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| 2. |
- Larsson, Mariah, 1972-
(författare)
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Deep throat
- 2014
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Ingår i: Cultural encyclopedia of the penis. - New York : Rowman & Littlefield Publishers. - 9780759123120 - 9780759123144 ; , s. 49-50
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 3. |
- Larsson, Mariah, 1972-
(författare)
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Money shot
- 2014
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Ingår i: Cultural encyclopedia of the penis. - New York : Rowman & Littlefield Publishers. - 9780759123120 - 9780759123144 ; , s. 123-124
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 4. |
- Larsson, Mariah, 1972-
(författare)
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Pornography and erotica
- 2014
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Ingår i: Cultural encyclopedia of the penis. - New York : Rowman & Littlefield Publishers. - 9780759123120 - 9780759123144 ; , s. 166-168
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 5. |
- Eriksson, Jonnie, 1978-, et al.
(författare)
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“I am not a sporting man, Fräulein” : The tragedy and farce of James Bond’s heroic prowess as challenges to the ‘popular’
- 2022
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Ingår i: The World Is Not Enough.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- This presentation concerns how the term “popular” is actualized in James Bond films, and specifically how sports are played out in the saga. While both sports and Bond are pivotal parts of Western popular culture from the mid-20th century and onwards, their relationship is ambiguous. In his battles with various villains, Bond becomes embroiled in action sequences that are curiously spiced up with sporting activities. Such sports are often culturally coded in ways that represent certain social classes and practices (leisure, extreme, etc.) but are transformed in the cinematic context: sometimes they are emphasized for stylizations of prowess and violence; sometimes they are distorted into parody and comic relief. The agent’s sportive ambiguities are emblematic of the ambivalent status of Bond’s character in contemporary culture, pivoting between high and low, elites and masses. Fulfilling Marx’s adage about how history repeats itself (“first as tragedy, then as farce”), Bond’s personage not only reappears in different incarnations, portrayed by different actors over time; each actor also repeats a similar pattern in their respective Bond biographies that is enacted through the employment of sports. We conclude by claiming that when Bond distorts sports the meaning of the term “popular” per se is problematized.
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| 6. |
- Eriksson, Jonnie, 1978-, et al.
(författare)
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"I'm not a Sporting Man, Fräulein” : The Tragedy and Farce of James Bond’s Heroic Prowess
- 2023
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Ingår i: The International Journal of James Bond Studies. - London : Fincham Press. - 2514-2178. ; 6:1
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Tidskriftsartikel (refereegranskat)abstract
- This article revolves around conceptualising temporality and drama, with the example of how the broken time sequestered by Karl Marx’s notion of historical repetition and the struggles relating to this, in his supplement to Hegel, is displayed in James Bond films. A focus of the inquiry is an hauntological analysis (in the Derridean sense) of how the connection between heroism and tragedy in films evokes haunting presences of older versions of Bond, between actors, between films, and within the specific story arcs. While the heroism of Bond is exemplified by his sportive endeavours, time and temporality are understood as repetition, and foremost in relation to the phenomenon of the reboot—a specialty of our protagonist. In his battles with various villains, Bond becomes embroiled in action sequences that are curiously spiced up with extreme sporting activities. Such sports are often transformed in the cinematic context: sometimes they are emphasised for stylisations of prowess and violence; sometimes they are distorted into parody and comic relief, in an oftentimes ironic fashion. Fulfilling Marx’s adage about how history repeats itself (“first as tragedy, then as farce”), Bond’s personage not only reappears in different incarnations, portrayed by different actors over time; each actor also repeats a similar pattern in their respective Bond biographies enacting a sustained heroism emanating from the extreme athletic displays in the agonal theatre of sports.
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| 7. |
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| 8. |
- Jonasson, Kalle, 1976-, et al.
(författare)
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Judging athletic movement in moving images : a critique of agonic reason in representations of alpine sport, seen through the Paltrow v. Sanderson ski crash trial
- 2024
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Ingår i: Sport, Ethics and Philosophy. - 1751-1321 .- 1751-133X.
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Tidskriftsartikel (refereegranskat)abstract
- This paper concerns the judgement and critique of athletic move-ment in moving images. Inspired by the ski crash trial case of Paltrow v. Sanderson, and by comparing different media represen-tations of downhill skiing, the essay outlines a framework that discerns as well as connects elements of movement and images, developing the concept of the ‘diorama’ in relation to Deleuze’s notion of the diagram and Kant’s idea of critique. Thus, moving images featuring elite alpine skier Mikaela Shiffrin, fictional charac-ter James Bond, and an official skiing game for the international ski federation (World Cup Ski Racing, FIS) figure as comparative material to the animation that played a central role in the celebrity trial. Diorama and diagram are posited on a continuum to assess when and how judgement takes place in each of the exhibits. The essay concludes by discussing how the judging of athletic movement in moving images contributed to Paltrow winning the case, and the-oretically by connecting this finding to dioramas and diagrams as tools apt for a framework aiming at the critique of athletic move-ment in moving images.
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| 9. |
- Jonasson, Kalle, 1976-, et al.
(författare)
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Sovereign Surfing in the Society of Control : The Parkour Chase in Casino Royale as a Staging of Social Change
- 2022
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Ingår i: Social Sciences. - Basel : MDPI. - 2076-0760. ; 11:8
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Tidskriftsartikel (refereegranskat)abstract
- In “Postscript on Societies of Control”, French philosopher Gilles Deleuze proclaimed that “Everywhere surfing has replaced the older sports”. By this, he alluded to Foucault’s thoughts on older societal regimes and power diagrams of sovereignty and discipline, and that now such models have been supplemented with governance through control and allegations of increased freedom. This article has as its point of departure the potential of sports to reflect social change. Contemporaneously to the coining of Deleuze’s surfing sentence, a new sport emerges: parkour, in which practitioners “surf” the urban realm. This practice gained attention globally when it was featured in the 2006 James Bond film Casino Royale. The analysis in this article revolves around the different ways of moving in and through the environment in the renowned parkour chase in the beginning of the movie. How do different kinds of displacement in the parkour chase of Casino Royale relate to the transition between the societies described by Deleuze, and what new adaptations emerge and what old logics and models return? It is concluded that the older forms of power prevail and that the ideal of the society of control cannot be realised. © 2022 by the authors. Licensee MDPI, Basel, Switzerland.
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| 10. |
- Jonasson, Kalle, 1976-, et al.
(författare)
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Sovereign Surfing in the Society of Control : The Parkour Chase in Casino Royale as a Staging of Social Change
- 2024
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Ingår i: Rethinking Sport and Social Issues. - Basel : MDPI. - 9783725800223 - 9783725800216 ; , s. 1-17
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Bokkapitel (refereegranskat)abstract
- In “Postscript on Societies of Control”, French philosopher Gilles Deleuze proclaimed that “Everywhere surfing has replaced the older sports”. By this, he alluded to Foucault’s thoughts on older societal regimes and power diagrams of sovereignty and discipline, and that now such models have been supplemented with governance through control and allegations of increased freedom. This article has as its point of departure the potential of sports to reflect social change. Contemporaneously to the coining of Deleuze’s surfing sentence, a new sport emerges: parkour, in which practitioners “surf” the urban realm. This practice gained attention globally when it was featured in the 2006 James Bond film Casino Royale. The analysis in this article revolves around the different ways of moving in and through the environment in the renowned parkour chase in the beginning of the movie. How do different kinds of displacement in the parkour chase of Casino Royale relate to the transition between the societies described by Deleuze, and what new adaptations emerge and what old logics and models return? It is concluded that the older forms of power prevail and that the ideal of the society of control cannot be realised.
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