SwePub
Sök i LIBRIS databas

  Utökad sökning

id:"swepub:oai:DiVA.org:lnu-101966"
 

Sökning: id:"swepub:oai:DiVA.org:lnu-101966" > The “Spatial Percep...

The “Spatial Perceptive Function” of Film Music : When Music Tells You What and Where to Look

Audissino, Emilio, Senior Lecturer, 1981- (författare)
University of Southampton, UK,IMS
 (creator_code:org_t)
2019
2019
Engelska.
Ingår i: Mapping Spaces, Sounding Places. Geographies of Sound in Audiovisual Media.
  • Konferensbidrag (övrigt vetenskapligt/konstnärligt)
Abstract Ämnesord
Stäng  
  • In my book Film/Music Analysis I claim that film music mainly operates in films under three (overlapping) types of agency: emotive function (micro and macro), perceptive function (spatial and temporal), and cognitive function (denotative and connotative), depending on which of the viewer’s three dimensions of activity is most triggered by music. In this paper I would like to focus on the “spatial perceptive function”, which is when music is designed to attract the viewer’s attention to some movement within the film’s space, or to increase the prominence of a visual event. For example, in a crowded scene a fast descending scale of the strings, played simultaneously to someone falling down a flight of stairs in the background, would point the viewer’s attention to that “isomorphic configuration” and thus isolate an action in the space that might otherwise have gone unnoticed in that visually packed shot. In horror films, the sudden appearance of the monster is typically coupled with a “stinger”, a sudden sforzando dissonant chord that has not only the function of “scaring” the viewer (emotive function) but also that of boosting the “startle response” by adding to the sudden violent movement in the visuals an isomorphic sudden violent movement in the music. This function is also identifiable with the so-called “Mickey Mousing” used in old-fashioned Hollywood scoring, widely considered one of the types of musical intervention of least interest and least worth of analysis. Film music is, instead, amply discussed as to its contribution in shaping the emotional response or in communicating meaning. Employing Gestalt Theory and Leonard B. Meyer’s scholarship, I will go against the tide and bring the attention to this “spatial perceptive function”, to highlight music’s important contribution in pointing the viewer’s attention to the desired action or visual detail inside the filmic space. 

Ämnesord

HUMANIORA  -- Konst -- Filmvetenskap (hsv//swe)
HUMANITIES  -- Arts -- Studies on Film (hsv//eng)
HUMANIORA  -- Konst -- Musikvetenskap (hsv//swe)
HUMANITIES  -- Arts -- Musicology (hsv//eng)

Nyckelord

Film Studies
Filmvetenskap
Musikvetenskap
Musicology

Publikations- och innehållstyp

vet (ämneskategori)
kon (ämneskategori)

Till lärosätets databas

Hitta mer i SwePub

Av författaren/redakt...
Audissino, Emili ...
Om ämnet
HUMANIORA
HUMANIORA
och Konst
och Filmvetenskap
HUMANIORA
HUMANIORA
och Konst
och Musikvetenskap
Artiklar i publikationen
Av lärosätet
Linnéuniversitetet

Sök utanför SwePub

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

 
pil uppåt Stäng

Kopiera och spara länken för att återkomma till aktuell vy