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1.
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2.
  • Atienza, Ricardo, et al. (författare)
  • Resonance as an Urban Artistic Research Method
  • 2016
  • Ingår i: Ambiances, tomorrow. - : Centre National de la Recherche Scientifique. ; , s. 57-62
  • Konferensbidrag (refereegranskat)abstract
    • Through the research project ‘Playing the space’ we have developed ‘resonance’ as a site-specific method and a theoretical concept. Resonance involves all senses and relations in a space; it manifests the overall experience of daily life within its immaterial, continuous and elusive expression. As an artistic/research method, resonance intensifies an extended listening that takes place between bodies and space in its full complexity. By composing and recomposing the rhythm and the resonance of daily situations through collective improvisations, interventions, disruptions and further out-of-place reactivations, new situations emerge which establish another awareness of urban qualities, limits, forces and meanings.
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3.
  • Avila, Martin, 1972- (författare)
  • Design responses as response diversity
  • 2017
  • Ingår i: La Vie À L'Oeuvre / Life at Work. - Paris.
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • This talk addresses the use of the ecological notion of response diversity (Elmqvist Et al. 2003) as a frame to develop coupled natural-artificial systems. It does so through the practice of design, making explicit the type of performativity that design proposals could enact by devising complementary responses designed to support the life of specific beings in specific ecosystems. The talk elaborates upon examples from the project Dispersal machines, part of my postdoctoral research entitled Symbiotic tactics and financed by the Swedish Research Council (2013-2016). Dispersal machines proposes two complementary artificial systems that attempt to minimise the damages by a moth (Spodoptera frugiperda) on crops (corn and soy predominantly) in the agroecosystems of Córdoba, Argentina. The proposals attempt to biologically control this species by interventions that disseminate and/or host species that predate or parasitize the moth at different stages of its life cycle: a diurnal response, based on the dissemination of parasitized eggs of the moth by a tiny wasp (Telenomus remus), as well as a nocturnal response, based on the placement of bat refuges that feed on the adult moth.
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4.
  • Avila, Martin, 1972- (författare)
  • Ecologizing, Decolonizing : An Artefactual Perspective
  • 2017
  • Ingår i: NORDES 2017.
  • Konferensbidrag (refereegranskat)abstract
    • In this paper I present a design project developed in Córdoba, Argentina, entitled ‘Spices-Species’. Through this case study, I discuss the possibility of designing using two decolonial strategies —"objectivity (or truth) in parenthesis" and " being where one does and thinks"— that can lead to delinking, on a micropolitical scale, from colonial social patterns as well as reconnecting humans with natural processes and beings to which they are detached by means of devices. The paper suggests that these decolonial strategies, combined with the performance of designed artefacts may help to acknowledge not only human diversity, but also the multiple and diverse nonhuman beings that conform and participate in different localities.
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5.
  • Bandolin, Gunilla, et al. (författare)
  • How much for a tree? : How planning goes wild and the values of trees
  • 2015
  • Ingår i: Proceedings of Nordes No 6, 2015. - Stockholm : Konstfack. - 9789185549191
  • Konferensbidrag (refereegranskat)abstract
    • This exhibition item contains a book, “How much for a tree” and a 4 channel video installation. The book investigates a planning process in Malmö, that turns out as a disaster. A hundred year old park is destroyed. The investigation of the process is done in the form of a drama, where all the people involved get to tell their version. The question that is posed is: What are the values that are destroyed by this planning disaster? The video installation tries to give an answer to the question from the authors’ point of view. What are the values of trees? There are numerous ways of valuing trees, from biologic estimation on the value for insects and other plants, from the perspective of the property owner, from the importance for the air quality in the city, etc. For telling the values of trees from non-anthropocentric view, the trees importance for humans is not important. A non-anthropocentric view values what trees are in themselves, as far as it is possible for human beings to identify. The authors, both artists, suggest that through artistic means it is possible to touch upon and communicate the real non-anthropocentric values of trees.
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6.
  • Berríos-Negrón, Luis (författare)
  • Greenhouse Superstructures as Social Pedestals : displaying site-specific non-locality as a possible form of resilience
  • 2015
  • Ingår i: Architecture and Resilience on the Human Scale. - Sheffield, UK : University of Sheffield. ; , s. 70-71
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • In this paper I will propose that greenhouse superstructures are not just the surface envelop of an industrial typology: they are more so a spatial archetype. As such, they are historiographical boundary objects that at times display the spatiotemporal dimensions and geopolitical flows of environmental form in accelerated climate change. This abovementioned hypothesis is reflected through the manifold of “resilience” as defined by Prof. Lawrence Vale - of resilience being “a window into conflicting human values”. The aim of this effort is to ultimately centre the manifold notion of “greenhouse” as an index that points away from itself towards the impact of anthropological and technocratic ideologies on agricultural and spatial production. It is these binary ideologies that arguably create what we sense to be a crisis of scale, now further articulated as the hyperobject of climate change as a disjuncture that we nostalgically entertain as a chasm between the human condition and the living environment. Parsed by augmenting the notion of 'greenhouse superstructure' – as technology, gas, and effect – the hypothesis looks to articulate the greenhouse as a 'site-specific non-local' sensation on the expanding sculptural field. What this expanding sculptural netherworld implies needs to be rigorously addressed for it may very well become what tautologically heightens the greenhouse to the providence of becoming our future atmosphere and landscape. To elaborate this potentiality, I will first present the schematics and precedents of the dissertation, including four installations of my authorship in Germany, Brazil, and Sweden. These sections then lead to an argument instantiated by thinking of the greenhouse as 'social pedestal'. The objective is therefore to embody the notion of non-local site-specific resilience as modes of pedagogy and production that aspire to destabilise the anthropological machine, as resilient modes not limited to historic, scientific, artistic, correlational, nor speculative conventions.
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7.
  • Eklund Heinonen, Maria, et al. (författare)
  • Effekter av ämnesintegrerad undervisning i akademiskt skrivande
  • 2016
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • De senaste decenniernas breddade rekrytering till högre utbildning har lett till alltmer heterogena studentgrupper. Samtidigt har en offentlig debatt pågått med ett fokus på brister i studenters skrivande. Forskningsfältet academic literacies (Lea & Street 1998) ifrågasätter ett sådant ensidigt bristperspektiv och förespråkar istället fokus på skrivandets sociokulturella sammanhang. Litteracitet betraktas här som en kontextburen praktik (Barton 2004), som bäst tillägnas i autentiska och funktionella sammanhang (Gee 2012). Utifrån ett sådant synsätt ifrågasätts varför studenter oftast erbjuds separata insatser i det akademiska skrivandet, trots att stöd inom ämnesstudierna skulle vara mer framgångsrikt.  Forskningen om effekterna av sådan undervisning är dock fortfarande mycket begränsad.Vårt forskningsprojekt syftar övergripande till att utforska effekter av ämnesintegrerad undervisning i akademiskt skrivande. Projektet ansluter till ett pågående högskolepedagogiskt utvecklingsarbete vid Södertörns högskola, där Utvecklingsenheten för högskolepedagogik och bildning, Biblioteket och Studieverkstan, som arbetar med olika typer av studie- och skrivstöd, samverkar med ett antal ämnen om ämnesintegrerad undervisning i akademiskt skrivande och informationssökning. Erfarenheterna visar att de flesta, både studenter och ämneslärare, i utvärderingar och reflektioner värdesätter undervisningen och menar att den påtagligt bidrar till studenternas skrivutveckling. I forskningsprojektet vill vi försöka få en djupare förståelse för vilka effekter som undervisningen ger. Under föredraget kommer vi att presentera en pilotstudie där vi analyserar studenttexter som är skrivna under och efter studenternas deltagande i den ämnesintegrerade skrivundervisningen. Litteratur: Barton, D. & Hamilton, M. (1998). Local Literacies. Reading and Writing in one Community. London: Routledge. Gee, J.P. (2012). Social Linguistics and Literacies – Ideology in Discourses. London: Routledge.Lea M.R. & Street, B. (1998). Student writing in higher education. Studies in Higher Education, 23 (2): 3-35.
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8.
  • Ernest, Anya, et al. (författare)
  • Exploring the pupil-­student transition through customer journeys
  • 2016
  • Ingår i: Service design geographies. - Linköping : Linköping University Electronic Press. - 9789176857380 ; , s. 557-562
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • Being a first time student is not only exciting, it is also like travelling to a new and far-off place. If you are already a resident, then it is hard to grasp what it was like arriving for the first time. This paper presents a project at Karlstad University investigating the experiences of first time students. 13 students from the teaching programs kept diaries for ten weeks concerning their experiences related to the first time at the university. The findings suggested, for example, an overload of information on the first day, a complex web structure, and highlighted the importance of social connectedness as well as the importance of designated facilities to help the students find stability and to focus on their studies. The project suggested low hanging fruit that could be fixed immediately and formulated new areas to be investigated and developed. Further, the information visualizations showed important in order to get things done.
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9.
  • Femenias, Paula, 1966, et al. (författare)
  • Earthy textiles. Experiences from a joint teaching encounter between textile design and architecture
  • 2017
  • Ingår i: Cumulus REDO Conference Proceedings Design School Kolding 30 May - 2 June 2017. - 9788793416154 ; , s. 236-251
  • Konferensbidrag (refereegranskat)abstract
    • This paper presents experiences from a two-day teaching workshop where first year students in architecture meet with first year students in textile design for an assignment on building structures with textile, soil and plants designing for indoor gardening with the aim of inspiring for more sustainable lifestyles. The background is a research project on textile architecture with the objective of exploring this new field and to establish a platform for long-term collaboration between the disciplines of architecture and textile design. The paper addresses pedagogical challenges in the meeting between first-years students of different disciplines and traditions, but also in the meeting between research and undergraduate teaching. The students produced creative results but had difficulties in exploring the full complexity of the task. An evaluative discussion is based on observations, photo documentation, notes during group discussions, follow-up questionnaires among the students and reflections among involved researchers.
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10.
  • Fridh, Kristina, 1961 (författare)
  • Exploring the “Non-Perfect” Characteristics of Materials
  • 2017
  • Ingår i: Symposium Making Effect at ArkDes in Stockholm 14-16 September 2017.
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
    • Today in Swedish building production, materials are often used to give the impression of plain and perfect surfaces and volumes. For several contemporary Japanese architects, among others Kengo Kuma and Toyo Ito, the building materials play a role in the stage-setting of incomplete and unexpected experiences and perceptions that instead evoke wonder. In this way, the materials acquire additional meanings as intermediary links, to bridge between human being, building and landscape, preventing buildings from being experienced merely as objects. This 2012 pilot project was developed into a new research project “Urban Materiality: Towards New Collaborations in Textile and Architectural Design”, funded by the Swedish Research Council (VR), Artistic Research. In that project, the formation of “textile disturbances” creates latitude for new processes of renewal in urban environments, where aesthetic ideals of perfection often result in current materials and building envelopes today being replaced prematurely with inferior materials in existing environments.
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