| 1. |
- Hopsch, Lena, 1961, et al.
(författare)
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Embodied Rhythm in Space and Time A Poem and a Sculpture
- 2017
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Ingår i: Style. - : Project Muse. - 0039-4238 .- 2374-6629. ; 51:4, s. 413-441
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Tidskriftsartikel (refereegranskat)abstract
- In this article, we outline the concept of aesthetic rhythm as an embodied lived experience. We investigate the temporal rhythms of a poem by Seamus Heaney and the spatial rhythms of a sculpture by Lena Hopsch, discussing similarities and differences between the two modalities. Previous research on aesthetic rhythm has mostly focused on meter, but here we use a broader concept of rhythm as we refer to - pre-metered forms from classical antiquity. Aesthetic rhythm in an artwork is described as a play with proportions in time and space. Rhythm continuously stages bodily experiences of balance and direction. We develop the embodiment perspective of Maurice Merleau-Ponty as well as Mark Johnson's concept of image schema. The schemas are shown to be premodal as rhythms function the same in temporal and spatial artworks. We also demonstrate a model for interpretation, developed out of the rhythms of the artifact.
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| 2. |
- Hopsch, Lena, 1961
(författare)
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Dynamisk och kinetisk rytm
- 2008
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Ingår i: Ordspråk, Röstspråk, Kroppsspråk. Ed. Eva Lilja & Jörgen Larsson. Centre for Metric Studies : Göteborg..
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)
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| 3. |
- Hopsch, Lena, 1961, et al.
(författare)
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Rhythm and Balance in Sculpture and Poetry
- 2013
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Ingår i: Off Beat: Pluralizing Rhythm. Eds. Jan Hein Hoogstad & Birgitte Stougaard Pedersen. - Amsterdam : Rodopi. - 9789042036161 ; , s. 103-122
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Rhythm might stand for the contrast between balance and movement, rest and conflict, in a piece of art. In this paper, we show that rhythm works as an organizing power as well as a producer of meaning. Both characteristics relate to the fact that rhythms activate internalized bodily experiences. Lena Hopsch has the perspective of producing art, and Eva Lilja forwards the perspective of academic reception analysis. The concept of rhythm is basic in all forms of art. It is common in descriptions of music, poetry, sculpture and painting. Sometimes rhythm seems to be too broad a concept to really tell anything important about a piece of art. Certainly there is need for a definition. Here, we explore aesthetic rhythm as a tool for a better understanding of two art forms: sculpture and poetry. We consider rhythm as a form of perception that governs both the experience and the production of artifacts. Our tool is cognitive theory, especially the field of embodiment research.
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| 4. |
- Hopsch, Lena, 1961
(författare)
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Rummet som rörelse och riktning
- 2005
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Ingår i: Kunstens rytmer i tid og rom, studier framlagda vid nionde nordiska metrikkonferensen.. Ed. Sissel Furuseth, Tapir forlag, Trondheim.
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Konferensbidrag (refereegranskat)
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| 5. |
- Hopsch, Lena, 1961
(författare)
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Rytmens element
- 2008
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Ingår i: Dikten som mötesplats – Festskrift till Eva Lilja. Ed. Sissel Furuseth och Lisbeth Stenberg..
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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