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1.
  • Egeland, Helene, 1973- (författare)
  • Det ekte, det gode og det coole : Södra teatern og den dialogiske formasjonen av mangfoldsdiskursen
  • 2007
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • The thesis analyses the continuously changing discourse of cultural diversity. The focus of this study is the ways in which this discourse is shaped within contemporary Swedish cultural politics in general, and how it unfolds and further changes through the specific activities performed by a cultural institution in Stockholm – Södra teatern.Where as the cultural diversity inspired cultural politics seems to be caught in the tension between defending the autonomous position of culture in society and arguing for the supposed positive integrative consequences of such a perspective the Södra teatern mirrors a similar complexity in their ways of performing cultural diversity. This complexity is expressed through the three aspects of cultural diversity the thesis analyses – the real, the good and the cool cultural diversity. Each of the three aspects expresses a search for authenticity as well as a resistance towards the very same notion; a belief in the enlightenment of knowledge at the same time as the content of the very same knowledge is questioned; and finally that ethnic differences some times is enforced through utterances that stresses tradition where as the supposed hybrid forms in other situations is celebrated.The three aspects of cultural diversity analysed here all express how cultural diversity works as a hyper complex concept within cultural policy where no single possible meaning erases other potential meanings. On the contrary: different and even contradictory meanings of the concept exist side by side. Thus the thesis argues that the discourse of cultural diversity expresses a hyper complex problem.
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2.
  • Elgvin, Lilly-Anne Østtveit, 1954- (författare)
  • Lars Levi Læstadius' spiritualitet
  • 2010
  • Doktorsavhandling (övrigt vetenskapligt/konstnärligt)abstract
    • The purpose of this study has been to be able to discern the core characteristics of the spirituality of Lars Levi Læstadius (1800-1861), minister of the Church of Sweden and originator of a large revival movement that carries his name. His spirituality is analysed as reflected in his mostly Finnish language sermons, out of which 466 are preserved. It is maintained that an adequate interpretation of the sermons can only be achieved through an understanding of their linguistic and rhetorical style and their principles of biblical exegesis. Accordingly, the initial focus of the study is on these three aspects, after which follows an analysis of the content. The very first chapter, however, investigates the biographical background of Læstadius’ spirituality, in particular the character of his spiritual breakthrough in 1844. The study shows that Sámi oral culture, in which Læstadius was deeply rooted, is an important factor behind the style and principals of exegesis in his sermons. The sermons are metaphorical and narrative to a large degree. The rhetoric is oriented towards “the spiritual heart” and addresses the emotional life more than the intellectual life. The principals of exegesis have their closest parallel in patristic times, not in the 1800-s. A typological interpretation of the Bible based on a mimetic strategy of reading is dominant. The study shows that the imagery of the sermons constitutes a cohesive ‘metaphorical universe’. The imagery is organised in ‘constellations of interplay’ in which the Christ figure of the gospels or a metaphor for God, and metaphorical role models for the listeners are depicted. Hermeneutical methods are employed in combination with statistical analysis to determine what constellations are central and how they are used. The four most central constellations are analyzed in detail; they are “the Saviour”, “the Heavenly Parent”, “the Shepherd” and “the Light”, designated according to their name for the triune God. However, “The Heavenly Parent” is Læstadius’ most frequent metaphor for God, and the image of God from which it springs determines his theology and spirituality. ‘Reconciliation’ with ones “Heavenly Parent” is his key concern, and this requires a humble attitude. The study shows that humility is the basic common quality of his prime role models, which means that this quality stands out as the most important ideal of his spirituality. The constellations of interplay show that a mystical experience of reconciliation and of being in God’s presence is Læstadius’ highest aim for his listeners, and thus a prominent characteristic of his spirituality. As a whole, the study shows that Sámi culture was more important for Læstadius’ spirituality than has hitherto been acknowledged, and that the imagery of his sermons is not a poetic or sentimental expression, but one in which both biblical theology and mystical experience are involved.  
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3.
  • Holm, Olof, 1973- (författare)
  • [Texterna nr 286 och 493]
  • 2011
  • Ingår i: Diplomatarium Norvegicum. - Oslo : Riksarkivet ved Ferdinand Linthoe Næshagen. - 9788254801123
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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5.
  • Svalastog, Anna Lydia, 1966- (författare)
  • Feministisk myteteori : en kulturanalytisk utfordring
  • 1997. - 1
  • Ingår i: Myter och mytteorier. - Uppsala : Faculty of theology, Uppsala University. - 9197213640 ; , s. 21-54
  • Bokkapitel (övrigt vetenskapligt/konstnärligt)
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