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- Gromark, Sten, 1951
(författare)
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Tre dagar som inte skakade Göteborg
- 2009
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Ingår i: ARVIDSSON, K. and J. WERNER. Skiascope 2 Upp med rullgardinerna! Konsten i Göteborg under 1960- och 70-talet. Göteborg, Göteborgs Konstmuseums Skriftserie.. ; , s. 133-162
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Fried, Alexandra, 1976, et al.
(författare)
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Konsthistoriepodden, avsnitt 15: Andy Warhol, Marilyn Monroe
- 2021
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Ingår i: Konsthistoriepodden. - : Acast. ; :15
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- I detta poddavsnitt talar vi om Andy Warhols fyra serigrafier ”Marilyn Monroe” från 1967, som finns på Göteborgs konstmuseum. Vi berättar mer om varför popkonsten skiljer sig så mycket från annan konst i sitt uttryck och formspråk, och hur det massmediala konsumtionssamhället som växte fram efter andra världskriget inspirerade popkonstnärer som Andy Warhol. Det är en tid då det enorma bildflödet i det offentliga rummet, som vi är så vana vid nuförtiden, precis tar fart och då konstnärer använder sig av de återkommande bilderna från underhållningsindustrin och reklamer för att kommentera på samhället och för att utplåna skillnaderna medan populärkultur och finkultur. Medan Andy Warhol hade full fokus att visa Monroe som en säljbar produkt från underhållningsindustrin, ser vi i detta poddavsnitt människan bakom motivet och berättar mer om den oerhörda personliga tragedin som Warhol, nästan omgående efter hennes självmord 1962, exploaterade ytterligare.
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| 3. |
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Crafting Cultural Heritage
- 2016
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- The making of artefacts is a core activity in society, the result of which contributes to the building up of our physical surroundings and material culture. Throughout history, craft skills have been highly appreciated and have often been seen as crucial component of a capable human. Despite this, the knowledge base that constitutes the actual making is often overlooked in research. What can we learn about things by learning about their making? How do different craft skills offer an understanding of its historical use? How can theoretical and methodological approaches be developed concerning the actual making? How can we study and understand craft as cultural heritage? This book contains a selecion of papers from the session Crafting Cultural Heritage at the Assosiation of Critical Heritage studies inaugural conference Re/theorising Heritage 2012 in Gothenburg. The contributors are Anneli Palmsköld; Thomas Laurien; Eleonora Lupo and Elena Giunta; Gunnar Almevik and Nicola Donovan. Their common interest are theories and methods of crafting that could benefit heritage studies approach to making.
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| 4. |
- Leach, Maddie, 1970, et al.
(författare)
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Fountains Failures Futures: The afterlives of public art
- 2023
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Ingår i: Fountains Failures Futures: The afterlives of public art. - Lund : Skissernas Museum - Museum of Artistic Process and Public Art.
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- Research and discussion about public art frequently focuses on conditions of emergence and production for public works. Fountains Failures Futures starts at the other end – thinking about the afterlives of public art in relation to processes of decline, decay, acts of reparation and re-imagination, transformation, and change. We are interested in questions of sustainability, custodianship, and whether “failed” public artworks can be revitalised and thought anew. What are the implications for their authorship and ownership, and what challenges does this present for commissioners, artists, architects, and urban planners? How can producers, owners and custodians of public artworks, and the communities living with these works, anticipate and accommodate complex afterlives of public art?
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| 5. |
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Challenge the past / diversify the future - proceedings
- 2015
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- Challenge the Past / Diversify the Future is a multidisciplinary conference for scholars and practitioners who study the implementation and potential of visual and multi-sensory representations to challenge and diversify our understanding of history and culture. This volume contains an overview of all the presentations.
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| 6. |
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| 7. |
- Bowman, Jason E., 1967
(författare)
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Jason E. Bowman, Untitled (On a day unknown), 2009-10
- 2016
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Ingår i: Watched! : surveillence, art and photography. Eds: Louise Wolthers, Dragana Vujanovic, Niclas Östlind. - Cologne, Germany : Verlag der Buchhandlung Walther König. - 9783863359591
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Artists pages in a comprehensive research publication interrogating art and surveillance after 9/11.
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| 8. |
- Ibrahim, Muna
(författare)
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Effects of Art and Design on Orientation in Healthcare Architecture : A study of wayfinding and wayshowing in a Swedish hospital setting
- 2019
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- This thesis investigates the role of interior design elements, especially artwork, in way-searchers’ wayfinding and orientation in hospital environments. The thesis considers the way-searcher’s background and the impact of cultural belonging, occupation, memories, aesthetic preferences, and language, and the influence that such factors might have on the perception of the hospital environment and its guiding elements. The aim is to increase the knowledge about the role of art objects and how they relate to design processes by studying how art and design appear to users at three different sites at the hospital SUS Malmö, and also to gain insight into decisions made about the design and the placement of public art in a health-care environment.The thesis consists of four studies developed to complement each other. They include three different experiencing perspectives: the visitor’s perspective, the designer’s perspective, and the observing researcher’s perspective. This mix of perspectives helps to obtain a broad understanding of the complex experience and effectiveness of wayshowing design in a health-care environment and of the intentions behind making, choosing, and installing art for and in hospitals. A mixed-methods approach is used that mainly relies on qualitative studies, but that also has some quantitative elements. The techniques used for collecting information are: questionnaire, on-site interviews, semi-structured interviews, walking interviews, observation, and photographic documentation. This mixed-methodological approach is used to attain a successively deeper understanding and acquire more diverse knowledge of the role that interior design and artwork have for wayfinding, and by that also pointing to the development of wayfinding theory, especially as it refers to notions like orientation, wayfinding, legibility, affordance, and familiarity. These theoretical concepts are used here in analyses and descriptions of way-searchers’, especially newcomers’, experiences and perceptions of the interior health-care environment.The four studies of this thesis point out different areas of interest for analyzing wayfinding in hospitals, thus also indicating how they could be considered to guide the design of wayshowing in hospital environments. The areas of interest can be listed as: spatial heterogeneity (about the making of contrasts between spaces); evoked familiarity (about elements in the hospital space that may bring back memories); overfamiliarity (about places taken for granted due to frequent use); broad participation (about consulting a range of users in all stages of the realization of a hospital environment); users’ background (about considering ethnicity, cultural knowledge, occupation, and previous experiences of art), and time- and duration effects (about acknowledging that perception might change during visits or in stays of a longer duration).
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| 9. |
- Westin, Jonathan, 1980, et al.
(författare)
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Conjuring up the Artist from the Archives: Ivar Arosenius
- 2016
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Ingår i: Digital Humanities 2016, Kraków 11–16 July 2016.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- What processes are involved in translating a physical archive into a digital? Can we give body, context, and affect back to a digitized material? These are questions we investigate through a three-year project about Ivar Arosenius, a Swedish artist and writer who met an untimely death in early 1909, only 30 years of age and within months of his big breakthrough. During the subsequent years and decades, his substantial production earned him recognition posthumously both nationally and internationally, and today he is one of the most renowned Swedish artists. The project has instigated a number of studies of what knowledge and aspects can be added through different technological developments, as well as what knowledge and values are lost or threatened in a digitization process. In parallel to our work with staging the artist from the archives, we study how previous stagings – exhibitions, books, studies – have mediated and affected the image of Ivar Arosenius. In building a digital archive of Arosnius, we follow the material as it travels from the manuscript vault into the digitization studio, mapping all the actants involved in shedding it of its physicality. This is a translation process that functions to rephrase the archival material with the purpose of making it mobile and conform to those protocols that define something as being digital. This rephrasing does not only remove physicality, but does also introduce a whole new vocabulary, words describing the digital format, that in many ways replaces the one that art historians, archivists and conservators use to describe the manuscripts. Much of the material pertains to Arosenius’ home in Älvängen, torn down in the early seventies after decades of neglect. Using the archive as a source, we have assembled a virtual model in Unity where the connection between artist, art and place is investigated to catch the way Arosenius has translated his surroundings and to contextualize the documents of the archive. With this interactive reconstruction we aim to construct a synthesis of a heterogeneous and sometimes conflicting material that can be used both as an access-point to the life of Ivar Arosenius and his art, and as a repository: built on a source material consisting of archival photos, local stories and historic maps, paintings, 3d-scanned artefacts, sound recordings, and inventories of both the belongings of the artist and his family, and of the vegetation on his lands, the digital construction is a knowledge-model containing all the material pertaining to this part of the artist’s life. As such, of central interest for the study is how to communicate interpretative practices to the user, balancing an incomplete source material with the need to create a space that can inspire affect. Just as the archive contains a translation of Arosenius’ home, first into documents and files, and later, when digitized, into bits, the reconstruction of Arosenius’ home is a translation of bits into context. It is an investigation into both the limits of the archive view, that which the archive lets us perceive, and the process of activating and giving depth to the archive by bringing it together with the site of its origin. In the study, we frame the act of digitally reconstructing a site as an iterative research method of investigation and translation between different media, that allows a disparate material to be collected, studied, and processed simultaneously. Arosenius’ Älvängen is at the centre of this study as it is the locus of the art, and also the place of the life that the archive tries to represent. As such, it is the archaeo-archival embodiment of the artist’s archive.
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| 10. |
- Ingvarsson, Jonas, 1966
(författare)
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Bomber, virus, kuriosakabinett: texter om digital epistemologi
- 2018
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- I boken BOMBER, VIRUS, KURIOSAKABINETT. TEXTER OM DIGITAL EPISTEMOLOGI samlas texter som har gemensamt avsikten att belysa konceptet »digital epistemologi». Utgångspunkten här är att »det digitala» inte ska förstås enbart som något som är knutet till särskilda verktyg och objekt. »Det digitala» inom till exempel humaniora är inte bara databaser och big data, topic modelling och spekulativa visualiseringar; ej heller är objekten begränsade till dataspel, andra elektroniska verk eller till litteratur och konst som explicit relaterar till datorisering eller andra digitala aspekter. Detta perspektiv har kommit att väcka ett antal frågor. Hur kan litterära former i tryckt text spegla eller relateras till en digital närmiljö? På vilket sätt skiljer sig de digitala verktygen och uttrycken under 1960-talet till vår tids ubika system – och vad kan det få för konstnärliga effekter? Är vår tids uppenbara fascination för konstens och textens materialitet en effekt av eller reaktion mot en tilltagande digitalisering? Vad har kuriosakabinett, emblem och pertinensprinciper att göra i analysen av samtida digitala uttrycksformer? I samarbete med Rojal förlag – och konstnären och bokbindaren Olle Essvik – har själva boken utformats som ett hundratal handgjorda mediearkeologiska objekt, bland annat med bokpärmar som hämtats från kasserade böcker. Varje volym är unik. Boken kan ses som en samling prövande och öppna essäer, målet är inte att spika upp några teser, utan snarare erbjuda ingångar till mer eller mindre spekulativa samtal om humanioras framtid.
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