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Heritage as Common(s) - Common(s) as Heritage
- 2015
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- The book consitutes the printed outcome of a seminar series run by the Critical Heritage Initiative (University of Gothenburg) and the Urban Heritage Cluster (Curating the City).
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| 3. |
- Geib, Jonathan, 1979
(författare)
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Ett skepp kommer lastat...
- 2015
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- Ett skepp kommer lastat...: a Swedish children's game in which players recount, in accumulated succession, the imagined contents of an incoming ship. The metaphorical abundance and unknowability of the latter drove this cross-institutional, multi-disciplinary collaboration and PhD research case study which engaged with the Frölunda Kulturhus's theme of 'neighbors'. A constellation of twelve participatory workshops with children explored indirect dialogues between neighbors via architectural interfaces and perspectival reversals of researcher and subject. The project led to a three-week exhibition in the Frölunda Kulturhus's main exhibition hall and involved over 165 children and youth from three different schools.
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| 4. |
- Landzelius, Michael, 1958
(författare)
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Dis(re)membering Spaces: Swedish Modernism in Law Courts Controversy
- 1999
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Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
- The dissertation addresses the public controversy, as reflected in newspaper coverage, over the 1936 Law Courts Annex in Göteborg, Sweden. The controversy is conceived as a tension-filled, multi-layered conjuncture of urban rivalry within the nation-state. The politico-differential pair modernism/conservatism and the spatio-differential pair Stockholm/Göteborg are traced out and shown to be formative for subject positions both in the controversy, and in scholarly work during the subsequent six decades.To disentangle the conjuncture, subjects’ spatial sense-making is contextualized with respect to a politicized built environment, and to practices characterized by polysemy, contestation and resemanticization, through which volatile meanings and identity effects are continuously renegotiated. This understanding is elaborated in relation to a notion of power as concerning asymmetries of spatial reach with regard to individuals’ influence and control over practices.From this position, the law courts controversy is unfolded through a multi-factor analysis on several spatial scales, from the nation-state to architectural solutions. It is demonstrated that in the Swedish 1930s, no building but the Law Courts Annex was executed in overt modernism on a site of key symbolico-political significance. The established projection of modernism onto Stockholm and conservatism onto Göteborg is deconstructed. The study shows how the law courts project crystallized into a unique conjuncture entangled in questions of: national and local struggles between fractions of the dominant class; governmental efforts to impose new norms and forms of dwelling and discipline; aesthetic purification and élitism; and conjoined interests of real estate capitalists, functionalist planners, and reformist politicians.The law courts controversy is shown to have been embedded in transpositions of ethics, politics, space and aesthetics. New spaces of commoditized visibility were related to the Law Courts Annex, and a gendered imagery of buildings and female human bodies as homologous were invoked together with notions of sexual and bodily hygiene. The controversy is unfolded as concerned with conditions of identity formation and subjectivity in a space of unseen visibility, and the building is unveiled as a classed and gendered space for the production of humans as mass ornaments with apractic postural models.In conclusion, established scholarly discourse on the Law Courts Annex and the controversy is unveiled as a third-order simulacrum through which the annex since the late 1930s has been produced and preserved as a counterfeit, as a historical simulacrum of the particular imagery of a discourse disconnected from existing traces of the past.
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Anatomy of a 21st-century sustainability project: The untold stories
- 2020
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Samlingsverk (redaktörskap) (refereegranskat)abstract
- What does a sustainability project look like in the 21st century? Not the glossy version, but the naked truth? Tired of manicured, over-theorised accounts of the ‘musts’ and ‘shoulds’ of sustainability transitions, we got to the bottom of things; actually, to the very bottom of the project hierarchy: the individual. Our point of departure is that projects are nothing but temporarily interconnected people. This means that if we don’t know what people do and what they think about their work, we will never be able to create a deeper understanding of the project, its rationale and future impact. Making use of the autoethnographic method, this book provides critical insights into what it’s like being part of a 21st-century project. Building on unfiltered first-hand contributions from 73 authors representing the five organs of a project’s anatomy – the brain (theoreticians), the skeleton (leaders), the limbs (strategists), the heart (local stakeholders) and the lungs (researchers) – the book covers all the important aspects of contemporary project-making: (1) projectification as a societal phenomenon; (2) sustainability as the main project buzzword; (3) transdisciplinarity as a hot working method; (4) economy as the invisible project propeller; (5) space as the contextual project qualifier; (6) gender and integration as the obstinate orphans of project-making; (7) trends as the villains of thoughtless project mimicry; (8) politics as the “necessary evil” of projects; and (9) knowledge production as the cornerstone of all project work. The book ends with an extensive critical analysis of what makes a project tick and how to avoid project failure. We infer that talking about project outcomes and impacts is just that… talking. What makes a difference is what can be done to the project in itself. Three important virtues – the ABC of project-making – emanate from this book’s 40 chapters: building good relationships (Affinity), having the guts to make a change (Bravery), and showing willingness to learn (Curiosity). These are the basis for the successful execution of future sustainability projects, where complexity, unpredictability and desperation will become a staple force to recon with. The original contribution of this book is to shed light on the silent triumphs and hidden pathologies of everyday project-making in an effort to elevate individual knowledge to a level of authority for solving the wicked – yet project-infused – problems of our time.
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| 7. |
- Brauer, Rene, et al.
(författare)
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The impact of tourism research
- 2019
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Ingår i: Annals of Tourism Research. - : Elsevier BV. - 0160-7383 .- 1873-7722. ; 77, s. 64-78
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Tidskriftsartikel (refereegranskat)abstract
- The exceedingly competitive climate of academia has increased the emphasis on performance-based research funding. In this paper we evaluate the UK's government assessment of research impact and critically comment upon the implications for future research conduct. The key findings are as follows; firstly we provide a summary of UK tourism research impact. Secondly, we demonstrate the effect of the resulting significance gap, and comment upon the consequences of the Research Excellence Frameworks' (REF) research impact assessment in terms of a research culture change. Lastly, we proposition that the current assessment structure can have negative long-term consequences in that key issues facing tourism fall outside 'good' research impact.
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| 9. |
- Rubegni, Elisa, et al.
(författare)
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Owning Your Career Paths: Storytelling to Engage Women in Computer Science
- 2023
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Ingår i: Intelligent Systems Reference Library. - Cham : Springer International Publishing. - 1868-4408 .- 1868-4394. ; 235, s. 1-25, s. 1-25
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Motivation & challenge: Computer Science suffers from a lack of diversity that gets perpetuated by the most dominant and visible role models. The community is doing itself a disservice by upholding techno-solutionism, short-term efficiency, and busyness as central values. Those models are created and consolidated over time through social and cultural interactions that increase the perpetration of gender stereotypes. Exposing people to diverse types of role models and stories can contribute to making them more aware of the complexity of reality and inspire them taking better informed decisionsmaking on their career paths. Likewise, showing different role models to stakeholders in society and industry can contribute to increase the workforce diversity in the profession of computing as well as to make a shift towards the consolidation of different role models. This, in turn, may contribute to strengthen resilience and adequacy for solving issues related to diversity, equality and inclusion in Computer Science and more importantly allowing women take the ownership of their career path. Goal: To encourage the dissemination, sharing and creation of stories that show diverse career pathways to address gender stereotypes created by dominant stories in Computer Science. We tackle this issue by developing a framework for storytelling around female scientists and professionals to show a diversity of possibilities for women in pursuing an academic career based on the ownership of their pathways. Method: We apply a qualitative approach to analyse stories collected using the auto-ethnography and use thematic analysis to unpack the components of what in these stories contribute to building the academic path in the field of Computer Science. Authors used their own professional histories and experiences as input. They highlighted the central values of their research visions and approaches to life and emphasised how they have helped to take decisions that shaped their professional paths. Results: We present a framework made of the nine macro-themes emerging from the autoethnography analysis and two dimensions that we pick from the literature (interactions and practices). The framework aims to be a reflecting storytelling tool that could support women in Computer Sciences to create their own paths. Specifically, the framework addresses issues related to communication, dissemination to the public, community engagement, education, and outreach to increase the diversity within Computer Science, AI and STEM in general. Impact: The framework can help building narratives to showcase the variety of values supported by Computer Science. These stories have the power of showing the diversity of people as well as highlighting the uniqueness of their research visions in contributing to transformation of our global society into a supportive, inclusive and equitable community. Our work aims to support practitioners who design outreach activities for increasing diversity and inclusion, and will help other stakeholders to reflect on their own reality, values and priorities. Additionally, the outcomes are useful for those who are working in improving the gender gap in Computer Science in academia and industry. Finally, they are meant for women who are willing to proceed into an academic career in this area by offering a spur for reflection and concrete actions that could support them in their path from PhD to professorship.
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| 10. |
- Geib, Jonathan, 1979
(författare)
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Poetic Incommunicability: An 'Efficient' Creative Force
- 2015
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Ingår i: Transvaluation: Making the World Matter, International Symposium.
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Konferensbidrag (refereegranskat)abstract
- Amidst the hysteria for constant connectivity, transparency and ‘efficient’ creativity which belies the current crisis of creativity, this paper asserts the value of poetic incommunicability—to creativity and to society. The role of the poet-artist-designer is vital in constructing structures of multivocality which activate the dynamic relations between communicability and incommunicability. The paradoxically ‘efficient’ mechanisms of these structures can be understood through theories of poetry depicted by Viktor Shklovsky and André Breton.The ‘black box’, a figure of incommunicability borrowed from science, represents the possibility of temporary disconnection, a critical precondition of creativity. Conceptualizing and valuing such spaces while designing the interruptibility of their reciprocal relations with communicability—the architecture of their porosity—becomes the primary task of ‘dialogical design’.These themes are explored, conveyed, delayed and complicated through the device of the metalogue, which collages and connects, often in a more physical narrative sense.
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