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Sökning: hsv:(HUMANIORA) hsv:(Annan humaniora) hsv:(Kulturstudier) > Lund Martin 1984

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  • Lund, Martin, 1984- (författare)
  • Whiteness
  • 2022
  • Bok (refereegranskat)abstract
    • The socially constructed phenomenon of whiteness: how it was created, how it changes, and how it protects and privileges people who are perceived as white.This volume in the MIT Press Essential Knowledge series examines the socially constructed phenomenon of whiteness, tracing its creation, its changing formation, and its power to privilege and protect people who are perceived as white. Whiteness, author Martin Lund explains, is not one single idea but a shifting, overarching category, a flexible cluster of historically, culturally, and geographically contingent ideals and standards that enable systems of hierarchical classification. Lund discusses words used to talk about whiteness, from white privilege to white fragility; the intersections of whiteness with race, class, and gender; whiteness in popular culture; and such ideas as “colorblindness” and “reverse racism,” which, he argues, actually uphold whiteness.Lund shows why it is important to keep talking and thinking about whiteness. The word “whiteness,” he writes, doesn't describe; it conjures something into being. Drawing on decades of critical whiteness studies and citing a range of examples (primarily from the United States and Sweden), Lund argues that whiteness is continually manufactured and sustained through language, laws, policies, science, and representations in media and popular culture. It is often positioned as normative, even universal. And despite its innocuous-seeming manifestations in sitcoms and superheroes, whiteness is always in the service of racial domination.
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  • Identity and History in Non-Anglophone Comics
  • 2023
  • Samlingsverk (redaktörskap) (refereegranskat)abstract
    • his book explores the historical and cultural significance of comics in languages other than English, examining the geographic and linguistic spheres which these comics inhabit and their contributions to comic studies and academia.The volume brings together texts across a wide range of genres, styles and geographic locations including the Netherlands, Latin America, Greece, Sweden, Poland, Finland, Portugal, Ireland, the Czech Republic, among others. These works have remained out of reach for speakers of languages other than the original and do not receive the scholarly attention they deserve due to their lack of English translations. This book highlights the richness and diversity these works add to the corpus of comic art and comic studies that Anglophone comics scholars can access to broaden the collective perspective of the field and forge links across regions, genres and comic traditions.Part of the Global Perspectives in Comics Studies series, this volume spans many continents and languages. It will be of interest to researchers and students of comics studies, literature, cultural studies, popular culture, art and design, illustration, history, film studies and sociology. 
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  • Lund, Martin, 1984-, et al. (författare)
  • Introduction
  • 2023
  • Ingår i: Identity and History in Non-Anglophone Comics. - Abingdon & New York : Routledge. - 9781032480879 - 9781003386841 ; , s. 1-15
  • Bokkapitel (refereegranskat)abstract
    • Comics are not fruits; they are more akin to vegetables. ‘Fruit' has a clear definition in botany. It is an ‘edible product of a plant or tree, consisting of the seed and its envelope'. Among the most commonly cited definitions of comics, as far as Anglophone comics studies are concerned, is the one proposed by the comics creator and theorist Scott McCloud in the mid-1990s. Decades before the late 1890s, when many date the ‘birth' of US American comics, sequential art from all over the world influenced the cultural landscape. Rather, there are many research questions that remain unprobed when it relates to these areas and their comics traditions. Comics are neither inherently revolutionary or regressive, liberating or oppressive. There can be no doubt that Anglophone comics studies is lopsided in its overall perspective. The chapter also presents an overview on the key concepts discussed in this book.
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