| 1. |
- Avango, Dag, 1965-, et al.
(författare)
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Inledning
- 2012
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Ingår i: Bebyggelseshistorisk tidskrift. - 0349-2834. ; :63
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Tidskriftsartikel (populärvet., debatt m.m.)
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| 2. |
- Burström, Mats, 1962-, et al.
(författare)
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World Crisis in Ruin: The Archaeology of the Former Soviet Nuclear Missile Sites in Cuba
- 2011
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Bok (övrigt vetenskapligt)abstract
- The 1962 Missile Crisis is a well-known episode of the Cold War and twentieth-century history. It is documented in a wide variety of sources, and it has been the subject of extensive historical research. But what remains today of the missile sites that once were a focus of world interest? What does a World Crisis in ruin look like? In order to find new ways of looking at the Crisis we conducted archaeological fieldwork, looking for memories in the ground as well as in people's minds. The pictorial results of our efforts are presented in this book.
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| 3. |
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| 4. |
- Eriksson, Niklas, 1976-, et al.
(författare)
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Svärdet : marin slagfältsarkeologi
- 2012
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Ingår i: Marinarkeologisk tidskrift. - 1100-9632. ; 35:1, s. 4-7
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Tidskriftsartikel (övrigt vetenskapligt)
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| 5. |
- Meissner, Katja, et al.
(författare)
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Pilotprojekt ”Dendro-databas” i SEAD
- 2012
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Rapport (övrigt vetenskapligt)abstract
- Pilotprojektet ”Dendro-databas” är ett samarbetsprojekt mellan det Nationella laboratoriet för vedanatomi och dendrokronologi vid Lunds universitet och SEAD-projektet vid Miljöarkeo-4logiska laboratoriet, Umeå universitet. Tillsammans arbetar man med utvecklingen av en da-tabas för dendrokronologiska data som kommer att hanteras och förmedlas via SEAD:s data-basverktyg. I detta arbete ingår både systemutveckling för att anpassa SEAD:s struktur för nya datamängder och inmatning av omfattande testdataserier.
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| 6. |
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| 7. |
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| 8. |
- Avango, Dag, 1965-
(författare)
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Heritage in Action : Industrial heritage in sovereignty conflicts
- 2012
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Konferensbidrag (refereegranskat)abstract
- The objective of this paper is to analyze the role of cultural heritage in international disputes over polar areas, through the lens of heritage sites in the Arctic and Antarctic.Over the last centuries, entrepreneurs and states have competed for control over territories and resources in the Arctic and Antarctic. Previous research has analyzed this struggle on different arenas – in diplomacy and in the Polar landscapes, where scientific research and resource utilization has served as bases for claims to political influence or exclusive extraction rights. Less is known about the role of the historical remains of these activities, in current sovereignty controversies in the Arctic and Antarctic. What is the role of heritage sites in the competition for influence and resources in the Polar Regions?The paper analyzes industrial heritage sites in two contested areas in the Polar Regions – the Antarctic Peninsula and South Georgia in the Antarctic, and Svalbard in the Arctic – sites remaining from large scale whaling and mining in the 20th century. The analysis is based on extensive industrial archaeological field research conducted in the Arctic and Antarctic within the framework of the International Polar Year project LASHIPA (Large Scale Historical Exploitation of Polar Areas).The cases analyzed shows that industry heritage sites have been used in the struggle between the main competitors for sovereignty in those regions, through practical re-use, by narration and through heritage management. The results show that industrial heritage sites in the Polar Regions can play a significant role in competitions for political influence and resources there. By enrolling the heritage sites into actor networks, competing stakeholders populate sparsely populated places with allied actors and actants. In these networks, the heritage sites can play different roles, defending national prestige, attracting tourists, creating a sense connectedness to distant polar places, as well as legitimizing claims for influence over territories and natural resources.
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| 9. |
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| 10. |
- Westin, Jonathan, 2009-
(författare)
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Negotiating 'Culture', Assembling a Past: the Visual, the Non-Visual and the Voice of the Silent Actant
- 2012
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Doktorsavhandling (övrigt vetenskapligt)abstract
- The aim of this thesis is to describe and analyse the processes surrounding the creation of a scientific visual representation, where, both in the practical creation of this visualisation and in the way it is communicated, those actants which amount to what we call ‘culture’ or cultural value, are enrolled or ignored. Trying to answer if a broader set of non-visual cultural properties can be identified and their influence described, and if history can be visualised without displacing our knowledge of the past in favour of a popular representation thereof, I trace the interaction between client, artist, technology and target audience. Although the audience is not permitted to take part in the meetings and walk the floors of the studios, and thus seem to remain silent, I argue nonetheless that their voices are heard during the assembling of a visual representation. Furthermore, offering the audience a tool is not enough to entice them to form their own ideas and exercise influence: although often presented as a visitor-empowering pedagogic technique which invites different interpretations of the material at display, the interactive technology offered by museums and educators is a tool of conformity which disciplines the audience and must therefore be treated as such. An object is not an entity which can be separated into artefact and context, but a hybrid made up of associations spread over both space and time. To describe this, and capture how visual representations can represent ‘culture’, I have developed an analytical vocabulary where the absolute limitations of an artefact or phenomenon is the point of departure. As the vocabulary of limitations demonstrates, limitations constitute the borders of an expression and permit an explanation of how associated actants are shaped by these borders into what we have come to refer to as ‘culture’.
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