| 1. |
- Axhamn, Johan, 1979-
(författare)
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Infopaq II : CJUE elucideaza unele aspecte ale exceptiei privitoare la anumite acte de reproducere temporara
- 2012
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Ingår i: Pandectele române. - 1582-4756 .- 2286-0576. ; :2, s. 173-178
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- Any derogation from copyright must be interpreted in a strict manner, since it is a derogation from the general principle that the holder must authorize any reproduction of a work protected by copyright. The temporary reproduction acts performed during a "data capture", such as those in the case presented before the national court, must be considered as entirely meeting the conditions of the test made up of three stages, as provided in art. 5 par. (5) of Directive 2001/29/EC, if they meet the requirements under art. 5 par. (1) of Directive 2001/29/EC.
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| 2. |
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| 3. |
- Bagiu, Lucian
(författare)
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"Celelalte lumi" ale lui Eugen Curta sau labirintul metalepselor narative
- 2015
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Ingår i: Annales Universitatis Apulensis. Series Philologica. - 1582-5523. ; 16:1, s. 319-327
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Tidskriftsartikel (refereegranskat)abstract
- The author proves a very good knowledge of the most subtle and diverse narrative methods up to the point of suspecting him of affectedness in writing: he seems to enjoy drawing up the most fanciful frameworks of a novel’s design. Each new fragment is being narrated from a certain character’s point of view, the abundant prospects achieving the equivocation of the whole story up to the absurd. Some of the initial doubtless information will come to be uncertain. The author’s voice is hanging over, self-centred, narcissist; a character itself insinuating to indulge in the part of puppeteer of all. The narrator recounts – to us or to him, an unsolved issue – using first person, as if in a liberating confession, seemingly banal deeds of his rather dull and washed-out existence. Reading through the lines we distinguish however the condition of the author expounding his project to write the novel in the making. The author narrator devises compensatory the other worlds of his novel. They are fictitious worlds where he can unburden and where he can ultimately evade to, in order to live thoroughly, untroubled the illusions, the Utopias, the small or big conceitedness or vanities. The narrator proposes, for himself the bookish perception of existence, living the reality according to certain unreal, fictitious experiences.
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| 4. |
- Bagiu, Lucian
(författare)
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Din nou despre roman
- 2007
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Ingår i: Discobolul. - 1453-8881. ; :109-110-111 (114-115-116), s. 153-161
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Tidskriftsartikel (populärvet., debatt m.m.)abstract
- An answer to the magazine's inquiry about the novel.
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| 5. |
- Bagiu, Lucian, et al.
(författare)
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"Fartate" and "Nefartate" in Lucian Blaga's Arca lui Noe
- 2016
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Ingår i: Journal of Romanian Literary Studies. - 2248-3004. ; :8, s. 177-187
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Tidskriftsartikel (refereegranskat)abstract
- "Arca lui Noe" ("Noah’s Ark", 1944) is based on a folk tale influenced by Bogomilism. Brother and Unbrother stand for the antinomic duality of the absolute principle. Fellow and Unfellow are indestructibly united. Unbrother cannot be mastered and Brother would be an ontic sterility if his fellow absent. However the Bogomilic vision becomes complicated in Blaga's meaning. The greybeard Brother, the Patriarch is "the forefather of all ancestors" who comes "from here and from further away", that is the archetype monad. Yet, if Unbrother is the shadow of Brother, one has to conclude that he dates from the same beginnings, also "the forefather of all ancestors". Therefore, who and where might be their father? If not "in existence" anymore, then the mankind might have been left at the mercy of an amicable but eternal facing of the two brothers. The prototype of humanity looks like a waste, a spiritual mutant so the will of the Patriarch arises with a drastic determination. If the mankind created in the likeness of Brother bears more resemblance to Unbrother, then the Patriarch himself is about to find his own needlessness. Thus a new series of ontology is to be created in order to provide another chance to the ontic itself. Through a coincidentia oppositorum we can assert that in "Manole, the Craftsman" life is a receptacle for creation whereas in "Noah’s Ark" the creation is the sole receptacle for life. One could argue a Sophianic expectation (adapted by the philosopher Lucian Blaga from Spengler and Frobenius, the transcendent descending, revealing itself in a embodiment of the universe): the Ark itself rises as the supreme receptacle of Life, assigned by the absolute.
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| 6. |
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| 7. |
- Bagiu, Lucian
(författare)
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Lectoratul de limba română, Universitatea din Lund în anul 2015
- 2016
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Ingår i: Despre Sebastian, Sorescu, Dosoftei, Derrida și limba română. ; , s. 434-450
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Tidskriftsartikel (refereegranskat)abstract
- The essay comprises a presentation of the single Romanian language lectureship from Sweden, focusing on the following: a brief history of the existence of the Romanian language at Lund University; the organization and the functioning of the lectureship, the didactic activity; the making of the didactic and auxiliary papers; the development of the lectureship along the academic year; activities for promoting the Romanian language, culture and civilization in the hosting country; the scientific activity; taking part in professional development activities, conferences, symposiums, international projects. For the final part I quote a revealing fragment from the BA essay of a Swedish student from the online courses.
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| 8. |
- Bagiu, Lucian
(författare)
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Limba română la Universitatea Carolină din Praga
- 2013
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Ingår i: Philologica Jassyensia. - 1841-5377. ; IX:2 (18), s. 279-290
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Tidskriftsartikel (refereegranskat)abstract
- Founded in 1348, Charles University in Prague is among the oldest academic institutions in the world. Teaching the Romanian language has a longstanding tradition as well: it was established by the Czech philologist Jan Urban Jarník (1848-1923) within the Romance Department in 1882. Thus Charles University in Prague became the fifth university outside Romania that began teaching Romanian language (following those in Torino, Petrograd, Vienne and Budapest). A key moment for learning the Romanian language in Prague, as well as for the Romanian - Czech relations altogether was the foundation of the Romanian Language and Literature Section in 1950, within the Faculty of Arts. A year later, on the basis of a Romanian Ministry Agreement the activity of the Romanian language lectureship was inaugurated. This implied the ongoing presence of a Romanian language lecturer detached from a university in Romania in order to teach mainly practical courses to the Check students. Starting with 2009 the Romanian Language and Literature Section is part of the South-Slavonic and Balkan Department next to the Serbian, Croatian, and Slovenian, Bulgarian and Albanian language, literature and history. In the academic year 2012 - 2013 the Romanian lecturer is the only full-time employee and within the section have a part-time Mr. Mircea Dan Duță (the director of the Romanian Cultural Institute in Prague) and Mr. Jiri Nasinec (translator) for the Romanian language subjects and Mrs. Libuse Valentova and Mrs. Jarmila Horakova (PhD student) for Romanian literature subjects. The lectureship itself provides practical courses for the first and second year students that have Romanian as their major language (A); also a creative writing seminar for the master students and optional courses in Romanian language for the students from all specializations of Charles University. There are 18 students who are currently learning Romanian officially at Charles University and 8 more PhD students or other.
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| 9. |
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| 10. |
- Bagiu, Lucian Vasile
(författare)
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Yukio Mishima, "Tumultul valurilor"
- 2021
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Ingår i: Incursiuni în imaginar. - 2501-2169. ; 12, s. 221-236
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Tidskriftsartikel (refereegranskat)abstract
- The essay aims at decoding the 1954 novel The Sound of Waves in relation to Mishima’s biography, political and aesthetic theory, arguing that his most serene artistic achievement is, in the end, a desperate self-deluding for various inner contradictions. In a minute hermeneutic approach the article identifies and interprets such defining issues as: suicide, loneliness, individualism, egoism, materialism, decisive action, physical strength, traditionalism, religiosity, providence, knowledge, experience, love, capitulation, etc. The essay proves that, beyond an apparent thin shell of delightful fairy-tale like realm and story, The Sound of Waves is but a show of failed art therapy for the nightmarish inner universe of an idealist.
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