| 1. |
- Caminha, Kjell, et al.
(författare)
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Public Art Research Report (2018)
- 2018
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Rapport (övrigt vetenskapligt/konstnärligt)abstract
- This report provides an overview of the current state of research on public art in the Nordic Countries, as well as within the wider international context. The key purpose of the report is to identify where the needs and opportunities are for the development of a research programme to support the further development of public art paradigms, policies and practices within Sweden. The report is commissioned by the Public Art Agency Sweden, and has been prepared by researchers based at Södertörn University and at Valand Academy, University of Gothenburg, between June and September, 2018. The report is based on two strands of survey and analysis: (i) research produced within the Nordic countries, and (ii) research produced in the wider international context. Both strands have focused on academic sources, as traditionally construed, such as peer-reviewed conference papers, articles, dissertations, monographs, anthologies and professional journals. We have drawn upon a sampling of research from a broad range of disciplines (art history, urbanism, planning, architecture, social science) as well as taking under consideration the work done by various public art agencies. In addition to this we have included artistic research about public art in a broad sense as well as various co-operations between artists and academics, as well as other non-institutional actors. (A second iteration of the international report is in development for 2022.)
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| 2. |
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On the Question of Exhibition, PARSE Journal Issue 13: Parts 1,2,3
- 2021
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- This issue of PARSE, published in three parts, examines the question of the exhibition. One of the aims of this series-issue is to turn attention to the material, experiential, as well as conceptual and political conditions of the exhibition that may have been overlooked within the growing literature on curatorial and exhibition histories. Our aim, as editors is not to elevate the exhibition form. Rather, we wish to interrogate exhibition as a pervasive category of display and mediation where principles of exposition, demonstration, exemplification, taxonomy, circulation, commentary, spectatorship and valorization are operative. Since the 1990’s curatorial discourse has sought to position the curatorial away from, or at the very least as in excess of, the practical tasks of exhibition-making whilst the burgeoning field of exhibition histories has created a historiographic approach to the forms, developments and questions posed by exhibition. This series of contributions seeks, in some respects to return to the fundamental question of exhibition-to interrogate it as a self-explanatory category. Part 1 published in June 2021 includes contributions from Dave Beech, Kathrin Böhm, Alaina Claire Feldman, Samia Henni, Steven Henry Madoff, Saul Marcadent, Lisa Rosendahl and Jéssica Varrichio; and roundtables with Rasha Salti, Nick Aikens, Kristine Khouri and Anthony Gardner; and with Yolande Zola Zoli van der Heide, Gavin Wade, Mick Wilson and Franciska Zólyom. The contributions in Part 2 extend the considerations initiated in Part 1, by bridging the world-making and ordering techniques of exhibition–what we might broadly call its onto-epistemological register-with the pragmatic and technical questions of exhibitionary apparatuses, or its operational register. The purpose being not to create a dichotomy but rather to set up a field of tension and interference between different moments of production-analysis. This part offers detailed analyses of individual exhibitions, allowing for an interplay between the specificities of singular instances coupled with a wider angle from which to survey the field. Part 2 contains contributions from Ingrid Cogne Patrizia Costantin, Kris Dittel & Jelena Novak, Catalina Imizcoz, Joey Orr, Barbara Neves Alves, Mateusz Sapija, Vladislav Shapovalov, Sasha Shestakova, and Joshua Simon. The restless questioning of exhibition underpins Part 3, where artists curators and researchers unpick exhibition’s entangled relationship to pedagogy, to institutional processes, to aesthetics, to constituent work, to lived experience and the ways in which the political arises out of these entanglements. Part 3 includes texts by Doreen Mende, David Morris and Grace Samboh, Ola Hassanain, Li Yizhuo, Ginevra Ludovici, Cătălin Gheorghe, Sabine Dahl Nielsen, a visual essay by Paul O’Neill and a roundtable with Jeanne van Heeswijk, Maria Hlavajova, Damon Reaves & Mick Wilson
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| 3. |
- Caminha, Kjell, et al.
(författare)
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Fotografidialog 14:1
- 2014
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Ingår i: Bidrag i ”Fotografidialog 14:1”, en föredragskväll med Cora Hillebrand, Thom Bridge, Kjell Caminha, Pål Henrik Ekern och Adel Szakacs där de konstnärerna presentera sina examinationsprojekt utifrån olika fotografiska perspektiv, arrangerad av Hasselblad Centers Vänner, 15 maj 2014..
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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| 4. |
- Caminha, Kjell
(författare)
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Hur står det till? Göteborg som konststad
- 2014
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Ingår i: Bidrag i paneldebatt ‘Hur står det till? Göteborg som konststad’, arrangerad av ADA Sweden, 16 augusti 2014..
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Från debatten: “Tillsammans med Cecilia Gelin som samtalsledare hade vi samlat ihop fem konstnärer med olika kopplingar till staden och yrket. Elin Wikström, konstnär och rektor på Göteborgs Konstskola, Kjell Caminha, konstnär (bland annat medverkande i Motbilder som pågår just nu) och nyexaminerad från Akademin Valand, Benny Cruz, konstnär med fokus på barn och ungdomars utveckling inom konst och muralmålning, Britta Kleberg, konstnär med inriktning mot textilkonst, samt Omid Delafrouz, konstnär som samarbetar med Galleri Andréhn-Scheptjenko och numera boende i Stockholm. Så vad kom vår panel, med inputs från publiken, fram till? Hur mår staden egentligen? Självcentrerat, stressat, inåtvänt, ytligt, ängsligt och trött. Dåligt självförtroende. Mycket arenor för sport trots att fler brukar konst och kultur. Göteborg ÄR ingen konststad, men det finns hopp – dock är det ett långsiktigt arbete som börjar på gräsrotsnivå. Staden saknar en nerv – det behövs mer konflikt och diskussion. Öppna upp ateljéer och verkstäder, gå på vernissager och samtala om just konsten (och inte om vädret). Byt ut alla som upprätthåller stora institutioner och utbilda beslutsfattare i konst.”
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| 5. |
- Caminha, Kjell
(författare)
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May I Be Happy Here
- 2013
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- A monograph published together with the sound installation 'May I Be Happy Here' at Tjolöholm's Castle, in Kungsbacka, Sweden. Part of the group exhibition 'As If Silence(s)', April 2013. "...notorious but uninvited guests enter the castle through the walls. The silence is broken. Peculiar experiences are shared. An unlikely behaviour is advised."
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| 6. |
- Caminha, Kjell
(författare)
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Research Day 2015 : Valand Academy Research Day 2015
- 2015
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Ingår i: Presentation of my artistic research at 'Research Day 2015' on December 7, Valand Academy.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- As an expansion for the performance work Desire for Misplacement (2014) – where personal migrant stories are contrasted with the German ethnographer Curt Nimendajú, when seeking to find himself or become the other amidst indigenous communities in Brazil in the late 1920s – I will present a book project that seeks to appreciate ideas on exoticism and to welcome diversity for a further development and acknowledgement of aesthetic values within decolonial politics, produced by migrant knowledge. The project is additionally informed by my previous research interest in identity being shaped by different hospitality practices, and is also strongly informed by a series of seminars and forums for decolonial, diversity and migration politics that I have been able to organise at the Academy with its full support.
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| 7. |
- Caminha, Kjell, et al.
(författare)
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Tre reflektioner: Förflyttning
- 2014
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Ingår i: Bidrag i ”Tre reflektioner: Förflyttning”, en föredragskväll i samband med utställning av Adrian Paci – ur liv och berättelser, arrangerad av Röda Sten, 27 februari 2014..
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Utställning ’Ur liv och berättelser’ av Adrian Paci på Röda Sten Konsthall handlar i stort om förflyttning, identitetssökande och migration. Till ’Tre Reflektioner’ har Röda Sten bjudit in Masoud Vatankhah, Azada Najafi och Kjell Caminha för att berätta om sina personliga tankar och reflektioner inför ämnet Förflyttning.
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