| 1. |
- Andersson, Lars Gustaf, et al.
(författare)
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Spaces of becoming: the Stockholm Film Workshop as a transnational site of film production
- 2018
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Ingår i: Transnational Cinema at the Borders : Borderscapes and the Cinematic Imaginary - Borderscapes and the Cinematic Imaginary. - 9781138091108 ; , s. 40-51
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Bokkapitel (refereegranskat)abstract
- An account of the Stockholm Film Workshop (1973 - 2001) and how it became a site of film production by immigrant filmworkers, primarily from Latin America and Greece.
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| 3. |
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| 4. |
- Andersson, Lars Gustaf, et al.
(författare)
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Spaces of becoming : the Stockholm Film Workshop as a transnational site of film production
- 2015
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Ingår i: Transational Cinemas. - : Informa UK Limited. - 2040-3526 .- 2040-3534. ; 6:2, s. 156-167
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Tidskriftsartikel (refereegranskat)abstract
- The aim of the essay was to present the Stockholm Film Workshop (Filmverkstan, 1973–2001) and its significance as a transnational site of film production. The films and the filmmaking at the workshop are considered as part of a minor cinema film practice in David E. James’s sense. James’s theory is complemented by returning to Gilles Deleuze and Felix Guattari’s original concept of minor literature in order to stress an analysis that is based on film as a means of production and cultural intervention. This point is emphasized by a presentation and analysis of how various professional and non-professional filmmakers from Colombia, Egypt, Greece and Turkey made use of film at the Stockholm Film Workshop in order to intervene in their new cultural situations. Thus, the textual model of film analysis that is prevalent in Hamid Naficy’s seminal work on accented cinema is complemented with theories of cultural production in order to enable an analysis of a transnational film practice that is on a par with the immigrant experience.
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| 5. |
- Andersson, Lars Gustaf, et al.
(författare)
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Accented cinema and beyond : Latin American minor cinemas in Sweden, 1970–1990
- 2016
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Ingår i: Studies in Spanish & Latin American Cinemas. - : Intellect. - 2050-4837 .- 2050-4845. ; 13:3, s. 227-245
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Tidskriftsartikel (refereegranskat)abstract
- The aim of this article is to map and present professional and non-professional Latin American film-making that took place in Sweden from the early 1970s to the early 1990s. Most of the films from this period have been excluded from the established, canonical film history, both nationally and internationally. Another aim of the article is to argue for the importance of the concept of ‘minor cinemas’. This concept has the benefit of overcoming generalizing and reductive models of analysis and the historiography of Latin American film-making beyond that continent. Owing to an extensive focus on political documentary, third cinema, or the aesthetics of accented cinemas, the diversity of Latin American film-making in countries like Sweden has been neglected. Thus, this article calls for a transnational historiography that also encompasses minor histories and presents a critique of Hamid Naficy’s seminal theory of an accented cinema. In terms of theory, the article argues for a return to the theoretical interventions of the concept of minor cinemas made by David E. James and for a reactualization of Zuzana M. Pick’s early study on exilic Chilean cinema.
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| 6. |
- Andersson, Lars Gustaf, et al.
(författare)
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Accented cinema and beyond : Latin American minor cinemas in Sweden, 1970 - 1990
- 2016
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Ingår i: Studies in Spanish & Latin American Cinemas. - : Intellect. - 2050-4845 .- 2050-4837. ; 13:3, s. 227-246
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Tidskriftsartikel (refereegranskat)abstract
- The aim of this article is to map and present professional and non-professional Latin American film-making that took place in Sweden from the early 1970s to the early 1990s. Most of the films from this period have been excluded from the established, canonical film history, both nationally and internationally. Another aim of the article is to argue for the importance of the concept of ‘minor cinemas’. This concept has the benefit of overcoming generalizing and reductive models of analysis and the historiography of Latin American film-making beyond that continent. Owing to an extensive focus on political documentary, third cinema, or the aesthetics of accented cinemas, the diversity of Latin American film-making in countries like Sweden has been neglected. Thus, this article calls for a transnational historiography that also encompasses minor histories and presents a critique of Hamid Naficy’s seminal theory of an accented cinema. In terms of theory, the article argues for a return to the theoretical interventions of the concept of minor cinemas made by David E. James and for a reactualization of Zuzana M. Pick’s early study on exilic Chilean cinema.
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| 7. |
- Andersson, Lars Gustaf, et al.
(författare)
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Amateur and avant-garde: minor cinemas and public sphere in 1950s Sweden
- 2009
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Ingår i: Studies in European Cinema. - Bristol : Intellect. - 1741-1548 .- 2040-0594. ; :3, s. 207-218
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Tidskriftsartikel (refereegranskat)abstract
- This article is a study of Swedish post-war amateur and experimental film culture. In particular, the 50s and the gradual divide between amateurs and experimentalists are examined. Peter Weiss' filmic output is used as an example of how the various cultures collaborated and later on split apart. The aim with the essay is also to intervene in the ongoing debate concerning film historiography by arguing for the usefulness of the concepts ‘minor cinemas’ and ‘public sphere’ in order to enable a more diverse, open and heterogeneous film history.
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| 10. |
- Andersson, Lars Gustaf, 1960-, et al.
(författare)
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Editorial : Film Workshops in Europe
- 2011
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Ingår i: Studies in European Cinema. - Bristol : Informa UK Limited. - 1741-1548 .- 2040-0594. ; 8:3, s. 167-169
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Tidskriftsartikel (refereegranskat)abstract
- An introduction is presented in which the authors discuss various reports within the issue on topics including the concept of film workshops, the politicized film culture in Spain, and the British workshop culture.
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