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- Dyrssen, Catharina, 1949, et al.
(författare)
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Sound and other spaces
- 2014
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- The book, edited by Catharina Dyrssen, draws on coclusions from two larger artistic research project on urban sound environments, sound art, acoustic space, and spatial aspects of sound. The chapters comprise reflections on sound quality ans sound awareness, sound design and audio editing, technical solutions for artistic problems, and how sound can be composed and used in architectural and urban design. In text and images the four authors discuss a number of investigative projects performed within the artistic and interdisciplinary research group Urban Sound Institute.
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| 4. |
- Hultqvist, Anders, 1955, et al.
(författare)
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Hur låter Tapeshavet?/ What does Tapeshavet sound like? : Tapeshavet – Hörspiel
- 2020
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Ingår i: Gränser och oändligheter – Musikalisk och litterär komposition. - Göteborg : Konstnärliga fakulteten. - 9789198517163
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- We wanted to investigate the historical and sounding landscapes from which the book Tapesha- vet originated and made an expedition to some central places on Härnäset in Bohuslän. What were the “conditions” from which the poems had arisen, and what were the soundscapes that, at least partly, formed the basis for the “singing”? We visited the quarry in Ed, shell gravel slopes at Röe homestead, Fågelviken with its gunpowder store, and Näverkärr’s forests. The voices in the Tapeshavet Hörspiel (Hansson & Hultqvist, 2020) approach four different levels of narration: shorter (poetic) excerpts from Tapeshavet, documentary in situ comments and conversations, stories in and about special places, and to that some reflections on the research project in general. In terms of sound the material largely consists of ambient (environmental) sounds, micro-sounds (close-ups of natural sounds), performances on natural and created found objects in search of their sounding properties, as well as further processing of environmental and object sounds.
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| 5. |
- Dyrssen, Catharina, 1949, et al.
(författare)
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Ljud och andra rum : Sound and other spaces
- 2014
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Sound and other spaces is a book about urban sound environments, sound art, acoustic space, and spatial aspects of sound. The texts in this book comprise personal reflections on sound quality and sound awareness, sound design and audio editing, technical solutions for artistic problems, and how sound can be composed and used in architectural design and city planning. In texts and images the authors present a number of projects performed within the artistic and interdisciplinary research group Urban Sound Institute (USIT). We hope that readers will find this book handy and easy to use and that it will serve as a bridge between specialists and an interested general public.
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| 6. |
- Dyrssen, Catharina, 1949, et al.
(författare)
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Ljud och andra rum
- 2014
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Bok (övrigt vetenskapligt/konstnärligt)abstract
- Sound and other spaces is a book about urban sound environments, sound art, acoustic space, and spatial aspects of sound.The texts in this book comprise personal reflections on sound quality and sound awareness, sound design and audio editing, technical solutions for artistic problems, and how sound can be composed and used in architectural design and city planning.In texts and images the authors present a number of projects performed within the artistic and interdisciplinary research group Urban Sound Institute (USIT). We hope that readers will find this book handy and easy to use and that it will serve as a bridge between specialists and an interested general public.
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| 7. |
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Gränser och oändligheter – Musikalisk och litterär komposition, en forskningsrapport : 'Compositional' Becoming, Complexity, and Critique
- 2020
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- ur Förordet: Det övergripande forskningsprogrammet söker spåra några mindre delar av det vidsträckta landskap av mänskliga och icke-mänskliga betingelser, strategier och komplexiteter som ligger till grund för arbetet inom musikalisk och litterär komposition. Sektion 1 inleds med utdrag ur Tapeshavet av Gunnar D Hansson som är en text kring plats, natur, dikt och poetik, och där de geologiska beskrivningarna även blir en metafor för diktsamlingens egen organisationsprincip. Detta följs av reflektioner kring bakomliggande tankar, vidare gestaltningar, och meta-reflektioner. En del kompositionella frågeställningar tas vidare genom presentationer av och reflektioner kring ett antal musikaliska kompositioner, ljud-installationer och gestaltade konsert-föreställningar. Sektion 2 diskuterar litterära och musikaliska praktiker och skilda verksamma poetiker utifrån bland annat Inger Christensen, Elfride Jelinek, kommissarie Maigret och Bengt-Emil Johnson, samt en avslutande epilog kring symmetribegreppet. From the Preamble: On the whole the project can be said to trace some small parts of the vast landscape of strategies and complexities underlying musical and literary composition. The artistic investigations in different ways take their point of departure in some of the textual, musical, and informational conditions for related artistic work. Would it be possible to expand some of our lived metaphors by looking at these different levels and areas of complexity and time, how they are connected and why we might interpret and inhabit them as we do? Addressing the physical (biological) and cultural complexities we and our artefacts both are made out of, and dynamically move within, and in doing this, in some way, try to “ignore the right details, [...] still preserving the essence of what is complicated” as Carina Curto puts it in an article in Quanta Magazine. But also, through some of the subprojects, in different ways address conventional metonymical concepts and compressions like ‘a poem’, ‘listening’, or ‘a (musical) composition’.
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- Hultqvist, Anders, 1955
(författare)
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A Shrinking Emptiness
- 2018
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Ingår i: Atalante, GAS-festivalen 2/10, 2018..
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)
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| 9. |
- Hultqvist, Anders, 1955
(författare)
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Entropic Pleasures - Delineations (a), version one
- 2015
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Ingår i: Stenhammarsalen, Konserthuset Göteborg.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Ensemble Mimitabu och Levande Musik beställde verket “Entropic Pleasures - Delineations (a), version one” just för denna konsert i Konserthuset. Verket är ett delresultat inom forskningsprojektet ‘Komposition vid det konceptuellas gränser’.
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| 10. |
- Hultqvist, Anders, 1955
(författare)
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Presentation vid AEC/EPARM-konferens 2012 : Subproject/Towards an expanded field of art music
- 2012
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Ingår i: Konferensbidrag.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- Art music is not separated from society(sic); it is intertwined with the oppositions and aesthetic shifts of its time, constantly in need of revision and new interpretation. The idea of hegemony, of an all-powerful paradigm, is long since abandoned. The central issue in my own work has been to re-stage two, in many dimensions, classical pieces; Beethoven’s Fifth Symphony and Albinoni’s Adagio. They stem of course from very different origins but that is also why it is interesting to combine them within the same concert program. Again borrowing some words from Henk Borgdorff this project was set out to conduct experiments in practise and reflects both on practise and the interpretation of practise.
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