| 1. |
- Lilja, Madeliene, et al.
(författare)
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Poesi i ljud och bild : Jan Troell som tv-filmare
- 2008
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Ingår i: TV-pionjärer och fria filmare. - Stockholm : Statens ljud- och bildarkiv. - 9789188468109 ; , s. 231-237
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 2. |
- Nilsson, Johan, 1979-
(författare)
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American critic : Satire and political discourse in Warren Beatty's Bulworth
- 2009
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Ingår i: American Studies in Scandinavia. - 0044-8060. ; 41:2, s. 45-59
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Tidskriftsartikel (refereegranskat)abstract
- This article focuses on how critical reviews of Bulworth can be said to draw attention to political discourse when discussing the film's satirical aspirations. This entails a consideration of contemporary American reviews, which are discussed in relation to a conceptualization of satire in terms of a discursive practice. It is concluded that satire is understood, in quite unproblematic terms, both as a determinant for and as attributing a tone to the political discourse.
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| 6. |
- Nilsson, Johan, 1979-
(författare)
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Joker TV : Intermedial Configurations and Transgression in Batman: Arkham Asylum
- 2016
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Konferensbidrag (refereegranskat)abstract
- This paper explores medial relationships actualized by various media representations of DC Comics’ famous supervillain, the Joker. A recurring trope in Joker narratives, going back to his very first appearance in DC Comics Batman #1 (1940), involves him using media to spread his brand of terror across Gotham City. While the previous research on the Joker has sometimes noted the character’s transmedial travels, none has dealt extensively with the recurring placement of him in relation to specific media technologies and formats. Further, as such the character is an exemplary case for contributing to the contemporary discourse on intermediality. The present paper argues that the Joker exemplifies how intermedial references (c.f. Rajewsky, 2005) can simultaneously cue a sense of immersion and have a destabilizing effect on the actual experience of spectatorship. The analyses put emphasis on moments of what Tina Kendall (2010) has called “a spatial and temporal layering of representational forms” (190), which here specifically refers to moments when the Joker is represented on, in, or alongside television.
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| 8. |
- Nilsson, Johan, 1979-
(författare)
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Moments of Intermediality : The Use of Television in Joker Narratives
- 2020
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Ingår i: Convergence. The International Journal of Research into New Media Technologies. - : Sage Publications. - 1354-8565 .- 1748-7382. ; 26:2, s. 386-401
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Tidskriftsartikel (refereegranskat)abstract
- This article uses the concept of intermediality to explore four different adaptations, across three different media, of the infamous supervillain the Joker. Independent of the medium representing him, a recurring practice is to have the Joker engage with media technologies. Television, in particular, is often used, as in the cases discussed here: Tim Burton's film Batman (1989) and Christopher Nolan's The Dark Knight (2008), the comic book Batman: Death of the Family (2014), and the video game Batman: Arkham Asylum (2009). Understood as media combination, intermedial referencing (Rajewsky (2005) Intermediality, intertextuality, and remediation: A literary perspective on intermediality. Intermedialites 6: 43-64), and through concepts such as contingency and liveness (Doane (2002) The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge: Harvard University Press), these intermedial moments, by way of emphasizing the materiality and temporality of media, are found to promote immersion while simultaneously causing tension by destabilizing the act of viewing.
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