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- Castro, Andrea, 1964
(författare)
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La resistencia de lo silenciado en la literatura fantástica argentina
- 2008
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Ingår i: ConNotas. Revista de crítica y teoría literarias. - 1870-6630. ; Vol VI:Num.11, s. 61-86
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Tidskriftsartikel (refereegranskat)abstract
- Dentro de un contexto intelectual que intenta exponer un “blanqueamiento” de la población en la Argentina, este trabajo tematiza la cuestión de la identidad nacional argentina desde el punto de vista de la elite intelectual situada en Buenos Aires y enfatizada por la presencia de un recurso de ambigüedad de lo fantástico: el juego con los fantasmas de cada sociedad, con aquello que cada sociedad quisiera ocultar, silenciar, “hacer ausente”, pero no puede. Basado en la idea de “frontera” y en “la cuestión del indio” –figura problemática para una sociedad que se percibe europea–, el trabajo borda sobre el establecimiento de límites que separan el discurso entre el territorio de un "nosotros” y el de un “ellos”, que se convierte lo mismo en un “ellos” salvaje y ominoso que amenaza la imagen que los argentinos tienen de sí mismos.
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| 2. |
- Forné, Anna, 1971
(författare)
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“Una crónica distinta de todas”: Las malas de Camila Sosa Villada
- 2022
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Ingår i: RevIISE - Revista De Ciencias Sociales Y Humanas. - 2250-5555. ; 20:20, s. 205-213
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Tidskriftsartikel (refereegranskat)abstract
- La trayectoria artística de Camila Sosa Villada comprende géneros y registros variopintos, desde el teatro, la poesía, el ensayo, la novela hasta, más recientemente, el cuento. En el acervo de su obra es posible dibujar cruces, torciones, repeticiones y reivindicaciones, y la elección y cruces de repertorios incide sobre la historia narrada, que incansablemente se transviste. En este artículo se aborda Las malas con el objetivo de ver cuáles son las aproximaciones a lo real que se despliegan en esta novela, leyendola a la luz del género testimonial, el nuevo realismo así como la autoficcón. Las malas resulta inclasificable justamente porque es posible asociar y desasociar la escritura de Camila Sosa Villada con múltiples y diversos repertorios literarios, presentes y pasados, nacionales y transnacionales. Al mismo tiempo que recurre a la imaginación fantástica para pensar lo real, descubre el acceso por medio de la escritura a la realidad vivida.
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| 3. |
- Lavender, Philip, 1981
(författare)
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Las saga legendarias y los romances
- 2017
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Ingår i: El mundo nórdico medieval: una introducción, Part 1 / [redaktörer: Santiago Barreiro, Renan Birro]. - Buenos Aires : Sociedad Argentina de Estudios Medievales. - 9789874261199
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Bokkapitel (refereegranskat)abstract
- Icelandic sagas romances legendary
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| 4. |
- Benson, Ken, 1956
(författare)
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Razón y espíritu. Análisis de la dualidad subyacente en el discurso narrativo de Juan Benet
- 1989
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The narrative discourse of Juan Benet is commonly described as an enigmatic, ambiguous and hermetic discourse that cannot be interpreted in an unequivocal way. The aim of this dissertation is to analyse the effect of such a discourse upon the reader by studying the literary code of the author and the interaction that such a code requieres of a 'model reader' (according to Umberto Eco, a reader who takes notice of the poetics underlying Benet's narrative discourse) in order to reach a meaning. The result of this analysis proves that any tentative mimetic interpretation becomes repeatedly shattered. Instead, we propose a metaphorical interpretation in which Benet's discourse represents the tension between reason and emotion ('geist', 'espíritu') in human condition.
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| 5. |
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| 6. |
- Navarrete, María Teresa, Dr. 1985-
(författare)
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Hermandad y reescritura del mito de Isis y Osiris en la literatura española contemporánea
- 2021
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Ingår i: Tintas: Quaderni di letterature iberiche e iberoamericane. - : Milano University Press. - 2240-5437. ; :10, s. 33-44
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Tidskriftsartikel (refereegranskat)abstract
- The purpose of this article is to analyze the updating of the myth of Isis and Osiris in three works of Contemporary Spanish Literature, «Balada de un día de julio» (1921) by Federico García Lorca, «Pantomima» (1995) by Manuel Mantero and «El hechizo de Iris» (1999) by José María Merino. To carry out this study, concepts such as mytheme from myth criticism or ideal intertext will be used. Beyond the hypertextuality between the first written versions of the myth and these contemporary versions, the study shows how in contemporary texts the value of the siblinghood that sustains the myth of Isis and Osiris endures and is amplified.
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| 7. |
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| 8. |
- Castro, Andrea, 1964
(författare)
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Educación, ciencia y blancura en Stella y Mecha Iturbe de César Duayen : Education, Science and Whiteness in Stella and Mecha Iturbe by César Duayen
- 2016
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Ingår i: Kamchatka. Revista de análisis cultural. - 2340-1869. ; 7, s. 341-361
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Tidskriftsartikel (refereegranskat)abstract
- The present article studies the role of education and science in the process of imagining the desired nation in the first two novels by César Duayen, namely, Stella (1905) and Mecha Iturbe (1906). To this end, the analysis focuses on the relations established between Education, Science and Nation as well as on the ways through which the narratives attribute themselves the authority to imagine the nation and realize this imagination in the diegetic world. Within this framework, the tension between the local and the global – or the national and the cosmopolitan – will play a central role, which is also discussed along the essay. Furthermore, it is argued that white as a colour as well as white bodies will be central elements for the conveyance of both the conflicts that the desired nation faces and the ideals that guide it.
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| 9. |
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Conservative Economies of Knowledge in Nineteenth-Century Press : Economías conservadoras del conocimiento en la prensa del siglo XIX
- 2022
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Ingår i: Decimonónica. Journal of Nineteenth Century Hispanic Cultural Production. - 1554-6535. ; 19:2
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- The press in nineteenth-century Latin America, as a public arena for the formation of the new nations, has often been associated with the consolidation of liberalism and of the specific cultural and economic systems that governed modern life under the devices of modernity, progress, and newness. However, as a matter of fact, the press was also the site of articulation for conservative agendas, partly as a response to the advances of liberalism, but also as a means to explore modes of expression that facilitated the recognition of positive aspects of liberal modernity while retaining ties with tradition. Therefore, in order to fully understand how modern nations are a result of an always contested liberal state design, it is also imperative to understand how the press, with its literary and other types of cultural texts, expressed conservative values. As the nineteenth century advanced, a myriad of newspapers and magazines published an array of genres, both textual and visual, that covered from news, political debates and satire to literary texts, as sketches of manners, poetry, short-stories and novels by instalments. To understand the material mechanisms and conservative sensibilities that operated behind discourses of tradition, hierarchy, family, property, and so on, this special issue will focus on the formulation of conservative economies of knowledge in nineteenth-century Latin-American press. What forms did the relationships between bodies, natural resources, and other aspects of the material world take in the conservative imagination? What knowledge of the material world and bodies emanated from the aesthetic and other discursive expressions of conservative sensibilities? How did aesthetic and other discursive expressions seek to create and inform social forms, forms of government, modes of persuasion, ways of knowing or failing to know the world? The articles included in this special issue will consider the relationship between aesthetics, the press, and conservatism in a variety of approaches related to particular cases from the heterogeneous corpus of periodical publications of the century in Argentina, Chile, Costa Rica, Mexico and Spain. From popular genres, such as the calendar (West) or the theatre (Herranz) to more learned genres, such as poetry (Castro) and didactic texts on geography (Soriano Salkjelsvik); from more sociological approaches (Gutiérrez Negrón and Herranz) to more political ones (Martínez Gramuglia, Cuvardic & Baltodano, Vicenteño Bravo); from a philosophical take on affects (Ruisánchez Serra) to mapping the pedagogical ideas of a public figure (Kaempfer), the articles give an idea of the vast array of possibilities that arise from the study of economies of knowledge from the vantage point of conservative sensibilities in the press. Methodologically, the articles also cover a range of approaches from literary and historical studies, extending from the distant reading offered by the digital humanities (Ruisánchez Serra), the sociology of literature (Gutiérrez Negrón), the sociology of language (Martínez Gramuglia), historiographical approaches (Cuvardic & Baltodano, Kaempfer and Vicenteño Bravo), cultural studies and close readings (Castro, Soriano Salkjelsvik, and West). By bringing forward until now forgotten or overlooked newspapers and magazines, this special issue is also a contribution to the studies of the nineteenth century and an invitation to further diving into the archives, where much work still needs to be done. The study of the press allows us to show how different versions of the national and the global interacted in the construction and moulding of the reading public; the focus on conservative economies of knowledge visualises the existing tensions in those processes and gives us a deeper understanding of the performativity of conservative agendas. We are especially interested to show how the press served as a space where competing notions of conservatism could take aesthetic form in transnational or transatlantic contexts and how conservative thinkers and writers displayed the multiple values and affects that accompanied these notions.
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