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- Bowman, Jason E., 1967
(författare)
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Speaking Mandy
- 2014
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Ingår i: European Artistic Research Network Conference: Thinking on Stage, May 2 2014, National College of Art and Design, Dublin, EIRE.
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- I will present at the very beginning of a research process, towards the making of a new art work through which I aim to interrogate the heritage of the phonocentric Oralist tradition in the education of Deaf people. I seek to ‘read’ and deconstruct Alexander McKendrick’s film, Mandy (1952) through a co-participatory process - with Deaf people educated through Oralism and of the same generation as the child protagonist in the film - to question the advocacy of entry into the symbolic via the ‘spoken’ and ‘speech-identification’ and its relations to psychoanalytic and inter-subjective, spectator-focused film theory. Through mimetic and performative processes inherent to Oralism (such as speech-reading, lip-reading, ventriloquism, echo-practice, dubbing and lip-synchronisation) I aim to adapt Mandy - itself an adaptation of Hilda Lewis’ novel, 'The Day is Ours' (1947) – in ways that reveal the psychoanalytic dynamics of shame at play in Oralism’s delineation of Deafness as a culture and its adherence to Deafness as a disability.
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| 3. |
- Slavik, Andrej, 1981
(författare)
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Tea and opium: variations
- 2013
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Ingår i: Farhad Kalantary. A new beginning. - 9788299838511 ; , s. 27-44
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Bokkapitel (övrigt vetenskapligt/konstnärligt)
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| 4. |
- Israel, Lena, 1949
(författare)
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Vilnapartituren - en existentiell resa i tid, rum, kropp och minne : Vilna, min älskade
- 2010
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Konstnärligt arbete (övrigt vetenskapligt/konstnärligt)abstract
- Föreliggande arbete är ett konstnärligt utvecklingsprojekt vid Konstnärlig Fakultet, Göteborgs universitet och består av en poetisk dokumentärfilm "Vilna, min älskade!" samt en tillhörande forskningstext "Vilnapartituren - en existentiell resa i tid, rum, kropp, och minne".
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| 5. |
- Audissino, Emilio, Senior Lecturer, 1981-
(författare)
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John Williams, The Boston Pops Orchestra and Film Music in Concert
- 2012
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Ingår i: <em>Cinema, critique des images</em>. - Udine : Campanotto. - 9788845612886 ; , s. 230-235
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Konferensbidrag (övrigt vetenskapligt/konstnärligt)abstract
- The Boston Pops is a world-class orchestra playing “non-high Art music” in one of the most prestigious concert venues in the world: Symphony Hall in Boston. The first in its genre, with an impressive array of best-selling recordings, tours, and nation-wide radio and TV broadcasts, the Boston Pops has always been at the forefront of American music and has, over the years, achieved huge popularity. In 1980, famed Hollywood composer John Williams was named to succeed the late Fiedler. While several film composers had conducted film music concerts before, this was the very first case of a Hollywood composer appointed leader of such an important musical institution. During his fourteen-year tenure, Williams seized the opportunity to erode the “iron curtain” that segregated “applied” film music from “absolute” concert music.
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Contemporary Feminist Studies and its Relation to Art History and Visual Studies: Proceedings from a Conference in Gothenburg, March 28-29, 2007
- 2010
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Samlingsverk (redaktörskap) (övrigt vetenskapligt/konstnärligt)abstract
- The aim of this conference was to discuss and to elucidate the effects of the last thirtyfive years of feminist studies within art history and visual studies. Since Linda Nochlin published the essay "Why Have There Been No Great Women Artists?" considerable research has been made and published. But is the gender perspective included in contemporary research and teaching? Or is it still marginalized? Except for the feminist perspective, gender and queer theories and ethnicity will be discussed in relation to contemporary research in art history and visual studies, and adjacent disciplines.
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- Skånberg Dahlstedt, Ami, 1967
(författare)
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Paradigms of Movement Composition
- 2014
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Ingår i: The International Journal of Screendance 4. - : The Ohio State University Libraries. - 2154-6878. ; 4, s. 130-146
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Tidskriftsartikel (refereegranskat)abstract
- This essay was developed with support from ke∂ja Writing Movement (www.writingmovement.com). It describes, from a dance practitioner’s point of view, different paradigms within which the dance filmmaker may operate. These paradigms form a progression of the integration of dance and film as well as the established structure of filmmaking, and address how screendance changed the discourses surrounding film. Three paradigms are discussed and contextualized, based on an analysis of works from the standard repertoire and by the author herself: 1. The filmmaking dancer/choreographer: encountering a new medium in search of permanence, new aesthetics, and documentation, mediating the conservative infrastructures of film and television; 2. Choreographing with and for the camera: using acquired film-making skills, investigating new modes of expression based on nonlinear treatment of movement, viewpoints, and sequences; 3. Choreographing non-bodies through film: creating dance from abstract motion, expanding the scope of both dance and film.
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| 8. |
- Audissino, Emilio, Senior Lecturer, 1981-
(författare)
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Hollywood Film Music and Ethnic Diversity
- 2013
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Ingår i: Multicultural America. - Thousand Oaks : Sage Publications. - 9781452216836 - 9781452276274 ; , s. 1101-1103
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Bokkapitel (övrigt vetenskapligt/konstnärligt)abstract
- Throughout its history, Hollywood film music has had a number of influences from various ethnic groups. It moved from the abstract musical universalism of the classical period to the cosmopolitan eclecticism of the present day. This encyclopedia entry surveys how film music has representated and portrayed ethnicity throughout its history.
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- Snæbjørnsdóttir, Bryndis, 1955, et al.
(författare)
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between you and me
- 2011
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Ingår i: Animal Influence, Interactive Futures ' 11, 17th to 19th November 2011, Vancouver, Canada.
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Konferensbidrag (refereegranskat)abstract
- between you and me This presentation focuses on the exhibition by Snæbjörnsdóttir/Wilson, entitled “between you and me”. The project centres on the representations and intrinsic value of things and calls into question the myriad bases upon which we construct such representations. Snæbjörnsdóttir/Wilson have for some time in their work examined specific relationships between human and non-human animals – in “nanoq: flat out and bluesome” the polar bear, in “Big Mouth” the Tasmanian Tiger, in “(a)fly” urban pets etc. “between you and me” examines a contemporary set of relationships between humans and seals, with its particular focus on the coastal areas of Iceland where humans and seals, with its particular focus on the coastal areas of Iceland where interaction of one sort or another has been customary for many centuries. In the Kalmar Art Museum, the installation was interspersed throughout the entire building – on the ground floor, the library, the upper stairwell and the main gallery on the top floor. In this upper space, the artists placed their key video work, “the naming of things”, in direct dialogue with selected works from the collection at Kalmar including drawings, prints, paintings, photographs and textiles, all of which in one way or another represent animals. Our colonization of the building in this way, its implications for the audience, together with our staging of a public seminar event held during the exhibition are all discussed during this presentation. In addition, short video extracts will be screened. Because most representations are constructed to perform some agenda of our own – in the case of animals, to entertain, to inform, to provide food, to remember, to stand for all others of the species, to symbolize human behavioural characteristics etc – in this process, the animal itself is occluded – eclipsed by its avatar or likeness, which is always a simplification and therefore must accordingly signify a loss. Snæbjörnsdóttir/Wilson’s work challenges the anthropocentric systems of convenience that sanction a daily acceptance of such loss and in an attempt to address such historical and contemporary imbalance, posits the alternative idea of “parities in meeting”.
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| 10. |
- Snæbjørnsdóttir, Bryndis, 1955, et al.
(författare)
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Vanishing Point: Where Species Meet
- 2011
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Ingår i: Animal Gaze 2011, 27th-28th of October 2011, the Metropolitan University London..
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Konferensbidrag (refereegranskat)abstract
- Abstract: Vanishing Point: Where Species Meet Vanishing Point: Where Species Meet is the title of Snæbjörnsdóttir/Wilson’s most recent artwork, which was part of the Gothenburg Biennial 2011. The title, which references Donna Haraway’s book When Species Meet, pinpoints significant ambiguities in meetings between human and animal. The focus of this artwork is the attempt by the artist to share a meal with members of another species, namely seagulls, on camera. The three-screen video work sets out the conditions for a meeting but does not fetishize or document the act of species coming together. The talk will explore the thinking behind this artwork and the processes of its making. It will question the ambition of recording an equal meeting between human and animal, at least on camera and in the context of contemporary art, whilst avoiding either being sensationalist or prompting readings of domestication. It proposes that despite the impossibility of a visual exposition of this meeting, a meeting has nevertheless occurred which as a consequence, provides the basis for considering the nature and the possibilities of such a connection.
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