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- Smolicki, Jacek, 1982-
(författare)
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Minuting. Rethinking the Ordinary Through the Ritual of Transversal Listening
- 2021
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Ingår i: VIS. - : Society for Artistic Research. - 2003-024X. ; :5
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Tidskriftsartikel (refereegranskat)abstract
- This exploratory essay introduces selected sound recordings along with notes and observations from Minuting – a practice of sonic journaling I have performed daily since July 2010 in numerous locations and settings. I weave these observations together in a way that resonates closely with the idea of repetition, in multiple forms: protest, automation, cycle, and ritual, as well as the repetition inherent to my acts of recording. While introducing sounds from the archive of Minuting, I reflect on how this constrained and systematically enacted form of listening, recording, and re-listening leads to a transversal type of sonic reflexivity. It is a form of alertness to sound that stretches beyond the immediate resonance of the 'now' – towards spatially and temporarily distant, yet to some extent intertwined, objects, subjects, events, and environments. The text evolves across three interrelated layers: annotated recordings from the project's archive, a set of thoughts and associations triggered by re-listening to the material, and a discursive analysis that opens up the project to a dialogue with other thematically resonant debates and practices. Drawing on perspectives from media studies, the philosophy of technology, sound studies and durational art, I discuss Minuting as an art work, a creative constraint and a transversal listening practice. Lastly, I propose it as an existential media technique for composing critical and reflective positions towards one's surrounding space, experience of time, and use of sound technologies.
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| 2. |
- Smolicki, Jacek, 1982-
(författare)
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Acoustethics: Careful Approaches to Recorded Sounds and Their Second Life
- 2022
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Ingår i: Prace Kulturoznawcze. - : Wydawnictwo Uniwersytetu Wroclawskiego. - 0860-6668. ; 26:1, s. 11-33
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Tidskriftsartikel (refereegranskat)abstract
- This article attempts to rethink some problematic ways and motivations for engaging in (field) recording and working with recorded sounds. Interweaving reflections from my long-term soundscape archiving initiative undertaken in Stockholm, with projects of others aiming at preserving cultures through sound, I reflect upon ethical challenges that emerge against the prospect of second and following lives and deaths of recordings. Does the second life of a recorded event risk replicating power relationships that the original recording was enmeshed in? What can be gained and, more importantly, lost while conceiving a second life of a recorded sound? This article intends to open up an array of such questions which, as I suggest, need to be taken into consideration already before and during the recording process. As a discursive tool that does not resolve those concerns but instead creates space for critical reflection, I propose a concept of acoustethics. In a nutshell, acoustethics, as this portmanteau of acoustics and ethics suggests, is an ethically informed approach to the world’s soundscapes. I argue that any kind of engagement with the auditory world through recording technologies requires careful consideration of multiple agencies contributing to the recorded sound. As a reflective attitude to the sonic realm, acoustethics acknowledges that any recording takes place within already existing fields of relations and simultaneously generates new links between subjects, histories, worldviews, technologies, and other forces. In other words, any recording is intrinsically field recording.
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| 3. |
- Cronqvist, Marie, 1973-, et al.
(författare)
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Beredskapstid och framtidsfrid
- 2024
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Ingår i: Framtidskompasser. - Stockholm & Göteborg : Makadam Förlag. - 9789170614590 ; , s. 73-84
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 4. |
- Strid, Jan Paul, 1947-
(författare)
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Tindra : Ett landskap i tidens spegel
- 2009. - 1000
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Bok (populärvet., debatt m.m.)abstract
- Denna bok handlar om det tidigare militära övningsområdet i Linköping. När området inköptes av Linköpings kommun efter garnisonens nedläggnng 1997 öppnades portarna till ett landskap av stor skönhet och överraskande ålderdomlig prägel - en oas för unika naturupplevelser i stadens närmaste grannskap. Boken vill ge bakgrunden till att området genom historien kunnat fungera som en fristad för flora och fauna, men också för fornminnen. Dess historia från forntid till militärtid skildlras med ett rikt illustrationsmaterial i form av kartor, modellbilder och nya och gamla fotografier ----
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| 5. |
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| 6. |
- Fälton, Emelie, 1992-, et al.
(författare)
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Miljöproblem i havsmonstrens värld
- 2022
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Konferensbidrag (populärvet., debatt m.m.)abstract
- Denna presentation kommer att bjuda in er till odjurens värld via Netflixs nya barnfilm Havsmonstret. Vi kommer att diskutera hur filmen tar upp viktiga miljöproblem så som tjuvjakt och förlust av biologisk mångfald genom dess porträttering av havsmonster. Dessutom kommer vi att belysa hur relationen mellan det mänskliga och det icke-mänskliga framställs och förkroppsligas genom monstren och deras jägare.
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| 9. |
- Lafauci, Lauren E, 1979-, et al.
(författare)
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Herbaria 3.0
- 2018
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Annan publikation (populärvet., debatt m.m.)abstract
- The collaborative project Herbaria 3.0: Telling Stories at the Plant-Human Interfaceunites environmental humanities (EH), experiential learning, and public engagement to explore how the stories we tell about plants illuminate the intertwined nature of plants and people. Storytelling fosters invested engagement with the green world and acts as a counter to the problem of “plant blindness,” or the inability to see and recognize the plants surrounding us. Without seeing the plants in our everyday worlds, we cannot learn to care for them—nor to care for biological diversity at large. Thus, Herbaria 3.0helps mitigate the loss of species by providing a space to share and remember the stories of plants that may be disappearing or changing in response to our anthropogenic climate crises. It also provides a space for humans to mourn these losses and prevent further ones. Herbaria 3.0makes important interventions in “citizen humanities”: the participation of the public in academic domains and the participation of academics in public ones. It also contributes to digital humanities by developing the potential of web-based platforms for fostering an ethics of care—both for nonhuman subjects and the environment at large—and for providing space to collectively mourn the losses of climate change. Finally, it advances the field of EH, particularly its critical plant studies and history of science strands, in order to help us cope with, adapt to, and mitigate climate change.
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