around the following; the archive; artists’ interventions; systems for classification, storage and display; museology; social history; the art object
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4.
  • Snæbjørnsdóttir, Bryndis, 1955-, et al. (författare)
  • I´m Not There
  • 2011
  • Ingår i: Ten Days on the Isaland Festival, 25th March to 3rd April 2011, Beaumaris Zoo, Hobart, Tasmania.
  • Konstnärligt arbete (övrigt vetenskapligt)
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5.
  • Snæbjørnsdóttir, Bryndis, 1955-, et al. (författare)
  • Islenskir Fuglar
  • 2011
  • Ingår i: Inbetween: Cabinet of Curiosities, 24th Aug - 29th Oct. Hafnarborg, Reykjavik, Iceland.
  • Konstnärligt arbete (övrigt vetenskapligt)abstract
    • Hugmyndin að sýningunni Í bili var valin úr tillögum sem sendar voru inn síðastliðið haust vegna haustverkefnis Hafnarborgar. Sýningin vísar til hins sögulega fyrirbæris furðustofu eða Wunderkammer sem talið er marka upphaf safna nútímans, á sama tíma og hinar mismunandi fræðigreinar verða til. Stór hópur listamanna sýna verk sín sem flest eru ný og fjalla á einn eða annan hátt um tengsl myndlistar og þekkingar sköpunar. Listamennirnir sem eiga verk á sýningunni eru þau: Bryndís Snæbjörnsdóttir & Mark Wilson, Daníel Björnsson, Gretar Reynisson, Haraldur Jónsson, Hildigunnur Birgisdóttir, Hugsteypan (Ingunn Fjóla Ingþórsdóttir & Þórdís Jóhannesdóttir), Ingirafn Steinarsson, Jeannette Castioni, Magnús Árnason, Olga Bergmann, Ólöf Nordal og Skyr Lee Bob (Erna Ómarsdóttir, Guðni Gunnarsson & Lieven Dousselaere). Viðamikil dagskrá hefur verið í tengslum við sýninguna og fyrir skemmstu var haldið vel heppnað málþing, Bil beggja: Safnið sem vettvangur lista og lærdóms þar sem rædd voru meðal annars tengsl listasafnsins við uppruna safna og spurningum velt upp um hlutverk listheimsins í að lýsa, greina og varpa ljósi á þekkinguna um heiminn. Fimmtudaginn 20 október kl. 20 ætlar Jeannette Castioni að spjalla við gesti um verk sitt ,,Framtíðin er úrelt,, ásamt sýningarstjóranum Ólöfu Gerði Sigfúsdóttur.
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6.
  • Snæbjørnsdóttir, Bryndis, 1955-, et al. (författare)
  • nanoq: flat out and bluesome
  • 2011
  • Ingår i: nanoq, Sept. 2010 to April 2011, Svalbard Museum,Longyearbyen, Svalbard, Norway.
  • Konstnärligt arbete (övrigt vetenskapligt)
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7.
  • Snæbjørnsdóttir, Bryndis, 1955-, et al. (författare)
  • nanoq: flat out and bluesome
  • 2011
  • Ingår i: nanoq 1st of June 2011 to 31st March 2012 Polar Museum Tromsö, Norway.
  • Konstnärligt arbete (övrigt vetenskapligt)
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8.
  • Snæbjørnsdóttir, Bryndis, 1955-, et al. (författare)
  • Three Attempts
  • 2011
  • Ingår i: "Seminário Internacional Arte e Natureza", 10th – 15th June 2011, Mathilha Cultural, Rua Rêgo Freitas, 542 São Paulo -.
  • Konstnärligt arbete (övrigt vetenskapligt)
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9.
  • Snæbjørnsdóttir, Bryndis, 1955-, et al. (författare)
  • Three Attempts
  • 2011
  • Ingår i: Animal Gaze Returned, 24th Oct - 11th Nov. London Metropolitan Univeristy, London.
  • Konstnärligt arbete (övrigt vetenskapligt)abstract
    • The Animal Gaze Returned exhibition took place in the Faculty's gallery spaces in Central House opposite the Whitechapel Gallery and at 41 Commercial Road from Oct 24th to Noveember 11th, 2011 (Cass Gallery, Central House aand Cass Gallery, Commercial Road). This group show currently includes work from 14 artists invited to submit via a process of curatorial research.
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10.
  • Snæbjørnsdóttir, Bryndis, 1955-, et al. (författare)
  • Uncertainty in the City: Pets, Pests and Prey
  • 2010
  • Ingår i: Uncertainty in the City: Pets, Pests and Prey, 21st Sept. to 27th of November 2010, Storey Gallery, Lancaster, UK.
  • Konstnärligt arbete (övrigt vetenskapligt)abstract
    • An exhibition in which the artists Snæbjörnsdóttir/Wilson explore our complex feelings towards our ‘animal others’. In 2007 Storey Gallery commissioned the artist team Snæbjörnsdóttir/Wilson to develop a project investigating the various and complex relationships between human and non-human animals in shared and contested spaces. Working primarily in the city of Lancaster and the surrounding area, with a variety of individuals, businesses and organisations, the artists burrowed around the ever-shifting margins of tolerance, gathering anecdotes and stories of human/animal cohabitation, encroachment and symbiotic partnerships. In addition, they toured around the UK with a mobile radio unit, visiting people’s homes, country fairs, and town centres, documenting the multiplicity of people’s feelings towards animals-in-proximity. The conversations were recorded and aired live on Radio Animal, an online radio station created by Snæbjörnsdóttir/Wilson, dedicated to their discourse around human/animal relations. For millennia, humans have been making divisions between themselves and other animals. By building settlements, towns and cities, they created shelter and insulation from wild animals. However, animals have always been attracted to concentrations of human population because of the opportunities these provide for habitat and food. For some humans, the presence of these creatures – pigeons, starlings, rats, mice, foxes, and all manner of insects - constitutes a threat, a kind of leakage. It highlights the fragility of our insulation from the ‘wild’, its unpredictability, and the seeming chaos of ‘nature’. The exhibition Uncertainty in the City: Pests, Pets, and Prey explores this animal infringement through the use of sound, sculpture, text, video, and photography. It builds a picture of human ambivalence towards animals – of tolerance and intolerance, of fear and loathing, of affection, conflict, and admiration - and at the same time it explores more broadly our own duplicity in relation to ideas of the ‘other’.
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  • Resultat 1-10 av 11
  • [1]2Nästa
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övrigt vetenskapligt (11)
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Snæbjørnsdóttir, Bry ... (11)
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Göteborgs universitet (11)
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