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- Mindus, Patricia
(författare)
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Austin and Scandinavian Realism
- 2013
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Ingår i: The Legacy of John Austin's Jurisprudence. - : Springer-Verlag New York. ; , s. 73-106
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Bokkapitel (refereegranskat)abstract
- The imperative theory of law exemplified in the work of John Austin is the object of much criticism in the movement of Scandinavian legal realism (SLR). The very core notions of command, sovereignty and will are targeted. This paper explores the Scandinavian readings of Austin’s theory, chiefly by reconstructing the main arguments of Axel Hägerström’s criticism of the will-theory and Karl Olivecrona’s reading of the imperative character of law. Special attention is paid to the affinities between the various outlooks and to their core differences. On one hand, strong resemblances can be discovered in the common methodological afflatus and respect for Hume’s principle. On the other hand – apart from contrasting opinions on minor aspects (such as tacit consent grounding custom) – among the unbridgeable divergences mention should be made of the view on morals: Austin embraced a form of cognitivism, while the Scandinavians supported a strict form of non-cognitivism. In order to assess the originality of the Scandinavian attack on the imperative theory of law, the aim of the paper is to test to what extent it stimulated the seminal work on the question of law’s authoritative dimension in SLR.
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- Skånberg Dahlstedt, Ami, 1967
(författare)
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Walking in Suriashi as a Radical and Critical Art of Inquiry
- 2023
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Ingår i: Walking as Critical Inquiry. - Cham : Springer. - 9783031299902 - 9783031299919 ; , s. 151-173
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Bokkapitel (refereegranskat)abstract
- This chapter contributes to the discussion on moving in and through site-specific and urban space; at the cusp between higher dance education and everyday life, creating a post-Certauian tear through space and time as a call for agency. It draws from my Ph.D. research Suriashi as Experimental Pilgrimage in Urban and Other Spaces, where I propose an experience of society from within a Japanese practice called suriashi, which translates as sliding foot. Suriashi is a specific gender codified walking technique in classical Japanese dance and theatre, and an important method for acting on stage. Gender is constructed physically through the positioning and moulding of the body. The original practice is performed in the dance studio or on stage. My research asks whether suriashi also could be a method for agency to act, as being active, or to activate, and temporally alter spaces outside the theatre; i.e. the practical application of this artistic practice outside the theatrical context. This relocation brings a traditional form into new configurations, connecting to everyday practices and sites of resistance and performance. It also contributes to the burgeoning field of walking arts practice, bringing a Japanese dance-based practice into a dialogue with debates and practices of Western dancing and walking. Suriashi performed in urban spaces was able to unfold and identify new relations between aesthetic practice and politics, between movements and monuments in the city as a way to critique the unequal distribution of power, and by looking for new ways to protest/resist peacefully. I assess this from three of my many experiments with slow suriashi walkings. The first one is Suriashi Intervention, performed at Gothenburg Culture Festival in August 2016. This experiment did two things: it engendered the city’s unacknowledged dance archive, while performing critique of the unequal distribution of funding of the arts. The second experiment is an ‘invisible’ suriashi performed by the then Hong Kong-based scholar Ching-yuen Cheung during the violent protests at Yuen Long Station in Hong Kong in July 2019. It showed how artistic methods are necessary when democracy collapses. The third experiment regards introducing suriashi as methodology to master students of Contemporary Performative Arts at University of Gothenburg. Here, suriashi unveiled important issues regarding art in urban spaces, necessary for the art student. To further contextualize, I interlace my arguments through positionings by sociologist Doreen Massey.
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- Grinell, Klas, 1969
(författare)
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Islams filosofi
- 2021
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Ingår i: Islam - en religionsvetenskaplig introduktion / Susanne Olsson & Simon Sorgenfrei (red.).. - Stockholm : Liber. - 9789147143702 ; , s. 129-141
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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- Agrell, Beata, 1944
(författare)
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Christian philanthropy, or political class struggle? Imaginations of Socialism and Christianity in Swedish prose-fiction of the early 1900s
- 2018
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Ingår i: Socialist Imaginations. Utopias, Myths, and the Masses. Eds. Stefan Arvidsson, Jakub Beneš, & Anja Kirsch. - London : Routledge, Taylor & Francis Group. - 9781138299948 ; , s. 116-166
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Bokkapitel (refereegranskat)abstract
- In the late 1800s, various ideas of Socialism had spread in Sweden. Simultaneously, questions of religion, Christianity and Church were urgent, engaging even advocates of socialism. Yet, the resistance to both Christianity and Socialism was considerable, and reconciling the two was a delicate matter. This essay studies the intriguing interaction between Socialism and Christianity in Swedish prose-fiction of the early 1900s, especially devotional narratives and working-class fiction. The issue is tensions between spiritual-idealistic and economic-materialistic tendencies, how the handling of this tension is depicted, and what imaginations of Socialism and Christianity this depiction testifies to. The analysis shows that the borders between Christian and socialist imaginations were not clear-cut.
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- Granberg, Antoaneta, 1967, et al.
(författare)
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Robert Adolf Klostermann och hans slaviska boksamling vid Göteborgs universitetsbibliotek: Några proveniensfrågor
- 2021
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Ingår i: Objekt och samling – om det unika i Göteborgs universitetsbibliotek. - Göteborg : Acta Bibliothecae Universitets Gothoburgensis. - 0065-1079. - 9789179630485 ; , s. 165-193
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Boksamlingen som presenteras i detta kapitel tillhörde den tyske bysantinologen och slavisten Robert Adolf (Rolf ) Klostermann (1907–1983). Den innehåller litteratur på bulgariska, engelska, fornkyrkoslaviska, franska, italienska, litauiska, polska, ryska, serbiska, slovenska, svenska, tyska och ukrainska, mest rörande teologi och kyrkohistoria i olika slaviska länder, främst i Ryssland. Samlingen omfattar cirka 600 volymer och är ett unikt vittnesbörd till perioden 1920–1980. Den omfattar mellankrigstiden, andra världskriget, efterkrigstiden och tiden kring kalla kriget, som är representerad av bland annat flera böcker med kommunistisk och ateistisk propaganda. Detta kapitel är ett samarbete mellan UB och Institutionen för språk och litteraturer, Humanistiska fakulteten vid Göteborgs universitet. Det tar sitt avstamp i den tidigare forskningen kring samlingen. Genom finansiering från Apotekare Gustaf Bernströms fond, har Taissia Goriounova kunnat ansluta till arbetet med att inventera, kategorisera och systematisera hela samlingen. Detta arbete genomfördes under perioden 2018–2020. Vi använde EndNote för att skapa poster med beskrivningar av materialet i samlingen. Projektet ledde till att flera intressanta exemplar upptäcktes och gav nya ledtrådar till samlingens historia.
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