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1.
  • Mäntymäki, Tiina, et al. (författare)
  • Introduction
  • 2015
  • Ingår i: Deviant Women. - Oxford : Peter Lang Publishing Group. - 9783631643297 - 9783653033199 ; , s. 9-25
  • Bokkapitel (refereegranskat)abstract
    • The construct of the deviant woman is analysed from literary, sociolinguistic and historical-cultural perspectives, revealing insights about cultures and societies. Furthermore, the studies recognise and explain the significance of the concept of deviance in relation to gender that bespeaks a contemporary cultural concern about narratives of femininity.
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2.
  • Mäntymäki, Tiina, et al. (författare)
  • Introduction
  • 2015
  • Ingår i: Deviant Women. - Oxford : Peter Lang Publishing Group. - 9783653995923 ; , s. 9-25
  • Bokkapitel (refereegranskat)abstract
    • The construct of the deviant woman is analysed from literary, sociolinguistic and historical-cultural perspectives, revealing insights about cultures and societies. Furthermore, the studies recognise and explain the significance of the concept of deviance in relation to gender that bespeaks a contemporary cultural concern about narratives of femininity.
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3.
  • Nilsson, Gabriella, et al. (författare)
  • Våldets kön : kulturella föreställningar, funktioner och konsekvenser
  • 2015
  • Bok (övrigt vetenskapligt)abstract
    • Vi möter våld i någon form dagligen, om inte som ”offer” eller ”förövare”, så när vi läser tidningen, tittar på tv eller går på bio. Hela världen kan förefalla organiserad med utgångspunkt i våld. Med våld upprätthålls stater, grupphierarkier och individuella maktpositioner. Merparten av våldsutövarna är män liksom hälften av offren. Den andra hälften av offren är kvinnor och barn. Det här mönstret är globalt och historiskt konstant och gör att vi, som i titeln på den här boken, kan tala om att våld har ett kön. Våldets kön närmar sig våld som kulturell företeelse. Vilka betydelser har våld i olika historiska och samhälleliga kontexter? Vilka funktioner fyller våldet på en strukturell nivå och för enskilda individer? Vilka konsekvenser får våldet för våldsutsatta personer? Genom att placera våld i sin historiska och kulturella kontext synliggörs dess samhälleliga funktioner, de normer det utgår ifrån och vilken kulturell mening det bär. Våldets kön riktar sig till studenter på högskolenivå, särskilt de professionsutbildningar där studenterna i framtiden kommer att möta våldsutövning och våldsutsatthet. Den kan även användas i andra typer av utbildningar, såsom i fortbildning av personer som redan arbetar i verksamheter där de direkt eller indirekt möter en våldsproblematik.
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4.
  • Arvidson, Mats (författare)
  • An Imaginary Musical Road Movie : Transmedial Semiotic Structures in Brad Mehldau's Concept Album "Highway Rider"
  • 2016
  • Bok (refereegranskat)abstract
    • An Imaginary Musical Road Movie revolves around two integrated objects: on the one hand, the programmatic and cyclic concept album Highway Rider (2010), which is jazz pianist and composer Brad Mehldau’s most complex instrumental work, and on the other hand transmediality, both as a concept and phenomenon. Musicologist Mats Arvidson claims that a deep understanding of an intermedial music culture is a prerequisite for knowing how to interpret a work like Highway Rider. Having such an intermedial framework at hand further enables the integration of formal and structural analysis with cultural, historical and technological aspects of music. In a captivating manner, Arvidson shows how Highway Rider circulates in and through different cultural systems, and in doing so, explains how, where and when musical meaning is produced. Highway Rider is understood as a transmedial phenomenon both through its genre-specificity and its narrative structure, that is, as an imaginary musical road movie whose story raises questions about the meaning of life. The study is addressed to musicologists interested in issues related to intermediality, as well as to researchers within the field of cultural studies, film studies, media studies, visual studies and comparative literature. The idea of ‘music alone’ as an independent auditory medium expressed in the institutions of today’s academia does not resonate with how we listen to and perceive music in everyday life; music is always accompanied with paratexts such as programme notes, LP sleeve images or other types of media. This idea forms the basis for this essay and is used to present a number of issues concerning meaning production: How, where and when is musical meaning produced? To be more specific, this essay deals with how an intermedial music culture can be described and analysed through one specific case study. Intermediality arises in the crossings between constructed media borders, which means that different aspects of a specific medium can be transgressed in various ways. Based on the American composer and jazz musician Brad Mehldau’s (1970–) most complex instrumental works, the concept album Highway Rider (2010), this essay explores how such an album can be understood within an intermedial music culture. It merges formal and structural analysis with cultural, historical, technological and psychoanalytic aspects of music emphasising the role of subjectivity in the production of meaning. By offering a varied and broad theoretical and methodological framework, the author demonstrates ways to approach the work using concepts like transmediality, intermedial reference, meta-reference, iconicity, semiotics, paratext, psychoanalysis and ecological psychology.
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5.
  • Berättelser, retorik och medier : Texter till minne av Sofi Qvarnström
  • 2020
  • Samlingsverk (redaktörskap) (refereegranskat)abstract
    • Sofi Qvarnström var lektor i retorik vid Lunds universitet. Hon avled i augusti 2018. Hon var en person som berörde många, både som akademiker och som medmänniska. Berättelser, retorik och medier samlar elva texter skrivna av vänner och kollegor till Sofi. Texterna tar sina utgångspunkter i hennes forskningsintressen, hennes lärargärning och i de existentiella frågor som väcks i samband med att en närstående rycks bort. Boken är indelad efter Sofis teoretiska infallsvinklar och hennes empiriska intressen. I bokens första del behandlas berättandet – såväl de berättelser vi delar med våra medmänniskor och berättandets retorik i sakprosa och bilder. Bokens andra del behandlar medier och retorik, dels hur medieformer påverkar det som kommuniceras i dem, dels retoriska principer för argumentation. I bokens avslutande del behandlas teman från moderniseringen av Sverige. Här får vi ta del av diskussioner om litteraturen och scenkonsten i förhållande till kvinnokampen, och om betydelsen av före- och framställningar om Norrland.
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6.
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7.
  • Energy Efficiency in Historic Buildings : Postprints from the Conference : Visby, February 9–11, 2011
  • 2012
  • Proceedings (redaktörskap) (övrigt vetenskapligt)abstract
    • Energy efficiency is an issue that brings the trade-off between aspects of use and preservation to a head. On the one hand, interventions for energy efficiency facilitate long-term use by reducing operating costs; on the other hand, the interventions may have both a physical and a visual impact on the cultural heritage value and the fabric of the building. In order to promote a sustainable use and preservation of historic buildings, The Swedish Energy Agency instituted a National Research Program for Energy Efficiency in HistoricBuildings. The first stage of the program ranfrom 2007 to 2010 with a total budget of around 4 million Euro. Additional funding was provided by the Church of Sweden and the NationalHeritage Board. There were fifteen projects involving some thirty researchers from different Swedish universities and research institutes. To mark the end of the first stage of the national research program the international conference Energy Efficiency in Historic Buildings was held in Visby in February 2011. Most of the projects within the program were presented at the conference and international key-note speakers were invited to each session, giving a total of 24 papers. More than one hundred participants, representing ten countries, participated in the conference.
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8.
  • Haas, Tigran, 1969- (författare)
  • Ethnic Conflict and the Right to Return of Limbo Disaporas : Multifaceted Reflections on the Case of BiH
  • 2004
  • Ingår i: Migration and Ethnic Studies (Migracijske i Etničke Teme). - Zagreb : Institute for Migration and Ethnic Studies. - 1333-2546 .- 1848-9184. ; 20:1, s. 29-51
  • Tidskriftsartikel (refereegranskat)abstract
    • This paper examines the phenomenon of refugees and resettled persons in the process of forcedmigrations in the aftermath of man-made disasters. Although some of the ideas presented here couldhave wider application, the focus is on post-conflict zones within the former Yugoslavia, namely BiH.The paper uses the questions of ethnicity and nationalism within resettlement, dislocation and immigrationas a backdrop, into which the issue of globalization is also briefly reflected. The intention hereis not to cover a wide range of pressing topics, but simply to relate a number of issues arising in contemporarylarge-scale forced migrations to a resurgence of cultural specificity and ethnicized nationalismas counterpoints to globalization. The paper introduces the concept of “limbo diasporas” in the caseof Bosnian refugees in Sweden through reflection and linkage with the aforementioned concepts. Thepaper ends with some recommendations and open questions on social rehabilitation and ethnic healingas well as some general conclusions.
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9.
  • Jonsson, Stefan, 1961- (författare)
  • Clashing internationalisms : east European narratives of west European integration
  • 2016
  • Ingår i: Europe faces Europe. - Bristol : Intellect Ltd..
  • Bokkapitel (refereegranskat)abstract
    • This chapter analyzes how West European integration was viewed in communist Eastern Europe at the time of the foundation of the EU. Throughout the period from the Schuman declaration and the creation of the European Coal and Steel Community in 1951 to the Treaty of Rome and the establishment of the European Economic Community in 1957, Moscow, Berlin, Prague, Budapest, and Warsaw reacted, in part by criticizing the West European integration project as a continuation of Europe’s imperial and capitalist past, in part by projecting ideas for a wholly different European and global integration project. While this debate was patterned on the cold war logic and the clash between capitalist and communist ideologies, it also contained a profound – and lasting – dispute regarding Europe’s geopolitical position and role, especially in relation to its African colonies. After the fall of the communist East, this dispute was apparently settled to the West’s favor, and it was then forgotten. Yet, varieties of the same dispute today reappear as the EU seeks to develop a foreign policy and global mission for the twenty-first century. By using sources mainly from the Soviet Union and the German Democratic Republic that have so far been largely neglected in scholarship, the chapter evinces a East-European narrative about Europe’s calling and destiny that merits particular attention in today’s emerging pluricentric world order.
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10.
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