| 1. |
- Bruhn, Jørgen, Professor, 1968-, et al.
(författare)
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Media Representation : Film, Music and Painting in Literature
- 2022
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Ingår i: Intermedial Studies. - London : Routledge. - 9781032004549 - 9781032004662 - 9781003174288 ; , s. 162-193
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Bokkapitel (refereegranskat)abstract
- In Nick Hornby’s novel High Fidelity (1995), the life of the protagonist Rob revolves around records and popular music. Throughout Virginia Woolf’s novel To the Lighthouse (1927), the painter Lily Briscoe works on a portrait of her friend Mrs Ramsay. In James Joyce’s Ulysses (1922), Leopold Bloom’s thoughts, memories and associations are informed by newspaper headlines, snatches of songs, advertising slogans and poster headlines as he walks through the streets of Dublin.In media types such as novels, paintings, films, computer games and news articles, we encounter characters, avatars or persons that interact with pictures, musical instruments, photos, computers, record players, newspapers or television sets or go to football games. Still, how do we know that the representation of media products or mediatypes means something? Or that references to familiar media types have a symbolic value? In this chapter, we will demonstrate how the representation of media can be analysed. We will focus on narrative literature, but the analytical method is applicable to film, computer games, photography and visual art as well. In the first part of the chapter, we will explore media that are represented inside the diegetic universe. In the second part of the chapter, we will turn to novels whose narrative structure and style remind readers of other medial experiences, such as watching a movie, looking at an image or listening to music. The effect of structural media representation is to give the impression that the literary text imitates film, music or images. It changes the experience ofreading and draws attention to aspects of literature and language that we usuallypay less attention to.
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| 2. |
- Höglund, Johan, Professor, 1967-, et al.
(författare)
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Climate diaspora and future food cultures in Snowpiercer(2013) and The Road (2009)
- 2024
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Ingår i: Food, Culture, and Society. - : Taylor & Francis Group. - 1552-8014 .- 1751-7443. ; 27:2, s. 310-325
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Tidskriftsartikel (refereegranskat)abstract
- This article takes as its starting point the realization that existing food regimes and the food systems that enable them are the main drivers of climate change. This, the article notes, is a systemic challenge, but also a profoundly cultural issue as the way that people eat is deeply connected to questions of identity and belonging. The article enters this field of inquiry by studying how the awareness that current food systems are unsustainable is being mediatized and narrated in popular fiction and film. This media often depicts humans in worlds where the current food system has collapsed, forcing also people in the Global North to move or otherwise adapt to a changing climate, and, in the process, to profoundly alter the way they eat. The article discusses two visual texts: Bong Joon-ho’s Snowpiercer (2013), and John Hillcoat’s The Road (2009). The analysis of these texts shows that they employ food, eating and migration to make life in a future transformed by climate change comprehensible to the reader. The article also investigates how the fiction studied connects food and eating to the existing world-system and thus to the material history that is driving the climate crisis.
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| 3. |
- Grennberger, Martin, et al.
(författare)
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Andas i alexandriner : Intervju
- 2019
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Ingår i: Apropå Eric M.. - Stockholm : Trolltrumma. - 9789198392982 ; , s. 17-42
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 4. |
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| 5. |
- Holmström, Andreas, et al.
(författare)
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Förord
- 2019
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Ingår i: Apropå Eric M.. - Röstånga : Trolltrumma. - 9789198392982 ; , s. 7-8
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Bokkapitel (populärvet., debatt m.m.)
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| 6. |
- Jensen, Signe Kjaer, 1987-, et al.
(författare)
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Media and Modalities : Film
- 2022
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Ingår i: Intermedial Studies. - London : Routledge. - 9781032004549 - 9781032004662 - 9781003174288 ; , s. 28-41
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Bokkapitel (refereegranskat)abstract
- When someone tells you about a film they have just seen, you would probably assume that the film in question is a film with sound that is based on recorded colour images of actors acting out a narrative, complete with synchronized dialogue, sound effects and music. The noun ‘film’ is ambiguous, however. The Merriam-Webster online dictionary provides eight different uses of the word – ranging from things such as food wrapping to the more relevant material of celluloid used for photographic imprints and film as a specific type of artistic object (Merriam-Webster 2020).
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| 7. |
- Salmose, Niklas, 1972-
(författare)
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Art About Nostalgia or Nostalgic Art?
- 2018
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Ingår i: Once Upon a Time. - Stockholm : Trolltrumma Academia. - 9789198392944 ; , s. 127-139
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Bokkapitel (refereegranskat)
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| 8. |
- Salmose, Niklas, 1972-
(författare)
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Behemoth, Nostalgia and Ecological Agency
- 2019
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Ingår i: Futures Worth Preserving. - Bielefeld : Transcript Verlag. - 9783837641226 - 9783839441220 ; , s. 239-256
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Bokkapitel (refereegranskat)
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