| 1. |
- Hayashida, Jennifer, 1973
(författare)
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Removal, Refusal, Rehearsal: 15 Fridays
- 2020
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Ingår i: Women & Performance. - 0740-770X. ; 30:1, s. 94-99
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Tidskriftsartikel (refereegranskat)abstract
- Essä om att undervisa i konstnärlig forskning via Asian American studies som en del av ett adjunktifierat prekariat på ett offentligt universitet i New York. En del av det konstnärliga forskningsprojektet Feeling Translation.
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| 2. |
- Livholts, Mona, 1961-
(författare)
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Situated Writing as Theory and Method : The Untimely Academic Novella
- 2019. - 1
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Bok (refereegranskat)abstract
- This creative and original book develops a framework for situated writing as theory and method, and presents a trilogy of untimely academic novellas as exemplars of the uses of situated writing. It is an inter- and trans-disciplinary book in which a diversity of forms are used to create a set of interwoven novellas, inspired by poststructuralist and postcolonial feminist theory and literary fiction, along with narrative life writing genres such as diaries and letters, memory work, poetic writing, and photography. The book makes use of a politics of location, situated knowledges, diffraction, and intersectionality theories to promote situated writing as a theory and method for exploring the complexity of social life through gender, whiteness, class, and spatial location. It addresses writing as an inter- and trans-disciplinary form of scholarship in its own right, with emancipatory potential, emphasising the role of writing in shaping creative, critical, and reflexive approaches to research, education, and professional practice. It is useful for researchers, teachers, postgraduate and PhD students in feminist and intersectionality studies, narrative studies, and pursuing interdisciplinary approaches across the humanities, social sciences, design, and the arts to inspire a theory and method for situated writing.
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| 3. |
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The Posthumanities Hub Webinars and Workshops Spring 2023 : Creative with Concepts
- 2023
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- The Posthumanities Hub round-table workshop On "Creative with concepts"Speakers: Prof. Nanna Verhoeff (Utrecht University), Prof. Iris van der Tuin (Utrecht University), Dr Janna Holmstedt (Sweden’s Historical Museums), Prof. Christina Fredengren (Uppsala University), Prof. Paola Ruiz Moltó (Universitat Jaume) & Prof. Cecilia Åsberg (LiU) with friends.11th May, 2023 on-location workshop at Linköping UniversityEngaging with what concepts can do, we explore in this experimental round-table workshop what happens in the arts and creative humanities when "theory words" (concepts) work across different research practices. We move through a set of concepts, like, "assembling", "cartography", "curation", "dirt", "following", "micrology", "unlearning" and "wonder" (all from Iris van der Tuin & Nanna Verhoeff's (2022) Critical Concepts for the Creative Humanities, see below how to download it!). Such concepts are put to work differently across the invited speakers' various research projects. Come meet artistic research on soil and sustainability; museum ecologies and heritage research on past and future waste sites of the present Antropocene; imaginative teacher education with art, science and tiny, tiny critters, as well as other forms of blue/ environmental/ feminist/ more-than-human and creative humanities.
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| 4. |
- Frödén, Lucy Cathcart
(författare)
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Knotweed : An exploration of borderlands
- 2021
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Ingår i: you are here: the journal of creative geography. - : University of Arizona. - 2833-1362 .- 2833-1370. ; :Bodies & Politics, s. 66-69
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 5. |
- Berríos-Negrón, Luis
(författare)
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Greenhouse Doppelgänger Deposed : An Indexical Prototype about Parastructures, Anarchives, and the Social (Hyperobjective) Pedestal
- 2018
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Ingår i: Architecture in Effect: Volume 1: Rethinking the Social in Architecture. - Barcelona : ACTAR. - 9781940291994
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Greenhouse is an opaque manifold of meanings. The opacity is not just the result of a layering that occurs when considering its many definitions. It is more so the result of the suppressed colonial violence that is implicit in its technological instrumentalization. This mythical violence, of willfully transplanting the exotic, is at the heart of allother compound terms and subsets of ‘greenhouse’. I have been working on how this opacity obscures a range of forces that shape the environment. More specifically, I amexploring how these opaque forces affect, and may be perceived through, the forms and languages of sculptural and spatial production beyond prescribed visual or imagined outcomes. The work you will encounter here is then a probe to test how the violent opacity of greenhouse may be demystified by shaping an index as potential format for dematerialized display.
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| 6. |
- Fredriksson, Cecilia
(författare)
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Beyond Urban Sketching: Ethnographic Drawing as a Visual Analytical Method
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Ingår i: Cultural Analysis. - 1537-7873. ; 21:1, s. 38-55
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Tidskriftsartikel (refereegranskat)abstract
- In this article I have chosen a contemporary phenomenon, urban sketching, as an empirical starting point. Through active participation as an urban sketcher through digital publishing, dialogue and interaction, I analyze my analytical process and urban sketching practice. The aim is to examine ethnographic drawing as a visual cultural analytical method. My contribution is based the connection between urban ideals and innovative, creative environments in a local context. An overall knowledge goal is to develop visual methods and perspectives in the borderland between cultural analysis, artistic research, and new academic formats. Sketching and drawing can be compared to written ethnographic notes made during fieldwork or observation.The relationship between drawing and taking notes can be regarded as a dialogue, an ongoing conversation in which the importance of adopting a new vision is more important than the competence to draw.
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| 7. |
- Posch, Josefina
(författare)
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EP9 Starlight Reserves
- 2023
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Ingår i: Göteborgs Botaniska Trädgård, GIBCA Extended, 2023-08-19.
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- The sculpture EP9 Starlight Reserves was installed in Amerikadammen in Göteborgs Botaniska Trädgård and part of GIBCA Extended 2023. This work is situated in the expanded field of sculpture, where the negotiation with a specific situation plays a central role in material investigations of environmental and sustainability concerns. The shape and title of the sculpture derive from the container of old batteries, "Exposed Pallet 9," which the International Space Station launched into space in 2021 to circulate around the Earth for 2-4 years before entering the Earth's atmosphere and hopefully burn up. [1] Commercial interests, colonization, and tourism led by rich nations and private companies contribute to the increase of space debris. The main inquiry of this research project is how artistic work, through visualization in sculptural form, can draw attention to scientific observations and advocacy in establishing international environmental space law concerning space debris. By using recycled plastic from electronic scrap for the large-scale IRBAM printing of the sculpture, the work highlights the potential for sustainable and ephemeral materials in sculptural production to promote environmental awareness and question the validity of the standard requirement for "permanence" in public sculpture. 3D printing in collaboration with Samuel Johansson and Woodrow Wiest RISE – AM center in Mölndal, Sweden with in-kind funding. Supported by Göteborgs Stad Kultur och Göteborgs Botaniska Trädgård. [1] Mike Wall, “Space station tosses 2.9-ton hunk of space junk overboard. It will stay in orbit for years.”, space.com, accessed January 3, 2024, https://www.space.com/space-station-jettisons-huge-space-junk-pallet
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| 8. |
- Worbin, Linda
(författare)
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Designing dynamic textile patterns
- 2010
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Designing Dynamic Textile Patterns Progress in chemistry, fibres and polymers technology provides textile designers with new expressive materials, making it possible to design dynamic textile patterns, where several different expressions are inherent in the same textile, textiles that, for example, could alternate between a striped and checkered pattern. Textiles are traditionally designed and produced to keep a given, static expression during their life cycle; a striped pattern is supposed to keep its stripes. In the same way textile designers are trained to design for static expressions, where patterns and decorations are meant to last in a specific manner. However, things are changing. The textile designer now deals also with a new raw material, a dynamic textile, ready to be further designed, developed and/or programmed, depending on functional context. This transformation in practice is not an easy one for the designers. Designers need to learn how to design with these new materials and their specific qualities, to be able to develop the full expressional potential inherent in “smart textiles design”. The aim of this thesis is to display, and discuss, a methodology for designing dynamic textile patterns. So far, something that mainly has been seen in different experimental and conceptual prototypes, in artistic expressions and for commercial efforts etc. In terms of basic experimental research this thesis explores the turn in textile design practice through a series of design experiments with focus on contributing to identifying and characterizing new design variables, new design methods and new design techniques as a foundation for dynamic textile patterns.
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| 9. |
- Östersjö, Stefan, et al.
(författare)
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The sounds of Hanoi and the after-image of the homeland
- 2016
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Ingår i: Journal of Sonic Studies. - 2212-6252. ; 12
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Tidskriftsartikel (refereegranskat)abstract
- This paper discusses the soundscape of Hanoi and of the countryside north of Hanoi in the Bac Ninh province with the experience of the two authors as artists in two collaborative projects, Arrival Cities: Hanoi and Que/Homelands. The content is structured in three layers, a conversation between the two authors on their individual experience of the projects, a jointly written text which takes a more distant perspective to the topic and a series of video and audio files taken from the two artistic projects. While the two projects were completely independent, this paper identifies ways in which they complement each other and, taken together, the sound art collected within the projects may have a further political meaning. The authors suggest that the shifting soundscapes of Vietnam are a direct reflection of social and political change in the country.
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| 10. |
- Balgi, Sourabh, 1991-, et al.
(författare)
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Deep Learning With DAGs
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Annan publikation (övrigt vetenskapligt/konstnärligt)abstract
- Social science theories often postulate causal relationships among a set of variables or events. Although directed acyclic graphs (DAGs) are increasingly used to represent these theories, their full potential has not yet been realized in practice. As non-parametric causal models, DAGs require no assumptions about the functional form of the hypothesized relationships. Nevertheless, to simplify the task of empirical evaluation, researchers tend to invoke such assumptions anyway, even though they are typically arbitrary and do not reflect any theoretical content or prior knowledge. Moreover, functional form assumptions can engender bias, whenever they fail to accurately capture the complexity of the causal system under investigation. In this article, we introduce causal-graphical normalizing flows (cGNFs), a novel approach to causal inference that leverages deep neural networks to empirically evaluate theories represented as DAGs. Unlike conventional approaches, cGNFs model the full joint distribution of the data according to a DAG supplied by the analyst, without relying on stringent assumptions about functional form. In this way, the method allows for flexible, semi-parametric estimation of any causal estimand that can be identified from the DAG, including total effects, conditional effects, direct and indirect effects, and path-specific effects. We illustrate the method with a reanalysis of Blau and Duncan’s (1967) model of status attainment and Zhou’s (2019) model of conditional versus controlled mobility. To facilitate adoption, we provide open-source software together with a series of online tutorials for implementing cGNFs. The article concludes with a discussion of current limitations and directions for future development.
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