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1.
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2.
  • Van Meerbergen, Sara, 1981- (författare)
  • Dick Bruna in Zweedse vertaling : Een multimodale vertaalanalyse van kindbeelden
  • 2010
  • Ingår i: Literatuur zonder leeftijd. - Leidschendam : DBN/ Biblion. - 0929-8274. ; 24:81, s. 47-60
  • Tidskriftsartikel (refereegranskat)abstract
    • I denna artikel undersöks hur skilldringen av barnet ändras när en bilderbok om kaninen Miffy av nederländske Dick Bruna översätts till svenska. I artikel undersöks även hur en multimodal textanalys (Kress & van Leeuwen 2006) kan integreras som metod för att undersöka översättning av bilderböcker.
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3.
  • Van Meerbergen, Sara, 1981- (författare)
  • Nederlandse prentenboeken worden Zweeds : Een multimodale vertaalanalyse
  • 2011
  • Ingår i: de Leeswelp. - Antwerpen : Vlabin-VBC v.z.w.. - 1780-3845. ; 17:1, s. 32-35
  • Tidskriftsartikel (populärvet., debatt m.m.)abstract
    • This article is written in Dutch and discusses some of the main issues in my doctoral thesis "Nederländska bilderböcker blir svenska. En multimodal översättningsanalys" (2010). The thesis deals with the translation of Dutch and Flemish picture books between 1995 and 2006. It includes a general bibliographical study and also a more detailed translation analysis about the Miffy-books by Dutch picture book artits Dick Bruna. In order to analyse how both words and images are translated, multimodal text analysis is integrated as a tool in the translation analysis.
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4.
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5.
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6.
  • Grub, Frank Thomas, 1972-, et al. (författare)
  • Vorwort
  • 2015
  • Ingår i: Perspektive Nord: Zu Theorie und Praxis einer modernen Didaktik der Landeskunde. - Frankfurt a.M. : Peter Lang Edition. - 9783631660126 ; , s. 7-8, s. [7]-8
  • Bokkapitel (övrigt vetenskapligt)
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7.
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8.
  • Bäcke, Maria (författare)
  • "Freedom for Just One Night" : The Promise and Threat of Information and Communication Technologies
  • 2007
  • Ingår i: WomenWriters.net. - : WomenWriters.net. ; Spring:Special Guest Issue
  • Tidskriftsartikel (refereegranskat)abstract
    • ’Freedom for Just One Night’ The Promise and Threat of Information and Communication Technologies Not many novels have been written about technology from a female perspective, but Jeanette Winterson’s The PowerBook and Pat Cadigan’s children’s book Avatar are two examples where information and communication technologies (ICT) play a major role. That women often see the benefits of a less regulated space provided by the technology is explored in these two novels. In this essay I will study them through the lens of Deleuze and Guattari’s concept of smooth and striated space. The focus has been on three different issues: information and communication technology’s impact on identity; privacy and security on the Internet; and also – since both of the authors are women, who consider gender-related strategies – female views of ICT. The novels contradict the idea that there is a virtual reality entirely separated from the real world; both imply that although ICT creates a virtual environment, the meetings and communications that take place in it are real, especially from an emotional perspective. The novels suggest that the characters’ sense of identity and security often is tested when opposites – smooth/striated, online/offline, virtual/real, emotional/technical, private/public – collide, when this collision triggers an emotional response. In Avatar emotions are in fact a method to authenticate the validity of what happens in a virtual environment. Furthermore, the collision and its impact on the emotions create an indeterminacy, a smooth space, and seems to be a narrative strategy for both Winterson and Cadigan, which they both use to examine a number of issues, including patriarchy, which shows what these female authors think is possible to do with the help of ICT. Both texts study how the Internet – and the thoughts mediated through the Internet – influence individuals and societies. As a new medium, Internet can be considered new territory, a new frontier. Whose thoughts are going to be trendsetting on the Net? Who colonizes Cyberspace? Both authors point towards the benefits of a more balanced viewpoint, where more angles than one are taken into account, and what can happen when a hegemonic world-view has been shaken. These novels convincingly show that it is in the dynamic tension between smooth and striated that new viewpoints can be found.
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9.
  • Cedergren, Mickaëlle, 1969-, et al. (författare)
  • Introduction
  • 2015
  • Ingår i: Médiations interculturelles entre la France et la Suède. - Stockholm : Stockholm University Press. - 9789176350157 - 9789176350133 ; , s. IX-XXX
  • Bokkapitel (refereegranskat)
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10.
  • Cedergren, Mickaëlle, 1969- (författare)
  • L’importation de la littérature française: un triple détournement de capital : Réflexions à partir d’une étude de réception journalistique en Suède
  • 2016
  • Ingår i: Moderna Språk. - 2000-3560 .- 2000-3560. ; 110, s. 108-131
  • Tidskriftsartikel (refereegranskat)abstract
    • The background material of the study consists of articles about French literature gathered between 2010 and 2014 in the Swedish press. The aim of the article is to isolate the most widely discussed French literature from France in the Swedish press during the period, in order to explore why the transfer of this literature persists over time, how it is perceived, and which type of mediators bring about this transmission. The study raises questions about the image of French literature in Swedish media, Sweden’s impact on the transnational circulation of literature, and the use of French literature to place Sweden on the literary map.The results of the reception study show that French literature is presented as both aesthetically disruptive with innovative features and as a normative and traditional model. It incarnates an image of tradition as well as of modernity. French literature from France is principally mediated by orthodox journalists with a consistent symbolic capital, and the posture of these journalists is analyzed through Sapiro’s model, inspired by Bourdieu. The orthodox journalists manage to redirect the symbolic capital inherent to consecrated French literature at three levels: national, personal, and transnational. Firstly, the importation of French literature increases Swedish literature’s symbolic capital. Secondly, this transfer allows for an auto-consecration of the orthodox journalists themselves. Thirdly, this use of highly valued imported literature engenders a supplementary consecration (surconsecration) of a national literature and its dominating language. In conclusion, these observed bilateral literary exchanges show the often overlooked importance of peripheral countries in transnational literary transmission. The results modify Casanova’s (2002) model, since they display the impact on the market from the margins. The transfer of central national literatures in dominating languages towards peripheral countries allows for dominated languages and minor national literatures to take an active part in the construction and reconstruction of the relations on the global literary map.
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