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  • Burström, Mats, 1962-, et al. (författare)
  • Memories of a world crisis: The archaeology of a former Soviet nuclear missile site in Cuba
  • 2009
  • Ingår i: Journal of Social Archaeology. - 1469-605. ; 9:3, s. 295-318
  • Tidskriftsartikel (refereegranskat)abstract
    • Santa Cruz de los Pinos is a small town like most others in the Cuban countryside. But half a century ago it was the epicenter of the 1962 Missile Crisis. During that time it served as a Soviet base for middle-range nuclear missiles, and the US air reconnaissance photos of it were spread through media all around the world. The crisis was solved through negotiations without Cuban involvement, and as a result of this neglect the Missile Crisis has been an under-communicated part of history in Cuba. A Swedish-Cuban research project has now investigated what kinds of memories of the crisis remain today at the former missile base – in the ground as well as in people’s minds. Digging in the ground has proved to be an effective way to start a remembering process and to help disarm a politically loaded history and uncover other stories than those dominating ‘big history’.
  • Burström, Mats, 1962-, et al. (författare)
  • World Crisis in Ruin: The Archaeology of the Former Soviet Nuclear Missile Sites in Cuba
  • 2011
  • Bok (övrigt vetenskapligt)abstract
    • The 1962 Missile Crisis is a well-known episode of the Cold War and twentieth-century history. It is documented in a wide variety of sources, and it has been the subject of extensive historical research. But what remains today of the missile sites that once were a focus of world interest? What does a World Crisis in ruin look like? In order to find new ways of looking at the Crisis we conducted archaeological fieldwork, looking for memories in the ground as well as in people's minds. The pictorial results of our efforts are presented in this book.
  • Eklöf, Motzi, 1958- (författare)
  • Läkarens Ethos
  • 2000
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • Doctors, academically educated and authorized, assert that there is more to being a real doctor than having fulfilled the formal criteria. It has been said that there is a particular doctor's ethos, which is based not only on thorough medical education but also on traditional know-how, internalized ethics and good character. This paper contains several studies of the efforts of Swedish physicians to define themselves as doctors, individually and collectively, during the period 1890-1960 and to identify the ethos of their profession. The empirical material consists mainly of texts written by doctors for doctors on different social and political questions pertaining to the profession's interests. Studying the identities, interests and ideals that have been expressed by Swedish doctors in society and on the professional and individual level made it possible to distinguish and describe different aspects of their particular ethos.The starting point for these studies was the discussions during the inter-war period – held above all in Germany but also in Sweden – about the crisis of medicine and of the medical profession (chapter 1). Developments in legislation concerning the authorization of doctors show the ambiguity of the Swedish doctor's legal identity (chapter 2). The Swedish medical profession's efforts to hold on to the concept of internalized ethics meant that formal ethical rules were not accepted until 1951 (chapter 3). A study of medical obituaries revealed that the ideal doctor was seen as a man and a good colleague with his ethics rooted in antiquity (chapter 4). The heterogeneous medical profession has not been able to reach a consensus as to a common identity or common interests and ideals. The efforts of leading men amongst Swedish doctors gain charismatic, traditional and legal legitimacy for the profession have been opposed. After 1960, however, doctor's legitimacy in the scientific field has gained ground (chapter 5). Debate concerning the ethos of the doctors served as a strategy to unite the profession and to draw boundaries against those considered to be unqualified actors in the field of the healing arts. This, in itself, is part of this ethos.
  • Nielsen, Laila, 1965- (författare)
  • Unfree to Develop
  • 2002
  • Doktorsavhandling (övrigt vetenskapligt)
  • Westin, Jonathan, 1980- (författare)
  • Negotiating 'Culture', Assembling a Past: the Visual, the Non-Visual and the Voice of the Silent Actant
  • 2012
  • Doktorsavhandling (övrigt vetenskapligt)abstract
    • The aim of this thesis is to describe and analyse the processes surrounding the creation of a scientific visual representation, where, both in the practical creation of this visualisation and in the way it is communicated, those actants which amount to what we call ‘culture’ or cultural value, are enrolled or ignored. Trying to answer if a broader set of non-visual cultural properties can be identified and their influence described, and if history can be visualised without displacing our knowledge of the past in favour of a popular representation thereof, I trace the interaction between client, artist, technology and target audience. Although the audience is not permitted to take part in the meetings and walk the floors of the studios, and thus seem to remain silent, I argue nonetheless that their voices are heard during the assembling of a visual representation. Furthermore, offering the audience a tool is not enough to entice them to form their own ideas and exercise influence: although often presented as a visitor-empowering pedagogic technique which invites different interpretations of the material at display, the interactive technology offered by museums and educators is a tool of conformity which disciplines the audience and must therefore be treated as such. An object is not an entity which can be separated into artefact and context, but a hybrid made up of associations spread over both space and time. To describe this, and capture how visual representations can represent ‘culture’, I have developed an analytical vocabulary where the absolute limitations of an artefact or phenomenon is the point of departure. As the vocabulary of limitations demonstrates, limitations constitute the borders of an expression and permit an explanation of how associated actants are shaped by these borders into what we have come to refer to as ‘culture’.
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