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Sökning: hsv:(SAMHÄLLSVETENSKAP) hsv:(Medie och kommunikationsvetenskap) > Kungliga Tekniska Högskolan

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1.
  • Cano-Viktorsson, Carlos, 1977- (författare)
  • From Vision to Transition : Exploring the Potential for Public Information Services to Facilitate Sustainable Urban Transport
  • 2014
  • Licentiatavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • Background: Policy initiatives to promote sustainable travel through the use of Internet based public information systems have increased during the last decade. Stockholm, in being one of the first cities in Europe to implement an Internet based service for facilitating sustainable travel is believed to be a good candidate for an analysis of key issues for developing sustainable travel planning services to the public.Aim: This thesis investigates the past development of two Stockholm based public information systems and their services in order to draw lessons on how to better provide for a public information service geared towards facilitating  environmentally sustainable travel planning through information and communications technology. The overall goal of the thesis is to contribute to an understanding on how to better design and manage current and future attempts at facilitating sustainable travel planning services based on historical case studies.Approach: The thesis draws ideas from the concept of organizational responsiveness – an organization’s ability to listen, understand and respond to demands put to it by its internal and external stakeholders – in order to depict how well or not the two public information systems and their owners have adapted to established norms and values of their surroundings.Results: Overall, the findings from the historical case studies suggest that organizations attempting to provide sustainable travel planning to the public need to design and manage their systems in such a way that it responds to shifting demands on how to provide for information. Implementing and embedding new technologies involves complex processes of change both at the micro level – for users and practitioners of the service – and at the meso level for the involved public service organizations themselves. This condition requires a contextualist framework to analyze and understand organizational, contextual and cultural issues involved in the adoption of new technologies and procedures.Conclusions: The thesis concludes with a discussion on how the findings from the historical case studies may provide lessons for both current and future attempts at providing public information systems geared towards facilitating environmentally sustainable travel planning to the public. Historical examples and issues concerning collective intelligence and peer to peer based forms of designing, producing and supervising public information services identified throughout the study are looked upon and discussed in terms of their possible role in increasing the potential for public information services to facilitate sustainable urban transport.
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2.
  • Skågeby, Jörgen, 1972-, et al. (författare)
  • What is Feminist Media Archaeology?
  • 2018
  • Ingår i: Communication +1. - Amherst, MA, United States : University of Massachusetts Amherst. - 2380-6109. ; 7:1
  • Tidskriftsartikel (refereegranskat)abstract
    • In a fairly recent blog post, Jussi Parikka discusses how media archaeology can be criticized for being a “boy’s club”. In the introduction of this text, he writes: One of the set critiques of media archaeology is that it is a boys' club. That is a correct evaluation in so many ways when one has a look at the topics as well as authors of the circle of writers broadly understood part of 'media archaeology'. I make the same argument for instance in What is Media Archaeology?, but there is also something else that we need to attend to.

There is however a danger that the critique also neglects the multiplicity inherent in the approach. For sure, there are critical points to be made in so many aspects of Kittler's and others' theoretical work, but at the same time it feels unfair to neglect the various female authors and artists at the core of the field. In other words, the critique often turns a blind eye to the women who are actively involved in media archaeology. Let's not write them out too easily. Parikka then goes on to briefly introduce several female researchers and artists who are active in the media archaeological field. These are women who are, in different ways, doing media archaeology. This is of course an important issue – skewed representations or lopsided citation practices are never good – and the contributions of these researchers are significant and important. However, we could also argue that there is an important difference between the body of work being done by women and, what we may call, feminist media archaeology. There can, of course, be overlaps between these two ways of representing feminist interests in media archaeology, but for feminist theorizing and practising to truly have an impact, we have to ask ourselves what is feminist media archaeology? By looking for empirical gaps and putting questions of, for example, design, power, infrastructure and benefit, to the fore we can shine a different light on the material-discursive genealogy of digital culture, still very much in the vein of media archaeological endeavors. What we suggest is quite simple – a transdisciplinary approach which emphasizes “the unity of intellectual frameworks beyond the disciplinary perspectives [which] points toward our potential to think in terms of frameworks, concepts, techniques, and vocabulary that we have not yet imagined”. As such, we want to take an exploratory tactic to the question posed in the title of this paper. We do not intend to provide a single nor definite answer – rather we want to think with media archaeology and feminism together, seeking to raise other questions in order to find dynamic parallels and crosscurrents.
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4.
  • Christensen, Miyase, et al. (författare)
  • Complicit surveillance, interveillance, and the question of cosmopolitanism : Toward a phenomenological understanding of mediatization
  • 2015
  • Ingår i: New Media and Society. - : SAGE Publications. - 1461-4448 .- 1461-7315. ; 17:9, s. 1473-1491
  • Tidskriftsartikel (refereegranskat)abstract
    • The institutional and meta-processual dimensions of surveillance have been scrutinized extensively in literature. In these accounts, the subjective, individual level has often been invoked in relation to subject-object, surveillor-surveilled dualities and in terms of the kinds of subjectivity modern and late-modern institutions engender. The experiential, ontological realm of the mediatized everyday vis-a-vis surveillance remains less explored, particularly from the phenomenological perspective of the lifeworld. Academic discourses of surveillance mostly address rhetorically oriented macro-perspectives. The same diagnosis largely applies to the debates on the cosmopolitanization process. The literature of cosmopolitanism revolves around broad cultural and ethical transformations in terms of the relationship between Self and Other, individual and humanity, and the local and the universal. Our aim in this article is to conceptualize the dynamics that yield a cosmopolitan Self and an encapsulated Self under conditions of increasingly interactive and ubiquitous forms of mediation and surveillance.
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5.
  • Christensen, Miyase, et al. (författare)
  • Global Climate Talks from Failure to Cooperation and Hope : Swedish News Framings of COP15 and COP21
  • 2017
  • Ingår i: Environmental Communication. - : Routledge. - 1752-4032 .- 1752-4040. ; 11:5, s. 682-699
  • Tidskriftsartikel (refereegranskat)abstract
    • The purpose of this study is to offer an analysis of how two UN Conferences of Parties, COP15 in Copenhagen 2009 and COP21 in Paris 2015, were covered and debated in Swedish newspapers. Two national and two regional newspapers were selected for the study, and a qualitative frame analysis was conducted on 309 articles. A typology of frames applicable to science-related policy and climate change debates was used and its relevance for global climate summit context was discussed. Having territory in the Arctic region, indigenous populations affected by climate change measures, and political and public sensitivity to environmental issues, the climate debate has particular significance in the Swedish case. Findings indicate a trust in the role of national and supra-national governance to address climate change problems, but also that newspapers in Sweden maintained a focus on the global aspects of the two meetings, rather than framing them as surrogate battlefields for domestic politics.
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6.
  • Christensen, Miyase, et al. (författare)
  • Media, Communication, and the Environment in Precarious Times
  • 2018
  • Ingår i: Journal of Communication. - : Oxford University Press. - 0021-9916 .- 1460-2466. ; 68:2, s. 267-277
  • Tidskriftsartikel (refereegranskat)abstract
    • The seminal 1983 "Ferments in the Field" collection made limited reference to environmental issues and concerns. Considering communication media and technological artifacts as both nature and culture and, more specifically, through defining media as both infrastructural environments and content, we discuss how challenges brought about by environmental change can inform contemporary media and communication research and environmental communication. The materiality of e-waste, which has resonance for cultural, political, economic, and geographic analyses, is used as an illuminating case in point. We link the implications ensuing from the e-waste issue with the roles mediation and communication of environmental narratives play, and how they can be informed by such "medianatures," as well as geopolitical considerations.
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7.
  • Gullström, Charlie (författare)
  • Presence Design : Mediated Spaces Extending Architecture
  • 2010
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • This thesis is a contribution to design-led research and addresses a readership in the fields of architecture as well as in media and communications. In juxtaposing the tools of the designer (e.g. drafting, prototyping, visual/textual/spatial forms of montage) with those of architectural theory, this thesis seeks to extend the disciplinary boundaries of architecture by observing its assimilation of other media practices. Its primary contribution is to architectural design and theory, and its aims are twofold: Firstly, this thesis applies the concepts of virtual and mediated space to architecture, proposing an extended architectural practice that assimilates the concept of remote presence. Through realized design examples as well as through the history and theory of related concepts, the thesis explores what designing mediated spaces and designing for presence entails for the practicing architect. As a fusion of architecture and media technology, video-mediated spaces facilitate collaborative practices across spatial extensions while simultaneously fostering novel and environmentally sustainable modes of communication. The impact of presence design on workplace design is examined. As an extended practice also calls for an extended discourse, a preliminary conceptual toolbox is proposed. Concepts are adapted from related visual practices and tested on design prototypes, which arise from the author’s extensive experience in designing work and learning spaces. Secondly, this thesis outlines presence design as a transdisciplinary aesthetic practice and discusses the potential contribution of architects to a currently heterogeneous research field, which spans media space research, cognitive science, (tele)presence research, interaction design, ubiquitous computing, second-order cybernetics, and computer-supported collaborative work. In spite of such diversity, design and artistic practices are insufficiently represented in the field. This thesis argues that presence research and its discourse is characterised by sharp disciplinary boundaries and thereby identifies a conceptual gap: presence research typically fails to integrate aesthetic concepts that can be drawn from architecture and related visual practices. It is an important purpose of this thesis to synthesize such concepts into a coherent discourse. Finally, the thesis argues that remote presence through the proposed synthesis of architectural and technical design creates a significantly expanded potential for knowledge sharing across time and space, with potential to expand the practice and theory of architecture itself. The author’s design-led research shows that mediated spaces can provide sufficient audiovisual information about the remote space(s) and other person(s), allowing the subtleties of nonverbal communication to inform the interaction. Further, in designing for presence, certain spatial features have an effect on the user’s ability to experience a mediated spatial extension, which in turn, facilitates mediated presence. These spatial features play an important role in the process through which trust is negotiated, and hence has an impact on knowledge sharing. Mediated presence cannot be ensured by design, but by acknowledging the role of spatial design in mediated spaces, the presence designer can monitor and, in effect, seek to reduce the ‘friction’ that otherwise may inhibit the experience of mediated presence. The notion of ‘friction’ is borrowed from a context of knowledge sharing in collaborative work practices. My expanded use of the term ‘design friction’ is used to identify spatial design features which, unaddressed, may be said to impose friction and thus inhibit and impact negatively on the experience of presence. A conceptual tool-box for presence design is proposed, consisting of the following design concepts: mediated gaze, spatial montage, active spectatorship, mutual gaze, shared mediated space, offscreen space, lateral and peripheral awareness, framing and transparency. With their origins in related visual practices these emerge from the evolution of the concept of presence across a range of visual cultures, illuminating the centrality of presence design in design practice, be it in the construction of virtual pictorial space in Renaissance art or the generative design experiments of prototypical presence designers, such as Cedric Price, Gordon Pask and numerous researchers at MIT Media Lab, Stanford Institute and Xerox PARC.
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8.
  • Okwir, Simon, et al. (författare)
  • Viewpoint : Reflections on Neil Postman's "Amusing Ourselves to Death: Public Discourse in the Age of Show Business" (1985) in the context of today's digital social media platforms
  • 2022
  • Ingår i: Journal of Applied Economics and Business Research. - : JOURNAL APPLIED ECONOMICS & BUSINESS RESEARCH. - 1927-033X. ; 12:2, s. 71-79
  • Tidskriftsartikel (refereegranskat)abstract
    • Recently, fingers have been pointed towards the impacts of social media platforms' algorithms. Although billed as transformative and democratic, most social media platforms are often in the headlines for disseminating "conspiracy theories " and "fake news ". However, the debate on new technology is not new. This viewpoint puts the current debate on social platforms in the context of the historical debate. In it, we firstly provide a comprehensive review of a seminal book by Neil Postman (1985), Amusing Ourselves to Death: Public Discourse in the Age of Show Business. Although published decades ago before the introduction of today's social media platforms, the book is today a topic du jour. Secondly, we put the analysis from the review in the context of today's social media proliferations. The originality of this review is that it describes the impact of consuming technology without questioning it and that what we are witnessing is a shift from word-centered typography to image-centered social media. Postman calls this era "the age of exposition ", which gradually intoxicates academia and political discourses, thereby losing seriousness, clarity and value within public discourse.
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9.
  • Skågeby, Jörgen, 1972-, et al. (författare)
  • Positive resistance and the queering of digital media theory : on course dis/contents and classroom spaces
  • 2013
  • Ingår i: Media Fields Journal - Critical Explorations in Media and Space. - Santa Barbara : University of California. - 2159-7553. ; :7, s. 1-13
  • Tidskriftsartikel (refereegranskat)abstract
    • This essay considers the entangled nature of classroom spaces and mediated course content. The authors rework an example course on digital media theory by applying three queer tactics in order to make room for diversity. These tactics are disidentification, crisis and failure. Their application provided the original course content with a number of resonating queer themes, including temporality, virality, anarchives, glitch, heterodoxy, and agency for change. The final theme (agency for change) is expanded upon by resignifying resistance as something positive to be developed in the classroom space. Positive resistance includes an acknowledgement of oppression in both theory and practice as well as an appeal to values such as fairness, social justice and ethical accountability in critical analyses of media. The essay also introduces some unconventional genres of writing that can support the queering of digital media theory, namely: anti-thesis; media-archaeology; interaction criticism; media failure; and manifesto.
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10.
  • Cano-Viktorsson, Carlos, 1977- (författare)
  • From Maps to Apps : Tracing the Organizational Responsiveness of an Early Multi-Modal Travel Planning Service
  • 2015
  • Ingår i: The Journal of urban technology. - London : Taylor & Francis. - 1063-0732 .- 1466-1853. ; 22:4, s. 87-101
  • Tidskriftsartikel (refereegranskat)abstract
    • An Internet-based system for informing on multimodal travel planning (several modes of transportation) was introduced in Stockholm, Sweden in October 2000 in the form of a web page called trafiken.nu. The web page has a historical value of being one of the first attempts in Europe, and possibly the world, at providing an ICT-based travel planning service geared towards facilitating sustainable travel to the general public. The aim of this article is to investigate the historical development of trafiken.nu in order to draw lessons on how to better provide for a public information service with a potential for facilitating sustainable travel planning. Findings from the study of trafiken.nu suggest that the organizations behind the service have been slow in adapting to shifting media technology practices on how to provide for information which has affected the uptake of the service. Lessons from the case study provide a basis for arguing that organizations attempting to implement public information services would benefit from finding a means of harnessing collective intelligence in order to provide for a more customizable and responsive service to the general public.
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