| 1. |
- Chavarria Aldrete, Bertrand
(författare)
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Unveiling the invisible : Documentary film
- 2022
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Unveiling the invisible (2022) is a short film about the Artistic Research project by Bertrand Chavarría-Aldrete, PhD candidate at Lund University in the form of a workshop for the blind and visually impaired.
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| 2. |
- Rosengren, Cecilia, 1962, et al.
(författare)
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Inledning: Den kontroversiella barocken
- 2020
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Ingår i: Lychnos: Årsbok för idé- och lärdomshistoria. - 0076-1648. ; 2020, s. 85-94
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 3. |
- Bengtsen, Peter
(författare)
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The Street Art World
- 2014
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- In recent years, street art has become embedded in popular culture and received growing attention from the art market and art institutions. Work by street artists has entered galleries, auction houses and museums, and some artists have been given the opportunity to create large-scale sanctioned public art projects. Simultaneously, widespread photographic documentation of street artworks and the circulation of images online have provided artists with a potentially global audience. The Street Art World investigates street art as a relatively newly established field within contemporary art. With the American sociologist Howard S. Becker’s notion of “art worlds” as a central point of departure, the book seeks to characterise street art by studying and participating in the everyday interaction among the artists, gallerists, collectors, critics, curators, bloggers and street art enthusiasts that make up the social environment (the street art world) in which the term street art is continuously given its meaning. Major themes addressed in the book include: (1) The social construction of the meaning of the term street art and the resulting difficulties in formally defining what street art is. (2) The often contradictory attitudes within the street art world towards art history and the institutions of art. (3) The relationship between street art, the art market and the institutional art world. (4) The relationship between street art and public art. (5) Street art’s potential to affect the viewer’s perception of public space, and the possible challenges the increasing digital mediation of street art may pose to bringing this potential to fruition. While the book presents central characteristics of the street art movement, it also acknowledges that it is not feasible to pin down the nature of street art once and for all, since street art is a product of complex social processes.
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| 4. |
- Berggren, Lars, et al.
(författare)
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Förord – Editorial
- 2023
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Ingår i: ICO Iconographisk Post. - 2323-5586. ; 2022:3/4, s. 3-5
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)
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| 5. |
- Brosius, Christiane, et al.
(författare)
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Out of Space
- 2019
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Ingår i: Seismograf. - 2245-4705. ; 21
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Tidskriftsartikel (övrigt vetenskapligt/konstnärligt)abstract
- An academic journal is a special place – even more so an online journal. On the one hand, it is surely one of the main stages of professional qualification, presentation and academic discourse, though regulated through its gatekeeping structures of peer review, official invitation, of academic critique and corrections: it represents an open and accessible, yet not unregulated public space in the best way thinkable. On the other hand, the individual articles in an academic journal can delve into the most remote, often forgotten, if not illegitimate, informal or ephemeral and intangible issues and practices.This Seismograf Fokus differs from our previous as it presents material in collaboration with the special issue Out of Space of the international journal in historical anthropology Paragrana. It was conceived, written, edited and produced from a wide array of physical locations on this planet; besides the research locations of the individual articles that comes from Kathmandu or Hong Kong as well as Braunschweig or Berlin, the editorial work was done in Nepal, Australia, Germany and Denmark.
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| 6. |
- Haller, Fredrik
(författare)
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Welcome to Sweden
- 2021
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Konstnärligt arbete (refereegranskat)abstract
- In Welcome to Sweden, the actor Lukas Orwin, live in headphones and with his voice as the only medium, tells about his experiences from a refugee camp and about a strong friendship. A performance about an escape through Europe to Sweden. Premiere at Torrnrummet on 13 October.
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| 7. |
- Forssell, Jonas
(författare)
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Textens Transfigurationer
- 2015
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- This thesis focuses on the opera text enlightened from four different perspectives: the translator, the librettist, the composer and finally the singer, based on the author’s thirty years of professsional practice, in the spirit of Donald A. Schön’s study from 1983: The Reflective Practitioner; How professionals think in action. The method is basically hermeneutic and the esthetics inspired by Umberto Eco’s Opera Aperta (”The Open Work”) from 1962. Questions from within the perspective of the translator are: In what ways does opera translation differ from other forms of translation, and how does an opera translator work? What is the history of “opera in the ver-nacular” compared to “opera in original language” and are singable translations needed whatsoever in the modern era of subtitling? The perspective of the librettist examines the opera form’s SWOT-analysis, the differences from other “storytelling” art forms, the task of making an adaption compared to choosing to create an original plot, the matter of taste and building the form from dramaturgical principles, the shaping of aria texts, the importance of tight collaboration and cutting, cutting, cutting (“a libretto cannot be short enough” Edgar Istel, 1922). The composer’s perspective contains practical and theoretical words of advice and examples from practice, together with a so ”think aloud”-study from within a composer’s thought process while working. The final chapter, from the singer’s perspective, focuses on whether modern vocal ideals and singing “in original language”, with subtitles, together with expanding performance halls, have made opera text harder to perceive, and rendered earlier established texting techniques forgotten or obsolete. The answers to all these questions are complex. This thesis concludes that the opera form is still expanding, but not necessarily in the direction of creating a new, contemporary canon. “There are about 600 opera houses in the world, all are ‘National Galleries’, none is the Tate Modern” (Per-Erik Öhrn, 2012), but there are also opportunities. Almost all successful new opera productions in recent years have their librettos written in English, a language traditionnally regarded as “weak” in the field of opera. Opera audiences worldwide are nowadays accustomed to hearing and understanding sung English words and comprehending a dramatic context when expressed in English, thanks to 100 years of Anglo-American dominance in popular music and about 50 years of dominance in television and films.
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| 8. |
- Hedling, Olof, et al.
(författare)
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Train Kept a Rollin' : Antonioni, Blow Up och den brittiska bluesvågen
- 2008
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Ingår i: Theorier om verklig diktning. - : Absalon förlag, Lund. ; 25, s. 349-358
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Discussion and presentation of the extraordinary outpour of blues music and blues musicians out of Britain in the 1960s and how this is briefly portrayed in Michelangelo Antonioni's film Blow Up (1966).
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| 9. |
- Azar, Michael
(författare)
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Den koloniala bumerangen. Från schibbolet till körkort i svenskhet
- 2006
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Ett spöke hemsöker Europa – kolonialismen. Den koloniala urscenen mellan herren och slaven har bytt skepnad och framkallat ett europeiskt krismedvetande: de före detta barbarerna och underlägsna raserna kan inte längre hållas på säkert avstånd. De bortträngdas återkomst. Eller om man så vill, den koloniala bumerangen vänder åter. Här undersöks dess rörelse från den så kallade upptäckten av Amerika, via det ockuperade Irak och ett Frankrike i lågor, till svenska fantasier om invandraren.
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| 10. |
- Willim, Robert
(författare)
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Probing Mundania : Using Art and Cultural Analysis to Explore Emerging Technologies
- 2023
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Ingår i: Cultural Analysis. - 1537-7873. ; 21:1, s. 22-37
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Tidskriftsartikel (refereegranskat)abstract
- This essay will discuss my work in the interstices between art and cultural analysis. I will expound on how I’ve used a certain concept as part of artistic practice and cultural analytic research. The concept, which I’ve chosen to call Mundania, is used to grapple with the role of emerging technologies in everyday life. The concept is used to discharge imaginations about everyday life characterised by a looming uncertainty and the comingling with ungraspable complex technologies that gradually become ordinary. I will show and discuss how the work with the Mundania-concept is based on processes of probing.
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