SwePub
Sök i LIBRIS databas

  Extended search

id:"swepub:oai:DiVA.org:ltu-73286"
 

Search: id:"swepub:oai:DiVA.org:ltu-73286" > Room for interpreta...

  • 1 of 1
  • Previous record
  • Next record
  •    To hitlist

Room for interpretation : methodological aspects of a music research project

Jullander, Sverker, 1951- (author)
Luleå tekniska universitet,Musik och dans,Tolkningsrum
Sundkvist, Petter, 1964- (author)
Luleå tekniska universitet,Musik och dans,Tolkningsrum
Berg, Jan, 1962- (author)
Luleå tekniska universitet,Medier, ljudteknik och teater,Tolkningsrum
show more...
Kjekshus, Helge, 1968- (author)
Luleå tekniska universitet,Musik och dans,Tolkningsrum
Nelson, Karin, 1960- (author)
Norges musikkhøgskole,Tolkningsrum
show less...
 (creator_code:org_t)
Uppsala : Svenska samfundet för musikforskning, 2018
2018
English.
In: Svensk tidskrift för musikforskning. - Uppsala : Svenska samfundet för musikforskning. - 0081-9816 .- 2002-021X. ; 100, s. 89-115
  • Journal article (peer-reviewed)
Abstract Subject headings
Close  
  • The artistic research project ‘Room for interpretation’ addresses questions concerning the influence of room acoustics on the performance of Western art music from the performers’ perspective. The empirical core of the project is a number of experimental performance sessions carried out in Studio Acusticum, Piteå, a concert hall with mechanically variable acoustics. The authors discuss issues relating to the project’s design and methodology; the focus of the article is thus the research process rather than the results. A presentation of the project, its preconditions, goals, design and methodology is followed by an overview of previous research, mostly in acoustic science, on the same or closely related topics. In the third part of the article, characteristics of the present project are compared to those of the previous studies. In the following part, ’Room for interpretation’ is related to the ongoing discussion on the purposes and means of artistic research. The authors argue that the project, while showing certain similarities to previous studies, differs considerably with respect to aims and important aspects of design, and that its characteristic features agree well with those usually regarded as typical of artistic research. The article concludes with a summary of the most important results concerning: differences between performers’ reactions in the live situation and when listening to their own recordings; differences between chamber ensembles, conducted ensembles and soloists as to the influence of the acoustics on the performance; and the prevalence of sound over other musical parameters in performers’ comments on their recorded performances.

Subject headings

HUMANIORA  -- Konst -- Musik (hsv//swe)
HUMANITIES  -- Arts -- Music (hsv//eng)
HUMANIORA  -- Annan humaniora -- Övrig annan humaniora (hsv//swe)
HUMANITIES  -- Other Humanities -- Other Humanities not elsewhere specified (hsv//eng)

Keyword

Musical performance
musical interpretation
artistic research
methodology
room acoustics
variable acoustics
Studio Acusticum
Musical Performance
Musikalisk gestaltning
Ljudteknik
Audio Technology

Publication and Content Type

ref (subject category)
art (subject category)

Find in a library

To the university's database

  • 1 of 1
  • Previous record
  • Next record
  •    To hitlist

Search outside SwePub

Kungliga biblioteket hanterar dina personuppgifter i enlighet med EU:s dataskyddsförordning (2018), GDPR. Läs mer om hur det funkar här.
Så här hanterar KB dina uppgifter vid användning av denna tjänst.

 
pil uppåt Close

Copy and save the link in order to return to this view