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David Simon’s Novel Cop Show

Bruhn, Jørgen (author)
Linnéuniversitetet,Institutionen för film och litteratur (IFL)
Gjelsvik, Anne (author)
NTNU, Norway
 (creator_code:org_t)
Taylor & Francis, 2013
2013
English.
In: New Review of Film and Television Studies. - : Taylor & Francis. - 1740-0309 .- 1740-7923. ; 11:2, s. 133-153
  • Journal article (peer-reviewed)
Abstract Subject headings
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  • Is the acclaimed HBO series The Wire comparable to (a certain kind of) literature? In this paper we investigate this claim by both situating the series within the tradition of American television and by way of intermedial comparisons. We suggest that comparing The Wire with literature may prove productive. Specifically, we suggest that selected aspects of M.M. Bakhtin's theory of the novel (heteroglossia and chronotopics) are helpful tools in an analysis of this cop show. Our aim is to demonstrate how and why David Simon and Ed Burns' work may be legitimately considered a ‘novel cop show’, which means that, through The Wire, television is able to achieve some of the functions that are often referred to as typical of novelistic discourse.

Subject headings

HUMANIORA  -- Konst -- Filmvetenskap (hsv//swe)
HUMANITIES  -- Arts -- Studies on Film (hsv//eng)

Keyword

The Wire
TV
cop show
Bakhtin
crime fiction
novel discourse
Film Studies
Filmvetenskap

Publication and Content Type

ref (subject category)
art (subject category)

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Bruhn, Jørgen
Gjelsvik, Anne
About the subject
HUMANITIES
HUMANITIES
and Arts
and Studies on Film
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New Review of Fi ...
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Linnaeus University

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