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Listening to virtua...
Listening to virtual space in recorded popular music
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- Gamble, Steve (författare)
- Kingston University London,ARP2017
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(creator_code:org_t)
- Stockholm : Royal College of Music (KMH) & Art of Record Production, 2019
- 2019
- Engelska.
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Ingår i: Proceedings of the 12th Art of Record Production Conference. - Stockholm : Royal College of Music (KMH) & Art of Record Production. ; , s. 105-118
- Relaterad länk:
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https://kmh.diva-por... (primary) (Raw object)
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https://urn.kb.se/re...
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Abstract
Ämnesord
Stäng
- Research on virtual recorded space manifests a division between productionandreception-based approaches. I address a number of issues which complicatediscourse across perspectives and outline why a convergence may bebeneficial to research in various disciplines. I consolidate previous models oflistening, including Moore (2012) and Zagorski-Thomas (2014), and arguethat the ecological approach to perception and research on embodied cognitionmay provide a useful theoretical framework for bridging this divide. Thisis exemplified by music analysis and interpretation of Karnivool’s (2009)‘Goliath’. I discuss the virtual recorded space that the track affords me andconsider how listeners may narrativise the track’s personic environment accordingto ecological/embodied principles.
Ämnesord
- HUMANIORA -- Konst -- Musik (hsv//swe)
- HUMANITIES -- Arts -- Music (hsv//eng)
Publikations- och innehållstyp
- ref (ämneskategori)
- kap (ämneskategori)
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