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- Arwill-Nordbladh, Elisabeth, 1947
(författare)
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From metal to mystery: Approaches to the study of gold and goldsmiths in 1st millennium Europe
- 2017
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Ingår i: Germania. - 0016-8874. ; 94:1-2, s. 259-267
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Forskningsöversikt (refereegranskat)abstract
- The article is a discussion of an edited volume, Goldsmith Mysteries edited by Alexandra Pesch and Ruth Blankenfeldt (2012), the proceedings of a workshop about gold smiths and non ferrous metallurgy in Europe in the first millennium AD. The discussion follows the volume's approach, raising issues such as important research questions, historical and anthropological considerations, empirical evidence and narratives based on images.
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- Lantz, Björn, 1967
(författare)
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A note on the depots of the 1897 Andrée balloon expedition
- 2019
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Ingår i: Polar Record. - 1475-3057 .- 0032-2474. ; 55:1, s. 48-50
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Forskningsöversikt (refereegranskat)abstract
- Recent research suggests that the members of the 1897 Andrée balloon expedition could have survived if they had marched towards the depot at Seven Islands instead of the Cape Flora depot after the forced landing at 82°56’N 29°52’E, and furthermore, that they reasonably should have done so given what they knew about the ice drift in the area. This paper comprises an analysis of the expedition’s depots based on a review of original sources, and the results elucidate Andrée’s initial decision to march towards Cape Flora. The Seven Island depot was not yet laid when Andrée departed in his balloon, and the information he had at the time indicated that it was highly uncertain that depot could be laid at all. Moreover, he knew it might be difficult to find the depot even if it had been laid since no exact position for it could be determined in advance. If he arrived at the Seven Islands without being able to obtain supplies there, Andrée knew he would have to continue all the way to Nordenskiöld’s old hut in Mossel Bay. Cape Flora, on the other hand, was certain to offer both supplies and shelter.
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| 5. |
- Millkrantz, Jens, 1989, et al.
(författare)
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Petrokultur och energihistoria
- 2022
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Ingår i: Scandia. - : Scandia: Tidskrift for historisk forskning, Lund University. - 2002-4339 .- 0036-5483. ; 88:1, s. 127-140
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Forskningsöversikt (refereegranskat)abstract
- Trots dess helt avgörande roll för det moderna samhällets uppkomst och utveckling har oljan varit förvånansvärt frånvarande i historisk forskning, med vissa undantag för specifikt energihistorisk forskning. Samtidigt har oljan och oljerelaterade idéer och praktiker tagit allt större plats inom andra humanistiska discipliner, såsom miljö- och energihumaniora. I denna översiktsartikel introducerar vi den forskning från dessa fält som samlats under begreppet petrokulturer (petrocultures).
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- Nyström, Ingalill, 1969, et al.
(författare)
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Färgväxten vejdes användning i Sverige under 1700- och 1800-talen - en källöversikt
- 2018
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Ingår i: RIG: Kulturhistorisk tidskrift. - 0035-5267. ; :2-3, s. 69-84
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Forskningsöversikt (refereegranskat)abstract
- The use of Woad in Sweden During the Eighteenth and Nineteenth Century – An Overwiew of the Written Historic Sources The dye indigotin, derived from woad, Isatis tinctoria, has in Europe historically been used for the blue coloration of textiles and as a blue organic pigment in paintings. In Sweden indigotin has been found in medieval tapestries as well as in art and folk art from the eighteenth and nineteenth centuries. Woad was traditionally provided the blue color for the Swedish flag and the Swedish military Caroleans uniforms. Indigotin from woad can therefore be expected to be found in other historic objects and artifacts from Sweden. International literature mainly describes the history of woad from a central European perspective and the Nordic countries are often left aside. Therefore, the purpose of this source overview is to briefly define the Swedish historic texts that describe the use of woad during the eighteenth and nineteenth centuries. The texts from this period has a mercantile perspective, socio-economic inventories and administrative provisions aimed to creating national self-sufficiency of domestic natural resources. The texts during this period can also be various manuals with cultivation advice, as well as handbooks with recipes for paint manufacturing or textile dyeing at home. The overview provides a basis of knowledge and can be used as a help to formulate new research questions in technical art history about woad dye and pigment, their meaning and their use.
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